Kurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 1891

View Similar Items

Spencer Pryse - Rowers Before the Race - British 1930's art sport lithograph rowing

Miguel Angel Campano - Untitled

Louis Berthomme Saint-Andre - Dancer Combing Hair - Lithograph by L. B. Saint-André - Early 20th Century

Unknown - Monsignor Tevere - Original Lithograph by Antonio Manganaro - 1870s

Unknown - Satirical Scene - Original Lithograph Hand Watercolored - 19th Century

Unknown - View of Reims - Original Lithograph on Paper - 1940 ca.

Unknown - Odalisque at the menagerie - Original Watercolor Lithograph - 1848 ca.

Unknown - Strasburg Cathedral - Original Lithograph - Mid-19th Century

Unknown - Die Cathedrale in Rouen - Original Lithograph - Mid-19th Century

Unknown - Correction Méritée - Original Lithograph - 1888

Reuven Rubin - Original Drawing Reuven Rubin Self Portrait with Lion Modern Israeli Art 1960s

André Thomkins - 70s Modernist Swiss Dada Surrealist Painting Signed Andre Thomkins Brush Drawing

1 of 13

Kurz and Allison
Kurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 1891
1880's

About the Item

Original Chromolithograph by the famed 19th Century printing house of Kurz & Allison This rare historical print depicts the crucial Civil War Battle of Fort Sanders, a major battle that took place in Knoxville, Tennessee on November 29, 1863. The Print is preserved under archival glass. This is a large print measuring approx. 21.5″ x 28″ (Image Only) The print is in excellent condition, and shows very nicely with only slight toning. This chromolithograph is an original published by Kurz & Allison in 1891 and NOT a reproduction. This amazing piece of art history is the most common scene used by historians to depict the battle (See the Image of the Battle of Fort Sanders page in Wikipedia). Battle of Fort Sanders The Battle of Fort Sanders was the crucial engagement of the Knoxville Campaign of the American Civil War, fought in Knoxville, Tennessee, on November 29, 1863. Assaults by Confederate Lt. Gen. James Longstreet failed to break through the defensive lines of Union Maj. Gen. Ambrose Burnside, resulting in lopsided casualties, and the Siege of Knoxville entered its final days. The Confederacy had never had effective control of large areas of East Tennessee. Slavery wasn’t practiced as widely in East Tennessee as in the other portions of the state. This led to, unlike the rest of the state, pro-Union sentiment before and after the Battle of Fort Sumter. Because of the fact that the few slaves there were in East Tennessee were household slaves for luxurious purposes, East Tennesseans felt disconnected from the economic practice of plantation slavery. Many East Tennesseans were classified as Yeoman farmers, and held a high spirit for the Union. In fact, Tennessee would furnish more volunteers for the Union than any other Confederate state combined; the majority of these volunteers were from East Tennessee. Therefore, Union forces had little trouble from the local populace when Burnside occupied Knoxville in September 1863; the Army had considerably more difficulty reaching Knoxville over the rugged mountainous roads of the region. Union engineers commanded by Captain Orlando M. Poe built several fortifications in the form of bastioned earthworks near Knoxville. One was Fort Sanders, just west of downtown Knoxville across a creek valley. It was named for Brig. Gen. William P. Sanders, mortally wounded in a skirmish outside Knoxville on November 18, 1863. The fort, a salient in the line of earthworks that surrounded three sides of the city, rose 70 feet (21 m) above the surrounding plateau and was protected by a ditch 12 feet (3.7 m) wide and 8 feet (2.4 m) deep. An almost vertical wall rose 15 feet (4.6 m) above the ditch. Inside the fort were 12 cannons and 440 men of the 79th New York Infantry. As a Confederate army under General Braxton Bragg besieged Union forces at Chattanooga, Tennessee, a detachment under the command of Lt. Gen. James Longstreet, a trusted subordinate of Robert E. Lee, was sent to Knoxville to prevent Burnside’s Army of the Ohio from moving in support of Chattanooga. After Burnside escaped a trap at the Battle of Campbell’s Station, his men took up defensive positions around Knoxville and the Siege of Knoxville began on November 17, 1863. Longstreet determined that Fort Sanders was the most appropriate place to attempt a breakthrough of the Union defenses. He initially planned an assault on November 20, but chose to delay while he received reinforcements. His eventual assault was conducted by three infantry brigades, under Brig. Gen. Benjamin G. Humphreys, Brig. Gen. Goode Bryan, and Col. Solon Z. Ruff (commanding Wofford’s Brigade). On November 23, 1863, Longstreet’s forces seized Cherokee Heights, a tall bluff south of the Holston River (now called the Tennessee River) from Knoxville, but only about 2,400 yards (2,200 m) from Fort Sanders. Longstreet’s original intent was to use artillery to “soften up” Fort Sanders in preparation for a frontal assault; however, at virtually the last minute, he changed the plan to a surprise infantry assault at dawn, hoping that the benefits of surprise would outweigh