Mixed Media Interior Drawings and Watercolors

Artist Comments
Artist Judy Mudd presents an arched doorway in Venice in a detailed impressionistic rendering. Part of her Urban collection pays homage to diverse cultural architecture. She draws enthrallment from the exquisite and cool colors of Italian design. "I wanted to capture the beauty of the accumulation of colors and the patina of the crumbling building before it is lost to history," shares Judy.

About the Artist
For Judy Mudd, creating a work of art means much more than simply reproducing something she sees. “It is more than painting a subject, it is expressing a feeling,” she explains. Judy develops her paintings with thorough reconnaissance work. She goes out on photo shoots in a variety of atmospheric conditions, sketches outdoors, takes notes, and completes color and value studies. From there, back in the studio, she lets the paintbrush guide her. In addition to being a full-time artist, Judy also conducts painting workshops and classes

Words that describe this painting: watercolor, paper, Italy, architecture, door, Venice, facade, travel, Europe, windows, canal, water, travel, arch, architecture, impressionism, travel, watercolor painting, beige

Italian Beauty...

Artist Comments
"The fanciful notion that these blocky residences were carved right out of the side of the cliffs was the impression that inspired this painting," shares artist Joe Giuffrida. He presents a panoramic view of a city on the Amalfi coast. He leaves most of the architecture white to create one large shape that fits like a puzzle piece into the surrounding cliffs and foliage. The space becomes the central highlight of the entire composition against the vibrant shades of enclosing nature.

About the Artist
Artist Joe Giuffrida paints impressionist landscapes frequently balanced with architectural arrangements. His artistic vision diverges from traditional styles depending on the subject at hand. "My creative energy is best developed through being on-site, observing a location, and getting the feel of the environment," says Joe. An expression of what is felt but not necessarily seen flourishes in his work, pushing the limits of color and value beyond what is there. Joe sought mentorship through workshops and college classes, then supplemented his learning by reading books on art techniques. He developed a firm belief in his craft being good through the perception of feeling rather than visuals. Emotional connections hold a crucial part of his creative process, challenging himself to be able to convey his responses while leaving room for the viewer's interpretation. He works in two studios, one for subtle watercolor painting and the other for bold and heavy acrylics and oils - systemized by organized clutter. His work has been featured in American and European publications and displayed in England, Germany, France, and the United States. Outside of painting, he channels his prowess as a musician, spending considerable time learning new guitar music...