Items Similar to Untitled (Landscape #19)
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Alex PeñaUntitled (Landscape #19)2021
2021
About the Item
Alex Peña, Untitled (Landscape #19), 2021, ink on paper
Framed size: 12" x 14"
Image size: 8" x 5.75"
- Creator:Alex Peña (American, Native American)
- Creation Year:2021
- Dimensions:Height: 12 in (30.48 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Albuquerque, NM
- Reference Number:1stDibs: LU1851210046422
Alex Peña, an enrolled member of the Comanche Nation in Oklahoma, considers different aesthetic values in his art. He incorporates cultural knowledge, interpersonal relationships, and the idea of beauty. He relies heavily on the process and he allows the media to dictate, refine, or enhance his statement of aesthetic worth. Peña’s work suggests place and emotion. In his work, Peña uses the literality and simplicity of a line created by the use of a straight-edge as well as exploring the variety of line that can be created by using a different color, width, repetition, or direction of line.
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2020
1stDibs seller since 2022
12 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Albuquerque, NM
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Untitled (Landscape #20)Located in Albuquerque, NMAlex Peña, Untitled (Landscape #20), 2021, ink on paper Framed size: 12" x 14" Image size: 5.75" x 7.5"Category
2010s American Modern Landscape Drawings and Watercolors
MaterialsInk
- Untitled (Landscape #21)Located in Albuquerque, NMAlex Peña, Untitled (Landscape #21), 2021, ink on paper Framed size: 12.5" x 14.5" Image size: 7.5" x 10.5"Category
2010s American Realist Landscape Drawings and Watercolors
MaterialsInk, Archival Paper
- Untitled (Oklahoma Landscape #4)Located in Albuquerque, NMAlex Peña, Untitled (Oklahoma Landscape), 2020, ink drawing on paper, Framed size: 14" x 12" Image size: 8" x 5.75"Category
2010s American Realist Landscape Drawings and Watercolors
MaterialsArchival Ink
- Rare EncounterLocated in Albuquerque, NMTerran Last Gun, Rare Encounter (2022) Ink and colored pencil on antique “Miles City, Custer County, State of Montana, record of official ballots” ledg...Category
2010s Abstract Drawings and Watercolors
MaterialsPaper, Ink, Color Pencil
- Landscape No.6Located in Albuquerque, NMTerran Last Gun, Landscape No.6, Four-color Serigraph on White Somerset Paper, Edition of 4 2019 36" x 26", framedCategory
21st Century and Contemporary Landscape Prints
MaterialsArchival Ink, Archival Paper, Screen
- Malevich Pueblo-Style #4Located in Albuquerque, NM2024 Watercolor 19” x 13” 21” x 15” framedCategory
2010s Drawings and Watercolor Paintings
MaterialsWatercolor
You May Also Like
- Whimsical Fishing Illustration Cartoon 1938 Mt Tremblant Ski Lodge William SteigBy William Steig (b.1907)Located in Surfside, FLLighthearted Illustration of Outdoor Pursuits This one of a fisherman signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsIndia Ink, Watercolor, Illustration Board
- Whimsical Illustration "Snow" Cartoon, 1938 Mt Tremblant Ski Lodge William SteigBy William Steig (b.1907)Located in Surfside, FLLighthearted Illustration of Outdoor Pursuits This one being cross country Snow Shoes signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by ...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsIndia Ink, Watercolor, Illustration Board
- Abstract "Tree Landscape" Ink Line Drawing 1981 American Modernist Jack HooperBy Jack HooperLocated in Arp, TXJack Hooper "Tree Landscape" 1981 Ink on glossy paper 11"x7" unframed Signed and dated in pencil lower right Embrace the serene beauty of nature through this abstract line drawing b...Category
Mid-20th Century American Modern Abstract Drawings and Watercolors
MaterialsPaper, Ink
- Untitled (Hot Air Baloon Ascent and Spectators)By Joseph O'SickeyLocated in Fairlawn, OHUntitled (Hot Air Balloon Ascent and Spectators) Sepia wash on wove paper, 1985 Signed and dated in ink lower right corner From the artist's 1985 sketchbook Probably a view of Cape C...Category
1980s American Modern Landscape Drawings and Watercolors
MaterialsInk
- Airacuda Fighter Planes Art Deco Machine Age 20th Century American ModernismLocated in New York, NYAiracuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...Category
1930s American Modern Landscape Drawings and Watercolors
MaterialsInk, Gouache, Board
- Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPABy Ernest Hamlin BakerLocated in New York, NYMagazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsGouache, Paper, Watercolor, Ink
Recently Viewed
View AllMore Ways To Browse
Untitled Landscape
Alex Gray
Vintage Mats
Original Watercolor Landscapes
Tree Drawing
Antique Watercolor Landscape
Drawing Of Trees
Gold Framed Drawing
Watercolor Water
French Watercolour Landscape
French Landscape Watercolours
Antique Watercolor Landscape Paintings
British Watercolour
Architecture Watercolor
Architectural Watercolor
French Mats
French Mat
Tree Watercolor