Pierre Segogne

The Sea - Original Watercolor by Pierre Segogne - Early 20th Century

Early 20th Century

Landscape is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellow cardboard. No signature. Reynold Arnould was born in Le H...

Landscape is a Watercolor artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1960. Good condition included a white cardboard passpartout (35x51 cm). Hand-signed ...

Arab country is a watercolor realized by Jean Chapin in the 1950s. 42x33 cm, no frame. Signature stamp on the yellowed paper. Good condition, except for slight folding. Jean ...

Landscape is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1960. Good condition included a white cardboard passpartout (35x51 cm). Hand-signed...

Landscape with Shepherd is a drawing in watercolor and pencil, realized by an Anonymous artist in the late 19th century. Hand-signed, illegible. Good conditions. The artwork is re...

Stresa is a Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980) in 1955. Good condition included a cream colored cardboard passpartout (35x50 cm). Hand-s...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Lighthearted Illustration of Outdoor Pursuits This one of a fisherman signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist...

Collier's Magazine Illustration From the Estate of Charles Martignette. Work is framed in a period wood frame Watercolor on board

‘The Pont Marie and Bateau Mouche’ in Paris, watercolour on art paper, by Roland Hamon (1971). The artist combines two icons of Paris in this depiction on a beautiful blue summer day...

Modern School, Mid 20th century Boats in Palma de Mallorca Watercolor on paper 50 x 36.5 cm Framed : 56.5 x 43 cm The characteristic silhouette of t...

Charles Paul Gruppé. Loading the Catch [Katwyck Aan Zee] c. 1892. Watercolor. 14 1/2 x 17 1/2 (framed 19 1/2 x 23 1/2). Signed, lower left. Housed in an archival French mat and champ...