Marin, CA Coastal Landscape in Watercolor, Late 20th Century
View Similar Items
1 of 2
Alysanne McGaffeyMarin, CA Coastal Landscape in Watercolor, Late 20th Century
About the Item
- Creator:Alysanne McGaffey (1931, American)
- Dimensions:Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 438971stDibs: LU29823114043
You May Also Like
- Leaping Marlin (with fisherman on the boat Islander) by John WhorfBy John WhorfLocated in Hudson, NYJohn Whorf captures one of the thrilling moments of fishing in this watercolor – when the fish is on the line, but still trying to escape. One of the fastest fish in the world, marlin fishing...Category
1950s American Modern Animal Drawings and Watercolors
MaterialsWatercolor, Paper
- "Bathers" American Scene Social Realism 20th Century Modernism Ashcan FauvismBy Charles DemuthLocated in New York, NY"Bathers" American Scene Social Realism 20th Century Modernism Ashcan Fauvism Charles Demuth (1883-1935) "Bathers" 10 1/2 x 8 1/4 inches watercolor on paper, c. 1930 Signed lower le...Category
1930s American Modern Figurative Drawings and Watercolors
MaterialsPaper, Watercolor
- California Impressionist Landscape Painting Framed 19th Century Rare PurpleLocated in Buffalo, NYAn original American impressionist figurative watercolor of a California coastline with trees.Category
Early 1900s American Modern Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
- “Rocky Mountain Meadow”By Werner DrewesLocated in Southampton, NYOriginal watercolor on archival paper of a Rocky Mountain Meadow by the well known American artist, Werner Drewes. Signed lower right. Titled and dated 1956 on verso of sheet. Con...Category
1950s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Archival Paper
- "Bass Rocks, Gloucester, Massachusetts" Watercolor Bright SeascapeBy Louis WolchonokLocated in New York, NYLouis Wolchonok (1898 - 1973) Bass Rocks, Gloucester, Massachusetts, 1923 Watercolor on wove watercolor stock paper 13 x 17 3/4 inches Signed and dated lower right corner: LWolchonok...Category
1920s American Modern Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
- "New York from the Ferry" John Marin, American Modernism Watercolor, CityscapeBy John MarinLocated in New York, NYJohn Marin New York from the Ferry, 1914 Signed and dated lower right Watercolor and graphite on paper 11 x 12 3/4 inches Provenance: An American Place, New York Kennedy Galleries, Inc., New York Christie's, New York, March 16, 1990, Lot 278 Private Collection (acquired from the above) Sotheby's New York, American Paintings, Drawings, & Sculpture, October 2, 2014, Lot 10 A major figure in early twentieth-century modernism, John Marin captured the colliding energies of the American urban scene and the vibrant contrasts of natural elements in the coastal landscape of Maine and other countryside locales. As one of the premier watercolorists of his era, Marin developed a light, spontaneous style ideally suited to conveying the freshness and flux of city and country experience -- his watercolors are often considered to match in strength those created by Winslow Homer in previous century. At the same time, Marin's sensitivity to mass, form, color, and line and their dynamic interchanges provided a precedent for the Abstract Expressionist movement of the late 1950s. Marin was born in Rutherford, New Jersey, to a family of European descent. After studying mechanical drawing and mathematics for half a year at the Stevens Institute of Technology in New York, Marin worked as a draftsman for several architects. It was not until he was almost thirty years old that he began to study art. He enrolled at the Pennsylvania Academy of the Fine Arts in Philadelphia from 1899 to 1901, and at the Art Students League in New York from 1901 to 1903, where his teachers were William Merritt Chase and Frank Vincent Dumond. While Marin was attending the League, the radical ideas of Arthur Wesley Dow were being disseminated and had an impact on the direction Marin would soon take in his art. Marin left for Europe in 1905. The next five years, which he spent abroad, were of tremendous importance to his career. He became a significant figure in the expatriate community in Paris, frequenting the Dôme, a café that served as a meeting place for artists and writers. While in Europe, Marin visited the Louvre and the Rijksmuseum in Amsterdam and, despite his claims that he had been indifferent to the Paris art world, he undoubtedly became aware of the art of Paul Cézanne and Henri Matisse. The works Marin created in Europe most strongly reflect the influence of James McNeill Whistler, especially the pastels he rendered in Venice. In the summer of 1909, Marin met Alfred Stieglitz in Paris. In February of the next year, Marin's work was shown along with that of Alfred Maurer at Stieglitz's gallery, 291. After returning to America in the following year, Marin became one of the most consistent members of Stieglitz's inner circle, showing at all three of his galleries -- 291, The Intimate Gallery, and An American Place. After 1910, Marin developed the routine that he would follow for the rest of his life, creating paintings, drawings, and prints in New York City and surrounding areas during the winter, and in the summer, traveling to the country, where he focused on the particular characteristics of the regions that he visited. He worked mainly in watercolor until 1928, when he began also to use oil. Marin never became purely abstract. He formulated a unique style melding influences of the art of the French Fauves, Cézanne, Matisse, and the French Cubists with a personal style of luminescent colors, agile brushwork, and a simultaneously delicate and strong handling. In city views, he used broken lines, a light touch, fluid color, and rhythmic compositions to convey what he described as the "great forces at work." He expressed the warring of the great and the small through relationships between masses. As he said, he sought to express the "pull forces" of the modern urban scene. Often portraying the new tall buildings of New York seen...Category
1910s American Modern Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
Recently Viewed
View AllMore Ways To Browse
Manuel Marin
H C Fox Watercolor
1960s Vintage Paper Dolls
Edward Tucker
Walter G Cleveland
Ruth Hoffman
Hercules Brabazon Brabazon
River Dee
Peter Collins Brochure Lloret
Peter Collins Panorama
Wayne Wolfe
Mosaic Padlock
Pastel Kamil Kubik
T Travis
Mid Century Watercolor Mt
Alan Cote
Judith Simonds
Adams Royal Worcester