those of a cannonade. Inexplicably, he squandered the element of surprise by deploying skirmishers forward hours before the assault. Although this movement placed them in good positions for sharpshooting, it clearly revealed his plans to the Union troops. The assault, conducted on November 29, 1863, was poorly planned and executed. Longstreet discounted the difficulties of the physical obstacles his infantrymen would face. He had witnessed, through field glasses, a Union soldier walking across the ditch and, not realizing that the man had crossed on a plank, believed that the ditch was very shallow. He also believed that the steep walls could be negotiated by digging footholds, rather than requiring scaling ladders. The Confederates moved to within 120-150 yards of the salient during the night of freezing rain and snow and waited for the order to attack. Their attack at dawn has been described as “cruel and gruesome by 19th century standards.” They were initially confronted by telegraph wire that had been strung between tree stumps at knee height, possibly the first use of such wire entanglements in the Civil War, and many men were shot as they tried to disentangle themselves. When they reached the ditch, they found the vertical wall to be almost insurmountable, frozen and slippery. Union soldiers rained fire into the assault, including musketry, canister, and artillery shells thrown as hand grenades. Unable to dig footholds, men climbed upon each other’s shoulders to attempt to reach the top. A succession of color bearers was shot down as they planted their flags on the fort. For a brief time, three flags reached the top, those of the 16th Georgia, 13th Mississippi, and 17th Mississippi. Longstreet undertook his Knoxville expedition, which he came to realize was far too soon, to divert Union troops from Chattanooga and to get away from General Braxton Bragg, with whom he was engaged in a bitter feud. Longstreet reevaluated what was supposed to be a surprise attack and saw how it was poorly planned and executed. Based on comparative casualties, it was one of the most lopsided Union victories of the war. From the beginning of the artillery bombardment until the Confederates broke and retreated, the attack on Fort Sanders lasted about forty minutes. About twenty minutes, or half of that time, were spent in the struggle for control of the parapet. In the brief period of 20 minutes of attacking, General Burnside’s chief engineer, Orlando M. Poe, wrote that he was unaware in the annals of military history where a storming party was so nearly annihilated. The Confederate troops sustained 813 casualties – 129 killed, 458 wounded, and 226 missing. Federal losses inside Fort Sanders amounted to only about 20 men, while another 30 were killed and injured outside the fort by Confederate artillery. While Lieutenant Benjamin reported the Union losses in the fort as five killed and eight wounded, significantly less than their defeated opponent. About 250 prisoners and three flags fell into Union hands. While Longstreet arranged to withdraw, Burnside sent a flag of truce to allow him to recover his dead and wounded from the field. It was a humanitarian gesture much appreciated by the Confederates. The Union details pulled the dead out on blankets and carried them to a point half way across no-man’s-land for delivery to the Confederates. Many of the bodies had stiffened by this time, and the Federals temporarily leaned them up against the side of the blood-stained ditch. They recovered ninety-six bodies, mostly from inside the ditch, but also from the ground within several yards of the bastion. The Federals delivered slightly more than that number of wounded to the Confederates, for a total of 197. The Confederates identified the bodies of several high-ranking officers such as Solon Z. Ruff and Kennon McElroy. On the afternoon of November 29, Longstreet changed his mind about disengaging from the Federals at Knoxville when dispatches arrived from Joseph Wheeler. The cavalry general had reached Ringgold, Georgia, on November 25 while making his way back to the Army of Tennessee, only to find that Bragg had been severely beaten at Chattanooga. Bragg asked him to inform Longstreet of the defeat and let him know to rejoin the Army of Tennessee at Dalton or to go back to Virginia if that was not possible. On Dec. 4 Longstreet withdrew from Knoxville and headed toward Rogersville, 65 miles to the northeast. Longstreet’s failure to take Knoxville scuttled his purpose and the Knoxville Campaign was essentially over, with the city remaining in Federal hands for the remainder of the war. This Confederate defeat, plus the loss of the Battle of Chattanooga on November 25, put much of East Tennessee in the Union camp. Kurz & Allison Kurz and Allison were a major publisher of chromolithographs in the late 19th century. Based at 267-269 Wabash Avenue in Chicago, they built their reputation on large prints published in the mid-1880s depicting battles of the American Civil War. The prints were based on drawings and designs by Louis Kurz who himself was a veteran of the Civil War. In all, the firm published a total of thirty-six (36) civil war battle scene prints.

