Unknown

Wild Horse, Framed Ink and Pastel Drawing

A crowd of people that stretches into infinity, all tinged blue, huddle under umbrellas during a storm and face the viewer. Given the title, it is implied that the viewer stands in t...

Artist: Reuben Nakian Title: Leda and the Swan Year: circa 1970 Medium: Watercolor on Paper, signed l.l. Size: 14 x 16.5 inches Frame Size: 23 x 25....

Artist: Alfred van Loen, Dutch/American (1924 - 1994) Title: St. George and the Dragon Year: 1947 Medium: Watercolor, signed and dated Size: 15 x 20.5 inches Frame Size: 18 x 24.5 ...

Artist: John Chamberlain, American (1927 - 2011) Title: Yellow Coconut Year: 1981 Medium: Marker and pencil on newsprint, signed 'JC' l.r. Image Size: 19.25 x 8.5 inches Size: 19.25 ...

Two Into One (Passage Series) John Hardy, American (1923–2014) Date: 1982 Pastel on Paper, signed Size: 39 x 27 in. (99.06 x 68.58 cm)

Artist: Mary Joan Waid Title: Light, Behind Year: 1996 Medium: Pastel on Paper, signed Paper Size: 30 x 22 inches (76.2 x 55.88 cm) Frame: 40 x 31 inches (101.6 x 78.74 cm)

Standing Female Figurative Nude in Watercolor and Pastel on Paper A woman is depicted standing, presumably pregnant, in the nude with her hand on the small of her back. The artist u...

Abstract figurative reclining nude by Louis Nadalini (American, 1927-1995). This piece is unsigned, but was acquired with a collection of Nadalini work. Unframed (First image shows w...

Dynamic and colorful abstract expressionist figural pastel drawing by Ojai, California artist Gayel Childress (American, 20th/21st Century). Figures in various gestural poses are layered in vivid pastel, which pops brightly from the half-tone paper. The central female figure emerges from linear figurative abstraction with the addition of shading in greens and blues. Some age toning to paper. Signed "G. Childress" lower left, and on verso. Displayed in a new white mat and rustic white painted wood frame. Image size: 24"H x 18"W. Award-winning Ojai, California based artist Gayel Childress works in watercolors as well as oils and monoprints. She is best known for her fluid interpretations of landscapes and figures that capture the essence of the moment with a superb touch of humor. Childress, who has studied with William Wright, Jan Kuntz, Robert E. Wood and Don Andrews, has shown her work in many one-artist shows and art exhibitions. Her paintings can be found in numerous private and corporate collections throughout the United States and Europe. Her contributions to the art community within the Ojai Valley have been monumental. She, along with Marta Nelson and Bert Collins...

Orange, blue, and yellow abstract figurative portrait by Texas artist Ike E. Morgan. This pastel drawing depicts an abstract figure of George Washington against a yellow halo on a re...

Original pastel on paper. Hand signed on front and authenticated on verso by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. All reasonab...

Mercedes Carles Matter (1913 - 2001) Untitled, circa 1937 Pastel on paper 16 x 13 1/2 inches Estate stamped on the reverse Provenance: Estate of the artist Spanierman Gallery, New York Private Collection, Pennsylvania circa 2013 Private Collection, New York, 2021 Mercedes Matter was born in New York in 1913. Her father, the American modernist Arthur B. Carles, had studied with Matisse. Her mother, Mercedes de Cordoba, was a model for Edward Steichen. Ms. Matter grew up in Philadelphia, New York and Europe. She began painting under her father's supervision at age 6, and studied art at Bennett College in Millbrook, N.Y., and then in New York City with Maurice Sterne, Alexander Archipenko and Hans Hofmann. In the late 1930's, she was an original member of the American Abstract Artists organization and worked for the federal Works Progress Administration, assisting Fernand Léger on his mural for the French Line passenger ship company. Léger introduced her to Herbert Matter, the Swiss graphic designer and photographer, whom she married in 1939. The Matters were active in the emerging New York art scene and also traveled frequently to Europe. Their closest friends included Jackson Pollock, Lee Krasner, Franz Kline, Philip Guston, Alexander Calder and Willem de Kooning. They were also close to Alberto Giacometti, who was an important artistic role model for Mrs. Matter and a frequent photographic subject for her husband. Beginning in 1953, Mrs. Matter taught at the Philadelphia College of Art (now University of the Arts), Pratt Institute and New York University. Based on her teaching experiences she wrote an article for Art News in 1963 titled ''What's Wrong with U.S. Art Schools?'' In it, she lamented the phasing out of the extended studio classes required to initiate ''that painfully slow education of the senses,'' which she considered an artist's life work. The article prompted a group of Pratt students to ask her to form a school based on her ideas, which led, in 1964, to the founding of the New York Studio School. Originally in a loft on Broadway, the school gained almost immediate support from the Kaplan Fund, the Rockefeller Brothers Fund and the Ford Foundation. It granted no degrees, had only studio classes and emphasized drawing from life. Its teachers, chosen by the students, included the artists Guston, Bradley Walker Tomlin, Charles Cajori, Louis Finkelstein...