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Karl E. Karalus
"American Bald Eagle"

Circa 1980

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  • “The Old Horse Cart”
    By Ogden Pleissner
    Located in Southampton, NY
    Original watercolor on archival paper attributed to the very well known American realist artist Ogden Pleissner. Signed bottom right on unfinished watercolor verso. Unfinished wat...
    Category

    1960s Realist Landscape Drawings and Watercolors

    Materials

    Watercolor, Archival Paper

    “The Old Horse Cart”
    $2,720 Sale Price
    20% Off
  • “Through the Barn Window”
    Located in Southampton, NY
    Beautifully executed super realistic watercolor on archival paper of an open barn window and the outdoor view beyond. Done in a trompe L’oeil style. Signe...
    Category

    1960s Realist Landscape Drawings and Watercolors

    Materials

    Archival Paper, Watercolor

  • “Portland Harbor in 1910”
    Located in Southampton, NY
    Beautiful watercolor and gouache on archival paper by the well known Maine artist Bill Paxton. The watercolor depicts what Portland harbor in Maine looked like in 1910 with sailing vessels of the era moored in the harbor. Signed lower right by the artist. Titled verso. Circa 1975. Condition is excellent and is finely matted and framed. The artwork is matted and framed in a thin gold leaf custom gallery frame. Overall framed measurements are 17.5 by 21.75 inches. Provenance: Sarasota, Florida estate. William (Bill) Paxton 1930—2007 William Paxton, born August 5, 1930 in Lewiston, was one of Maine’s top selling artists. He had a passion for painting and from a young age he was known for his talents in sketching. Paxton captured many popular Maine scenes with watercolor, acrylic, and oils. His work also includes historical scenes he referenced in books from as early as the 1920’s, painting locomotives, aircraft, and war scenes. Paxton’s art is sold all over the world. As a student at Bridgton Academy, he was featured in his yearbook. It states, “When artist Bill picks up his pen, we all stand at attention, for his remarks and pictures are certainly worth mention.” He wanted to pursue a career selling his art, but it was during the time of the Great Depression. Also in his younger years, Paxton had an interest in skiing and won a medal for Second Highest Ski Jump. From there he went to flying and received a certification for Second-in-Command, to fly alongside the captain in a C-46F type of aircraft. He then joined the Air Force in the 40’s, although his passion and talents for art were constant throughout his life. Paxton quickly became the front line military sketch...
    Category

    1970s Academic Landscape Drawings and Watercolors

    Materials

    Watercolor, Gouache, Archival Paper

  • “A Norman Peasant’s Home”
    Located in Southampton, NY
    "A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector. H. A. Dyer 1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist. Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University. Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry. H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...
    Category

    1920s Post-Impressionist Landscape Drawings and Watercolors

    Materials

    Gouache, Archival Paper, Watercolor

  • “Waves along the Rocky Coast”
    By Edmund Darch Lewis
    Located in Southampton, NY
    Beautiful watercolor and gouache painting of waves crashing on the rocks along the shore by the renowned American artist, Edmund Darch Lewis. Signed lower left and dated 1908. Condition is excellent. The painting is housed in its original art nouveau frame recently restored. Under UV glass. Overall framed measurements are 21.75 by 33.75 inches. Edmund Darch Lewis (1835-1910) Edmund Darch Lewis was born in Philadelphia on October 17, 1835 to a successful, wealthy, well-connected family. He studied with Paul Weber...
    Category

