Siegried Sassoon

British poet Siegfried Sassoon caricature 'Sir 'Wartface' Sitwell speaks sharply

Blair Hughes-Stanton (British, 1902-1981) The Bathers Ink and watercolour Signed and dated `Blair HS 38’ (lower right) 13.1/2 x 20 in. (34.4 x 50.7 cm.)

Simeon Stafford (British, b.1956) St Michael’s Bay Pencil on paper Signed `Simeon’ (lower right) 15.3/4 x 22.3/4 in. (40 x 57.8 cm.) Executed in 2012 Simeon Stafford was born in Duk...

English School, Circa 1859 The Hampton Court Paper Chase Pen and ink Dated ‘nov. 2.6.4/59’ (lower right) 5.1/4 x 7 in. (13.3 x 17.8 cm.)

Jeffrey Morgan (British, b.1942) EVERYONE Pencil and watercolour with collage 25.1/4 in. (64.2 cm.) circular A 1960s pop art design for a tin tray Jef...

A delightful art deco watercolour colour painting with a light touch by the British Art Deco designer and illustrator William Henry Barribal. By the turn of the 20th century, Barr...

Elsa Carlander (British, circa 1930) An autumn gust Watercolour and pencil on paper Signed and inscribed ‘Best wishes from Elsa Carlander’ (lower right) 6.5/8 x 5.7/8 in. (16.8 x 15 ...

A charming scene of a figure by a loch with a ruined castle and homestead in the background by one of Queen Victoria's favourite artists. William Leighton Leitch (1804-1883) Figure ...

A lovely rural scene with figures walking on a country track, pausing for a moment to chat and gaze over towards the castle in the woods. Circle of William Leighton Leitch (1804-188...

A remarkable published sketch replete with primo pensiero; a window into Cruikshank's genius for sociopolitical caricature. Double-sided preparatory drawing in graphite with watercolor and ink on light-weight cream wove paper, 19 1/4 x 8 7/8 inches (487 x 224 mm), the full sheet. Signed boldly in brown ink, lower right image area. Uniform age tone, marginal wear including some minor areas of edge wear and two very minor associated losses at the lower left sheet edge. Colors appear to be slightly attenuated. There are three tabs of archival tape at the top sheet edge, verso; at right corner, left corner, and center. All condition points are entirely consistent with the age and nature of the paper and media. Multiple inscriptions in ink and graphite in Cruikshank's own hand. A maquette for the engraved image of the same title, used as the frontispiece to The Scourge, xii, published on June 18, 1816, by J. Johnson Cheapside, London. Impressions of the engraving for which this is a study may be found in the collections of the British Museum and the Yale University Library. Holiday-making 'cits' drive, ride, and walk (right to left) on a dusty road, in the direction of a sign-post (right) pointing 'To Wimbledon' (left); the opposite arm points (right) to Battersea. On the extreme left is the back of a coach, with outside passengers, one with a huge frothing tankard. A fat man trudges between two women, followed by a bloated dog. A 'cit' on a bucking horse follows. Next is a family party: a fat woman...

Richard Caton Woodville II (British, 1856 - 1927) The French Aerostatic Corps - The first War Balloon The launching of the L'Entreprenant used by the French Army under General Jourd...

This is an engaging work with masterful detail that will unfold for an intent viewer, particularly in the area of the figure's well-worn hands, and her traditional clothing. The image depicts a Bavarian woman deep in thought while winding a skein of wool. She is seated outside of her home, where she has brought her yarn swift...

This charming early 19th-century watercolour attributed to English artist John Varley OWS (1778-1842) depicts an Italianate vista with trees, distant town, and figures. Varley was a...