Pierre et Gilles

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Mixed media on thick paper combining acrylic paint, marker and felt pen Handsigned Unique piece Rare piece

Original mixed media on paper Handsigned Unique piece PINKHAS (Born in 1975) SOLOS EXHIBITIONS 2022 Gallery 55 TLV Tel Aviv Israël 2021 Gallery 55 TL...

Original drawing with Posca felt pens on former stock exchange paper Handsigned Unique piece Biography of the Artist : About me I was born in Brussels in the 80's. I have always...

Original drawing with Posca felt pens on former stock exchange paper Handsigned Unique piece Biography of the Artist : About me I was born in Brussels in the 80's. I have always...

Original drawing on paper Handisgned Unique piece PINKHAS (né en 1975) EXPOSITIONS SOLOS 2022 Galerie 55 TLV Tel Aviv Israël 2021 Galerie 55 TLV Tel Aviv Israël 2019 Expo Pinkhas / Galerie Kinor, Rue de Rivoli - PARIS, France 2018 Expo Pinkhas / Tiny Tiny Gallery - TEL AVIV, Israël 2018 Expo Pinkhas / Galerie Kinor, Rue de Rivoli - PARIS, France 2017 Expo Pinkhas / Maison d'exposition générale - Safed, Israël 2017 Expo Pinkhas / Centre Communautaire - Perpignan, France 2015 Expo Pinkhas / Galerie Zi Artifice, Rue Quincampoix - PARIS, France 2012 Expo Locaux Du Magazine Le P'tit Hebdo / Jérusalem, Talpiot - jerusalem, Israel EXPOSITIONS COLLECTIVES 2017 NEW YORK ART EXPO / PIER 92/94 711 12th Ave (55th Street & the West Side Highway) - New York, États-Unis 2014 Solutions en Lumière / PALAIS D'IENA - PARIS, France 2013 2ème Biennale internationale d'Art Naïf / Salla Polyvalente - OTTMARSHEIM, France 2013 Ecoles de la Paix / Espace Pierre Cardin - PARIS, France 2012 Salon d'Autome / Hangar 2, Port de Jaffa - Tel Aviv, Israël 2012 Festival International d'Art Naïf / Cinémathèque de Jérusalem - Jérusalem, France 2012 festival de la francophonie / Maison de France...

Mixed media on thick paper combining acrylic paint, Posca felt pen and collage Handsigned lower left Unique piece Mint condition

Watercolour, felt tip pen, and pencil on paper, titled (lower left), 48cm x 37cm, (70cm x 58cm framed). It is in its original frame, although the glass and mount have been replaced. Patrick Procktor was part of an influential group of British artists in the 1960s. His early paintings were dynamic, abstract depictions of the male nude, before he established himself as one of the leading watercolourists of his generation from the 1970s His work is held in many major public collections. This work is after the soviet painting...

Claes Oldenburg framed drawing on matboard picturing a woman hanging from some kind of wire or rope, held up by a pulley. The Hanging Woman is a recurring motif in Oldenburg's work, ...

The viewer 2022. Paper/mixed media, 19.3x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, ...

Paco Rabanne ( 1934 -2023 ) Grand couturier et parfumeur franco - espagnol . Il a marqué l'univers de la mode dans les années 60. En 1963 , Lauréat de la Biennale de Paris avec une s...

Richard Corman Portrait of Jean-Michel Basquiat: Monotype (hand signed twice by Richard Corman), 2015 Silkscreen monotype on 320 gram Coventry Rag paper with deckled edges Signed twi...

Red Grooms Ruckus Rodeo, 1975 Acrylic and felt tip pen on paper Signed and dated in black felt marker Unique work Provenance: Marlborough-Gerson Gallery, with original label verso Frame included: in museum frame with UV plexiglass Measurements: 22.75 inches vertical by 19.75 inches horizontal by 1.5 inches Work 16.5 inches vertical by 13.5 inches horizontal This work on paper, Ruckus Rodeo, is a unique study by Red Grooms for one of the most popular works of art in the Museum of Modern Art, Ft. Worth, Texas's collection. Ruckus Rodeo is an immense, walk-through work of art that covers 1,237 square feet of gallery space. It consists of painted two-dimensional surfaces and sculptural three-dimensional figures that re-create the Fort Worth rodeo. Grooms has referred to this work as a "sculpto-pictorama." Sculpture wire, canvas, burlap, acrylic paint, and a fiberglass compound known as celastic were used to construct the work’s Texas-sized, larger-than-life, three-dimensional caricatures of rodeo archetypes, which include the rodeo queen and her steed, a bucking bronc, playful rodeo clowns, and a giant yellow bull named Butter. Ruckus Rodeo was commissioned for the Museum's 1976 exhibition The Great American Rodeo. Grooms was one of eleven artists invited to create a work for this show. In preparation, he attended every rodeo performance during Fort Worth's 1975 Stock Show and made many sketches. From these studies, Grooms drew a panoramic rodeo scene spanning more than seven feet, which served as the basis for Ruckus Rodeo's design. Grooms returned to his studio in New York to fabricate the work's major figures. In 1976, he returned to Fort Worth with the talented fifteen-member group of painters, sculptors, engineers, and carpenters known as the "Ruckus Construction Co.," who helped in the final assembly of Grooms's robust tableau. Associate Curator Andrea Karnes commented, "Ruckus Rodeo portrays the chaos, entertainment, and danger of the Fort Worth rodeo. Grooms's engaging work is characterized by a grand sense of spectacle, encompassing the ritual, pageantry, and disorderly commotion of a real rodeo event. The artist's interest in naive and primitive objects, such as folk art puppets and toys, is easily seen in this work. His rich, arbitrary use of bold and unmodulated colors combined with angular contours creates a loud, brash ambience. Despite the work's cartoonish flair, it is clearly inflected with an urban sensibility. The characters' outfits, for example, are more like the vibrant apparel of the urban cowboy...