Unknown

Framed 19th Century Sanguine - Portrait of Two Saints

19th Century

A pen and ink drawing attributed to the well known British artist Gordon Frederick Browne. Label to the reverse reads 'Gordon Frederick Browne RI, RB (1858-1932) Son of 'Phiz'. Exhib...

A wonderful study of a man sitting in a small boat reading a newspaper. One leg hangs out of the boat and his fishing nets lie on the beach beside him. Distant figures play in the wa...

A charming watercolour painting by A.P. Somerville, depicting a view of an estuary with boats. There is a label on the reverse inscribed with the artist's name and title. Signed to t...

In this fine watercolour red-coated hunters and foxhounds travel to a hunt. This fantastic Edwardian hunting scene is monogrammed and dated in the bottom left-hand corner and is well...

A fine watercolour showing a coastal harbour town under a grey sky. The artist has wonderfully captured the flat light of a grey day at the coast. Figures can be seen at the dockside...

A nostalgic Victorian watercolour in the manner of Myles Birket Foster RWS (1825–1899). The scene shows two young children playing lazily in the doorway of a red brick barn. One ho...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Watermark: the arms of Amsterdam Provenance: Christie’s, Amsterdam, 1 December 1986, lot 46; where acquired by: Private Collection, New York Literature: Roger Adolf d’Hulst, “Jordaens Drawings: Supplement II,” Master Drawings, vol. 28, no. 2 (1990), pp. 153-156, no. A237a, fig. 17. Matías Díaz Padrón, Jacob Jordaens...

Provenance: Private Collection, UK After initial training under Justus Suttermans and Vincenzo Dandini, in 1673 Anton Domenico Gabbiani embar...

Provenance: Private Collection, USA. This drawing is by Ercole Procaccini the Younger, who represents the final generation of painters in the storied Procaccini family. The son of C...

Part of the ring-wall of the Taj Mahal, Agra, India, 1914 Signed with initials and dated bottom right Black chalk on paper, 45.5 x 53 cm Literature: Ernst Braches en J.F. Heijbro...

Entrance to the temple at Klungkung, Bali, 1925 With studio seal at the reverse, dated and described, bottom left Black chalk on paper, 53 x 46.5 cm In ebonized frame with white mount Willem Otto Wijnand Nieuwenkamp (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...