Joseph Francois Burdallet

“Vue des Montagnes de Villeneuve”

1828

Rare and finely detailed miniature pen and black ink drawing by the Swiss artist, Joseph Francois Burdallet on vellum. Inscribed by the artist at upper center, "Vue du chateau...

Rare and finely detailed miniature pen and black ink drawing by the Swiss artist, Joseph Francois Burdallet on vellum. Inscribed by the artist at upper center, "Vue de la chapelle...

Rare and finely detailed miniature pen and black ink drawing by the Swiss artist, Joseph Francois Burdallet on vellum. Inscribed by the artist at lower left, "Dessiné à la plume"; at lower right, "Burdallet, 1828”. Presently unframed. .A series of 8 similar miniature ink drawings...

Watercolor on paper by the Dutch artist, Anthony Andreas Meijiers. Signed lower right. Condition: Excellent. Unframed. Anthony Andreas de Meijiers or Meyer was a Dutch active in...

Finely executed watercolor and gouache landscape with figures by the Swiss artist, Louise Clauseau (Swiss). Signed under the mat by the artist and dated June, 1852. The watercolor ...

Beautifully executed original watercolor by the Italian born artist, Cesare Tiratelli. Signed bottom right. Strong, rich vibrant colors. Condition ...

A very attractive and meticulously executed view of a rocky landscape within the woods dating to 1823. This would suit a library or study with its muted tones and skifull draughtsmanship. William Nicholson (1781-1844) Near Croxdale Hall Signed with initials and inscribed with title and date 1823 Pen, ink and grey wash 11 x 8 inches, image only 17 x 13 inches without frame The portrait-painter and etcher William Nicholson was born in Ovingham-on-Tyne, Northumberland, on Christmas Day 1781. His family transferred to Newcastle when his father was appointed Headmaster of the city's Grammar School. At an early age, though, Nicholson appears to have moved to Hull where he made his artistic debut, painting miniatures of officers garrisoned there. He was almost entirely self-taught, learning his craft through the close study of artworks in private and public galleries. He subsequently returned to Newcastle where he received many commissions to paint portraits of the old families of Northumberland. In 1808, he began to exhibit at the Royal Academy, continuing to do so until 1822. By 1814, Nicholson, whose mother was a Scot, had moved to Edinburgh where he set up as a miniaturist and painter in oils. Soon, however, he began to specialize in watercolour portraits. Early subjects included the actor Daniel Terry and the poet and novelist James Hogg. In 1818 he began to publish a series of Portraits of Eminent Scotsmen, etched from his own portraits and those of other painters. Besides Scott and Hogg, the subjects included the writers Robert Burns, John Wilson ('Christopher North'), and Lord Jeffrey, the painters Sir Henry Raeburn, the divines Alexander Carlyle and Alexander Cameron, the engineer James Watt, the architect John Playfair, and the song-collector and composer George Thomson...

"View of Chequers Court" is an original pencil, pen, and ink drawing by Fiennes Trotman. This drawing was part of the Rothschild collection, and it fea...

gouache with pen and ink signed "Seymour Thomas" at lower right

This is an oversized astonishing architectural study for the restoration of a church in a Paris suburb. These sketches of the St Pierre church in Avon, Seine et Marne Departement, nearby Paris are for the restoration of the front porch. The drawing is made with watercolor, ink, and sepia pencil. On the lower center bottom, you have the drawing of the porch itself, on the left side a close-up of the underside of the framework, and on the right side the same framework views from above. The top left corner shows a quoted plan of the porch. There is a handwritten dedication on the lower right-hand corner that reads: To my old friend and pal. A warm memory of school. Sign Maurice Lambert. The study is ornate with a classic wood frame with glass protection. Good condition, with minor wear on the frame throughout. Please check the last three pictures for the views of the original building. Measurements: With frame: 40.94 in wide (104 cm) x 27.56 in high (70 cm). View: 38.98 in wide (99 cm) x 25.59 in high (65 cm). Note: Listed as a Historic Monument in 1840, the Saint-Pierre d'Avon church (77) was built in the 12th century, its bell tower in the 13th century, and the choir, and the portal in the 16th century. The charming and original awning of the porch under which Madame de Maintenon...

English School, 18th Century A traveller before a Hilltop Coastal Fort Watercolour and ink on paper 10.1/2 x 15.1/2 in. (26.7 x 39.5 cm.) This early watercolour was initially though...

"These small works are the result of a tribulation. Eyes that could see only double, a heart that gave out from chemo, facial surgery to remove half the face; I lived only in hope against hope to be able to work again. With that old dear longing, restored face, renewed heart, and improving health, I started again to recline upon the shores of Texas waterways and vistas wishing to express as simply as possible my love and delight at being able to see and paint again. Also included in this exhibition will be the egg tempera panel, Christmas, one of the recent paintings completed for The Chapel installation, now 36 years in the making." “God bless us one and all.”—Tiny Tim...