Creator:
Kurz and Allison (1880, American)
Creation Year:
1880's
Dimensions:
Height: 28 in (71.12 cm)Width: 21.5 in (54.61 cm)Depth: 1 in (2.54 cm)
Medium:
Lithograph
Period:
19th Century
Condition:
Gallery Location:
Gallatin, TN
Reference Number:
Seller: GDISPLAY20821stDibs: LU57332146223

More Ways To Browse

Antique Fire Place Surround

Antique Fire Place And Surround

Antique Ladder Other

Stained Glass Cross

Joseph Campbell

Houses In Rain Of Blood

Kurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 1891

View Similar Items

Kurz and Allison
Kurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 1891
1880's

About the Item

1930s Realist Figurative Drawings and Watercolors

Gerald Spencer Pryse
Rowers Before the Race - British 1930's art sport lithograph rowing, Circa 1930

1980s Conceptual Figurative Drawings and Watercolors

Miguel Angel Campano
Untitled , 1987

Early 20th Century Contemporary Figurative Drawings and Watercolors

Louis Berthomme Saint-Andre
Dancer Combing Hair - Lithograph by L. B. Saint-André - Early 20th Century, Early 20th Century

1870s Figurative Drawings and Watercolors

Monsignor Tevere - Original Lithograph by Antonio Manganaro - 1870s, 1870s

19th Century Figurative Drawings and Watercolors

Satirical Scene - Original Lithograph Hand Watercolored - 19th Century, 19th Century

1940s Contemporary Figurative Drawings and Watercolors

View of Reims - Original Lithograph on Paper - 1940 ca., 1940 ca.

Recently Viewed

More Ways To Browse

Kurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 1891

View Similar Items

Kurz and AllisonKurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 18911880's

About the Item

1930s Realist Figurative Drawings and Watercolors

Gerald Spencer PryseRowers Before the Race - British 1930's art sport lithograph rowing, Circa 1930

1980s Conceptual Figurative Drawings and Watercolors

Miguel Angel Campano Untitled , 1987

Early 20th Century Contemporary Figurative Drawings and Watercolors

Louis Berthomme Saint-AndreDancer Combing Hair - Lithograph by L. B. Saint-André - Early 20th Century, Early 20th Century

1870s Figurative Drawings and Watercolors

Monsignor Tevere - Original Lithograph by Antonio Manganaro - 1870s, 1870s

19th Century Figurative Drawings and Watercolors

Satirical Scene - Original Lithograph Hand Watercolored - 19th Century, 19th Century

1940s Contemporary Figurative Drawings and Watercolors

View of Reims - Original Lithograph on Paper - 1940 ca., 1940 ca.

Recently Viewed

More Ways To Browse

Kurz and Allison
Kurz & Allison Antique Chromolithograph Entitled “Assault on Fort Sanders” 1891
1880's

Gerald Spencer Pryse
Rowers Before the Race - British 1930's art sport lithograph rowing, Circa 1930

Miguel Angel Campano
Untitled , 1987

Louis Berthomme Saint-Andre
Dancer Combing Hair - Lithograph by L. B. Saint-André - Early 20th Century, Early 20th Century