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Simone Gad
Lapin Blue Du Hollande

2016

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Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...
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Robotically-fabricated drawings on paper, these series formally deal with mediation from screen image to ‘drawing’ while using a computer-controlled pen plotte...
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    Located in New York, NY
    SWAN IN LOVE (TEOREMA 50), 2012  ink, watercolor, airbrush paint, graphite on paper  37.5 x 52 inches / 952 x 1320 mm unframed Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...
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