Louisette Poirer

Vintage Charcoal Drawing - Tuscany

Circa 1980

Large French pastel landscape of vividly colored terrain depicted in bright and bold hues, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archiv...

Richly-hued oil pastel drawing of boats docked in a European harbor by artist E. Bachmann, 1955. Original artwork on paper displayed on a white mat with a gold border. Archival pla...

Appealing oil pastel painting of a male figure wading in the shallows of a calm bay by Yucatan artist Paulino Medina, 2010. Signed lower right. Original one-of-a-kind artwork on pap...

Peaceful French sketch of running water in creek in pencil and oil pastel, circa 1930. Original artwork on paper displayed on a white mat with a gold ...

Striking watercolor seascape of a rocky inlet circling an island lush with dense foliage by French artist Stephane Magnard, circa 1950. Original one-of-a-kind artwork on paper disp...

Captivating watercolor of a procession of people following a park path using a multitude of bright hues, circa 1960. Original artwork on paper displayed on a white mat with a gold ...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Un Chemin dans la Forêt by Paulémile Pissarro (1884-1972) Pastel and charcoal on paper 24 x 31 cm (9 ¹/₂ x 12 ¹/₄...

A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...

Paul Schürch (Swiss, ∗ 14.2.1886 Wangen b. Olten, † 11.12.1939 Bern) Romantic Landscape in area of Solothurn, Switzerland • Charcoal/Pencil drawing delicately heightened in various...

Drawing, Charcoal, Pastel and Graphite on archival paper. Work Title : "Bords (series)" Artist : Fabien Granet (FR) The work is signed and dated on the back. Unique work. Work Size : 20x26cm. Framed (26x33cm) with Museum Glass, Wood and archival material Born in 1970 the artist lives and works in France. The majority of his drawings and paintings are inspired by the wild landscapes of Brittany in France. " The drawing as a gesture allows me to exploit a (re)mise-en-scene as so many possibilities in the making. Through the quality of drawing as a marker of thought, it is not a question of constructing "dream worlds" but rather of setting up a device that would allow for a conscious dialogue of a certain perception of the real." Fabien Granet is pursuing a research on the perception of the landscape, on our ways of trying to represent it, to understand it, to understand its structures. The drawn "landscapes" are thus as many projections of the artist, which convene and reveal his artistic path, the influences of his culture, his utopias, his dystopian fantasies. Another shift where the quasi scientific concern of objective rigor and the mental construction of an construction of an individual course. The drawing appears in this sense as an act as much as a work which The drawing appears in this sense as an act as much as a work which is registered in a research and a quest to pierce the enigma of the real. Solo exhibitions : 2021 "Les Indestinés" (Drawing Now Art Fair) Galerie Jean-Louis Ramand - Paris / 2017 "mise-en-paysage" galerie Tokonoma - Paris / 2015 "Shiftings" galerie White Project - Paris / 2012 "Risée" galerie G&G - Paris / 2011 "Transistoires" galerie P&Z - Angoulême / 2010 "Tandis que? Group exhibitions (selection) : 2021 " SUMMER TALENTS " - Galerie Jean-Louis Ramand / 2019 " FEEL GOOD " Galerie Jean-Louis Ramand - Paris / 2019 " Naturalia " Mexico / 2019 " (re) mise-en-scène " Galerie Jean-Louis Ramand - Aix-en-Provence / 2019 " ScapeLand " Galerie Jean-Louis Ramand - Paris / 2019 " Blanc Ciel " espace d'art associatif La Perception - Creuse/ 2018 " Angle Mort " Ici. Gallery - Paris/ 2018 " Drawing in Gallery " Galerie ALB - Paris/ 2017 " Where form meets Art " Antwerp Art Weekend/ 2017 " Volume-Espace-Trait " art space Le Mur, Fontainebleau/ 2016 " Open Office " Un-Spaced gallery - Paris/ 2016 " Dessin & Contemporain " Art Center Les Modillons, Angoulême/ 2016 " 3 jours en Mai " Métamorphik Galerie, Lyon/ 2015 " Formats Raisin " Musée ARTEUM, Châteauneuf le Rouge/ 2015 " recto/verso " Fondation Louis...

At the center of this large-scale black and white charcoal and pastel painting, a diver launches himself from untold heights, frozen at the peak of action against an ecstatic plume of clouds. Zalopany excels at painting with light, often abstracting areas of a composition with explosions of brush strokes and impossibly smooth blending. The cloud mass at the center of Diver is at once a liquid pool and O’Keefe’s Jimson Weed...