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John Sergeant
Studio Chair - interior watercolour drawing by British artist John Sergeant

circa 1975

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    Located in London, GB
    HARRY CARLETON ATTWOOD (1907-1985) Resurrection – Mural Design for Eltham Hall Signed with initials, dated and inscribed l.c.: Designs for Eltham Hall / 17/4/36 / HCA Watercolour ...
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  • The Open Window - 19th Century British Children's Book illustration by Sowerby
    By John George Sowerby 1
    Located in London, GB
    JOHN GEORGE SOWERBY (1849-1914) Phoebe - The Open Window Watercolour heightened with white Unframed, in mount only 8 by 7 cm., 3 by 2 ¼ in. (mount size 25.5 by 20 cm., 10 by 8 in.) Reproduced: J G Sowerby & Thomas Crane, At Home, Marcus Ward & Co, 1881, p.42. The current work was reproduced in Sowerby and Crane’s 1881 children’s book, At Home, where is accompanied by the following verse: All the morning, all the morning, Sat she till her tasks were done; While without were birds and blossoms, And the pleasant sun. And the leaves in ev’ry rustle, And the birds in ev’ry song:- “Phoebe, Phoebe, are you coming? Phoebe, don’t be long!” Whispered thro’ the open window Gentle breezes, passing by:- “Phoebe, are you coming, Phoebe? Come before we die!” Till the clock, with joyful measure, Struck the hour when work is o’er; Crying “Ponto’” Phoebe vanished Through the open door. Whither sped out nimble Phoebe? She is in the study now; Ponto heard her with she called him, - Answered back “Bow-wow!’ “Ponto, tho’ the birds and garden, Called me all the morning thro’ I had first to do my lessons – So I think should you.” Poor old Ponto! He is longing, Longing for his game of play, And the garden – ah: but Phoebe Has a word to say. “Beg then – beg, sir – do you hear me? No, no, Ponto, that is wrong; Paws up! Steady! Ah, that’s better! Good dog, come along!” John George Sowerby was born into a prosperous Gateshead family of glass manufactures and artists. He inherited the family business, the Ellison Glass Works, one of the world’s largest producers of pressed glass, where he introduced designs inspired by the Arts and Crafts movement. Initially he combined his energies at the glass works with his work as an illustrator and painter of landscapes and floral subjects with a Pre-Raphaelite intensity, strong colours and rich detail. He exhibited many of these paintings at the Royal Academy. In the 1880s he collaborated with Newcastle artist, Henry Hetherington Emmerson, on illustrations for the children’s books Afternoon Tea (1880) and The May Blossom (1881). Although were critically very well received but the publications were attacked by Kate Greenaway who considered them too close to her own work. Sowerby then went on to produce highly aesthetic illustrated books At Home (1881) and At Home Again (1883), with decorations by Thomas Crane. Gleeson White, editor of The Studio magazine stated that in Afternoon Tea Sowerby “set a new fashion for ‘aesthetic’ little quartos’ (The Studio, 1897). Roger Dixon in Belfast Publishing (Oxford University Press, 2011, p.79) considered these At Home and At Home Again to be “among the loveliest books ever produced.” Never very wise as a business man, in the early 1880s he left Ellison Glass Works being declared bankrupt in 1884. He returned to the works again as a paid employee. Sowerby’s daughter, Millicent Sowerby...
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  • Claude Shepperson - Petrushka - Watercolour scene from the Ballets Russes
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    Located in London, GB
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  • The Cello - 1960s Modern British watercolour drawing by William S Taylor
    By William S Taylor
    Located in London, GB
    WILLIAM S. TAYLOR (1920-2010) The Cello Signed and dated l.r.: W S Taylor ‘60 Watercolour and pen and ink over traces of pencil 29 by 32 cm., 11 ½ by 12 ½ in. (frame size 49.5 by ...
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  • Interior - 1940s Cubist chalk drawing of an interior still life by John Sutton
    By John Sutton
    Located in London, GB
    JOHN SUTTON (20th Century) Interior Signed, inscribed with title and dated: 12/5/42 Watercolour and chalks, unframed, in mount only 25 by 34.5 cm., 10 by 13 ½ in. (mount size 40 ...
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  • John Ward, RA - 20th Century British Still Life Watercolour Drawing
    Located in London, GB
    JOHN STANTON WARD, RA, RWS (1917-2007) Glasses, Branches and Paper Signed and dated 1960 Pen and ink, pencil and watercolour 47 by 63 cm., 18 ½ by 24 ¾ in. (frame size 64.5 by 80.5 cm., 25 ¼ by 31 ¾ in.) Provenance: Private collection since 1961. Ward was born in Hereford, where his father, Russell Stanton Ward, ran an antiques shop and restored paintings. He studied at the Hereford School of Arts and Crafts before winning a place to the Royal College of Art in 1936, where he studied under Gilbert Spencer, Charles Mahoney and Alan Sorrell and won the prize for drawing. During World War II he served in the Royal Engineers, using his drawing skills to design pillboxes, and later taking part in the D-Day landings. He was posted to Belgium after the war before returning to the Royal College to graduate in 1946. Ward worked as a painter, illustrator and teacher, happy to work in oils, watercolour, pastel and pen and ink. He painted portraits, landscapes, interiors and architectural subjects, undertaking portraits of members of the royal family, businessmen and celebrities including the Princess of Wales, the Princess Royal and the christenings of Prince William and Prince Harry. Fifteen of his portraits are in the collection of the National Portrait Gallery and he held one man shows at Agnew’s and the Maas Gallery. As a prolific illustrator he worked on guides to Herefordshire and North Yorkshire and produced illustrations for Vogue magazine from 1948 to 1952 and illustrated many books including Laurie Lee’s Cider with Rosie (1959) and H E Bates...
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