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Julia Whitney Barnes
Cyanotype Painting Anemones, Rose of Sharon, Botanical Painting, Indigo Blue

2021

About the Item

In watercolor, ink, gouache, and cyanotype on Arches platine paper, meticulously detailed flowers, including anemones, rose of sharon, and queen anne's lace are depicted in shades of pale blue against a deep, indigo blue background with a geometric tile floor pattern on the lower part of the composition. 30 x 23 inches (unframed), 34 x 27 inches (framed). Framed in handmade frame in maple with splined joined corners, finished in a warm white lacquer on the face and natural waxed maple sides. Artwork is floated on archival museum board and glazed with UV filtering and anti-reflective Museum Glass. Signed and dated on recto and verso. Sticker label on back of frame. Approaching each growing thing with equal importance, be it weed or rare plant, wildflower or cultivar, Julia Whitney Barnes combines several species into single compositions, often to the point where the species of plants depicted are open to interpretation, creating unique blue and white cyanotype prints on thick sheets of cotton paper and then painting the cyanotypes in many layers of watercolor, gouache and ink. Cyanotype is a camera-less photographic printing process invented in 1842 by scientist and astronomer, Sir John Hirschel, to produce a cyan-blue print when a chemistry-coated surface is exposed to sunlight. The first artist to use it was Anna Atkins, who was also a botanist and is cited as the very first female photographer. Through Whitney Barnes’ use of this medium, the artist manipulates physical impressions of plants grown locally in her Hudson Valley garden and other nearby areas, along with intricately cutout photographic negatives. Each selected flower or plant is preserved through a pressing process in which each form is dissected and shaped—akin to the preservation of specimens in a natural history museum—and then laid out in massive flat files in the artist’s attic studio. Because sunlight starts the exposure process within cyanotype chemistry, the artist carefully arranges elaborate compositions by night, utilizing long exposures under natural or UV light to create the final prints.
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