Socrate Foscato

Landscape - Original Ink Drawing by Socrate Foscato - 20th Century

20th Century

Landscape is an Original drawing in ink and watercolor realized in the mid-20th Century by Paulette Humbert. Good conditions. The artwork is depicted through soft strokes in a well...

View of the Temple of Vesta is an orginal modern artwork realized by Roberto Gigli (1846-1922). Mixed colored ink and watercolor on paper. The artwor...

Roman countryside is an original modern artwork realized by Robert Werner in the early 20th Century. Mixed colored ink and watercolor on paper. Hand signed on the lower margin. In...

Nude is an original artwork realized by Georges Henri Tribout in about 1940. Ink Drawing. Good Conditions. Georges Henri Tribout (1884-1962) ...

Temple in the Garden is an original artwork, pencil, watercolor and charcoal on paper. Is not signed and dated but we can attribute the period early 20th Century. It's an evocative...

The Family is an original artwork realized by Georges Henri Tribout in about 1940. Ink, pencil drawing and watercolor; hand signed on the left ma...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

Wilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...

Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali,...

Wobbly bridge, Tabanan, Bali, 1937 Signed with initials bottom right and dated, bottom left Pencil and ink on paper, 22 x 26.3 cm In ebonized frame with white mount Willem Otto Wi...

Marius Bauer (1867-1932) ‘Devotie in de Woestijn’ (Devotion in the Dessert near the pyramids of Gizeh, circa 1919) Signed lower right and titled lower left Watercolour on paper, H...

Graveyard with in the background the Borobudur, 1937 Signed with initials and dated bottom left Pencil and ink on paper, 33 x 29 cm In ebonized frame with white mount Literature: ...