Items Similar to Journey #38 (monochrome grey pen drawing wood detailed oriental dansaekhwa)
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Cheolyu KimJourney #38 (monochrome grey pen drawing wood detailed oriental dansaekhwa)2018
2018
About the Item
Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by.
Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives.
Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas.
Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems.
keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art, abstract drawing, geometric, drawing on paper, black and white drawing, multiple panels
- Creator:Cheolyu Kim (1968)
- Creation Year:2018
- Dimensions:Height: 33.86 in (86 cm)Width: 94.49 in (240 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU90714732691
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2017
1stDibs seller since 2018
176 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Quebec, Canada
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Journey #54 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
- Walking table #47 (monochrome grey pen drawing wood detailed oriental dansaekhwaBy Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Op Art Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
- Journey #39 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, Quebeckeywords; wood, pencil drawing, monochrome, highly detailed, Korean art, dansaekhwa, oriental art, circles, moire, geometric abstraction, intentionally exposed support, line form and color, curvilinear forms, dynamism, contemporary drawing, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
- Journey #40 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
- Journey #49 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
- Journey #53 (monochrome grey pen drawing wood detailed oriental dansaekhwa)By Cheolyu KimLocated in Quebec, QuebecCheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...Category
2010s Surrealist Landscape Drawings and Watercolors
MaterialsBirch, Wood Panel, Pen
You May Also Like
- Shire (2022), surreal abstract dream-like landscape, blue, silver, pink, blackBy Shamona StokesLocated in Jersey City, NJShire (2022), surreal abstract dream-like landscape, blue, silver, pink, black "Shire" by Shamona Stokes portrays a dreamy, inviting, surreal landscap...Category
2010s Contemporary Abstract Drawings and Watercolors
MaterialsSilver, Foil
- "red map 6" Abstract cityscape, acrylic, marker and pencilBy Miriam SingerLocated in Philadelphia, PAThis piece titled "red maps" is an original artwork by Miriam Singer and is made of pencil, marker, acrylic on panel.This piece measures approximately 31”h x 41”w and ships in the pi...Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
MaterialsPaper, Acrylic, Permanent Marker, Pencil
- 63 Years (Tree Rings Series)By Steven L. AndersonLocated in New York, NYSteven L. Anderson 63 Years, 2015 marker and pen on paper 16 x 16 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratched,...Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
MaterialsInk, Archival Paper, Permanent Marker
- 46 Years (Tree Rings Series)By Steven L. AndersonLocated in New York, NYSteven L. Anderson 46 Years, 2015 marker and pen on paper 9.5 x 7.5 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratche...Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
MaterialsInk, Archival Paper, Permanent Marker
- 36 Years (Tree Rings Series)By Steven L. AndersonLocated in New York, NYSteven L. Anderson 36 Years, 2015 marker and pen on paper 8 x 8 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratched, a...Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
MaterialsInk, Archival Paper, Permanent Marker
- 10-83Years (Tree Rings Series)By Steven L. AndersonLocated in New York, NYSteven L. Anderson 10-83 Years, 2014 marker and pen on paper 40 x 30 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratch...Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
MaterialsInk, Archival Paper, Permanent Marker
Recently Viewed
View AllMore Ways To Browse
Detailed Art Work
Painting Detailed
Pen Work
Oriental Fine Art
Oriental Artists
Used Wood Planes
Used Wood Plane
Brown Line Drawing
Oriental Wood
Blur Wood
Blural Wood
Black Drawing On White Background
Pen Limited
Monochrome Landscape
Wood Biomorphic
Oriental Panels
White Monochrome Painting
Monochrome Modern Painting