Kathleen Ney

Male Figure in Blue Drawing, Drawing, Pen & Ink on Paper

2020

Tehos Draw charcoal ink, and mix media on strong Art paper cutted in 6 part and stick in a 60x80 strong art paper Abus in french means abuse, i have draw that ...

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

Landscape B/W Mineral Oxide on Paper ( Fabriano Elle Paper's 220 gr) 100x70 cm 2023 original art one-of-a-kind Marilina Marchica, born in Agrigento, where she works and...

Woman sketch :: Drawing :: Minimalism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location:...

Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means. To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering. These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process. Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...

Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means. To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering. These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process. Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...

CARL ANDRE Untitled Drawing, 1984 Felt tip pen, marker and stamp on Postmarked (franked) card to Lynn Charles Foster 3 3/5 × 6 1/10 inches Hand-signed by artist, Hand signed by Carl ...

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...