    Early 1900s Academic Landscape Drawings and Watercolors

    Materials

    Watercolor, Gouache, Archival Paper

  • “Birches in Winter”
    By Francis Stillwell Dixon
    Located in Southampton, NY
    Original watercolor and gouache on archival paper of birch trees in winter along a fenced roadway with a quaint home in the background. Signed lower right. Condition is excellent. Circa 1960. The watercolor is in a solid mahogany frame under UV glass in fine condition. Overall framed measurements are 14 by 11 inches. Provenance: A East Hampton, Long Island, New York collector. Born in Queens, Long Island, NY, Impressionist landscape and seascape painter Francis Dixon studied at the Art Students League in New York City under Impressionists Frank Vincent DuMond, Cape Cod, Massachusetts artist, Charles W. Hawthorne, and modernist Robert Henri. Having a good singing voice Dixon was an Army and Navy Song Leader for the War Department during World War I. From 1915 to 1917 was living and painting in Los Angeles, Carmel and Point Lobos, California. Dixon exhibited his California paintings at Folson Galleries New York City in 1917. Dixon continued to travel and paint, visiting Bermuda in 1923 and 1925, and Europe in the mid-1920s. In the 1930s he was living on West 55th Street in Manhattan with a number of other artists. He was a member of the Allied Artists of America (NY); Connecticut Academy of Fine Arts; and the Salmagundi Club, NY. He exhibited at The Corcoran Gallery of Art, Washington, D.C. (1916); Folson Gallery (NY, 1917, solo); Society of Independent Artists (NYC, 1917-18, 1920-22, 1924); Salmagundi Club (NYC, 1917-1940, 1943, 1945); National Academy of Design (NYC, 1925); Studio Guild Galleries (NYC, 1937); Barbizon-Plaza Galleries NYC, 1939); Allied Artists of America (NYC, 1940); and Salons of America (NYC). Dixon’s solo exhibitions included Babcock Galleries (NYC, 1926 and 1927); Women's University Club...
    Category

    1950s Post-Impressionist Landscape Drawings and Watercolors

    Materials

    Watercolor, Gouache, Archival Paper

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  • 1970s British watercolour of Rusting Cars by Ian Hay
    Located in London, GB
    IAN HAY (Born 1940) Cars Rusting Signed l.r.: Ian Hay; bears title and dated 1973 on exhibition label on the backboard Watercolour and gouache Framed 44 by 88 cm., 17 ¼ by 34 ¾ in...
    Category

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  • QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN CONCEPT FOR PLACEMENT
    Located in Santa Monica, CA
    QUEEN MARY, LONG BEACH, CA - ORIGINAL ARTIST DESIGN FOR THE PLACEMENT OF THE SHIP Watercolor and gouache on board, 20 x 36 inches. Signed and dated by the artist - Segroves, 1969. The original artist concept for the placement in Long Beach Harbor in 1969. Subsequently revised several times. The Queen after extensive renovation has just reopened to the public on December 14, 2022 Much larger than the Titanic, At 1,019 feet long and 81,000 tons (310 meters and 73,500 metric tons), the Queen Mary was one of the largest and most elegant ships of the early 20th century. From Wikipedia: The RMS Queen Mary is a retired British ocean liner that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard-White Star Line and built by John...
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    1960s Realist Landscape Drawings and Watercolors

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    Watercolor, Gouache

  • Rheims Cathedral
    By Henri Schäfer
    Located in Middletown, NY
    Watercolor and gouache on cream wove paper. Signed and titled in watercolor in the lower right image area. Small circular pea-sized damp stain in the top center image area (visible in the are of the sky), and some additional small spots of unobtrusive foxing in the upper left sheet area. Otherwise in very good condition with fresh colors and intricate brushwork. Henri Schäfer...
    Category

    1870s Realist Landscape Drawings and Watercolors

    Materials

    Archival Paper, Watercolor, Gouache

  • Watercolor of Atlantic City Beach with Lucy the Elephant By E.D. Lewis
    By Edmund Darch Lewis
    Located in Philadelphia, PA
    Edmund Darch Lewis (American, 1835–1910) Atlantic City Beach Scene with Elephant, 1884 Watercolor on grey paper, 8 x 18 1/2 inches(sight); Framed: 16 x 26 inches This view of the beach near Atlantic City features Lucy the Elephant...
    Category

    1880s Realist Landscape Drawings and Watercolors

    Materials

    Paper, Gouache, Watercolor

  • A nineteenth century Italian gouache depicting the Temple of Diana at Baia
    Located in Philadelphia, PA
    Unknown Artist (Italian, nineteenth century) Temple of Diana at Baia Gouache on paper, 10 3/8 x 15 1/2 inches Label (recorded: now missing or under matte): "Tempio di Diana a Baja." ...
    Category

    19th Century Realist Landscape Drawings and Watercolors

    Materials

    Paper, Watercolor, Gouache

  • A 19th century Italian gouache featuring Capri
    Located in Philadelphia, PA
    Unknown (Italian, nineteenth century) View of Capri Gouache on paper, 10 1/2 x 14 3/4 inches
    Category

    19th Century Realist Landscape Drawings and Watercolors

    Materials

    Paper, Watercolor, Gouache

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