Alberto Prosdocimi

Basilica di Santa Maria from the Grand Canal, Venice

1890

Pen and black ink on watermarked Ingres laid paper, 9 1/4 x 12 1/4 inches (234 x 310 mm), signed, dated and titled in brown ink, and initialed and titled in black ink in the lower right corner. Light to moderate age tone and mat tone, and with the signature and notations in brown ink having become quite attenuated, although legible. Presented in a basic black wood frame with a label from the Country Art...

Ink and wash in sepia and brown on heavy wove paper, 5 13/16 x 8 1/2 inches (146 x 215 mm). Scattered uniform age tone and discoloration throughout. Brown ink spot with associated sp...

English School, 19th century. Baths at Caracalla, Rome. 1852. Ink wash in brown ink on cream wove paper, 9 7/8 x 13 inches (250 x 330 mm), titled and dated in brown ink, lower right...

Ink wash with watercolor in sepia and black, and blue, on buff wove watercolor paper, 14 1/4 x 10 1/4 inches (360 x 260 mm). 1/4" of the lower right corner is lost, minor crack (doe...

Brush and brown ink and wash with graphite on cream wove paper, 6 1/2 x 9 1/4 inches (165 x 232mm). Inscribed "Fahlerant, No. 9754, Paisaje--Orillas de un lago" in ink on the verso. ...

A serene Hudson River scene by a student of Louis Comfort Tiffany. Anna May Walling was born in 1881, a native of Goshen, New York. She was a graduate of the Blair Academy, and Prat...

This Ink and watercolour masterpiece is featured in Bloomsbury's 2011 publication, showcasing the artist's sketchbook (Note 1). Created en plein air, Shizico Yi painted this piece in...

A Landscape Scene, perhaps in a Parc, with a great tree and an Obelisk. in The foreground two figures are shown. English School inscribed "Pieter Rysbraeck?" on paper, with passepart...

German or Swiss School, probably Circle of Christoph Nathe (1753-1808)), around 1800; beautiful old master drawing/ aquatint, inscribed "P 50/ 1871 gekauf...

Capturing the essence of tranquility and grace, this breathtaking watercolor piece, measuring 56 x 76 cm, features a mesmerizing portrayal of two women adorned in elegant kimonos aga...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and J...

"Brick Layers" WPA American Scene Mid 20th Century Modern Drawing Men Working. 21 x 15 inches Watercolor on paper. c. 1938. Signed lower left. BIO David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket. As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's. After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947. Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road" in 1940. He was a War Artist Correspondent for both the State Department (the European and Asian fronts) and Life magazine from 1943 to 1946 and his work was featured in Life magazine regularly during the war and after until the end of his life. Also featured in Life in 1956 were drawings that Fredenthal had vividly recorded on his sketch pad, of the entire filming of the movie, The Pride and the Passion, starring Cary Grant, Sophia Loren, and Frank Sinatra, along the treacherous mountain passes of Spain. Though he was fiercely committed to an art that expressed deeply human social values and issues and was quite hostile to abstraction, he was friendly with a number of abstract artists such as David Smith, Ad Reinhardt, Philip Guston, Paul Feeley, and Herman Cherry.