Simon Kozhin

Dead tree

2002

During heavy snowfall, snow-covered branches of bushes stick to the ground under the weight of snow. Sometimes small branches and trees are broken, although it would seem that the sn...

Sheet from the artist's traveler album. This sketch was made live in November 2018 during expedition in remote areas of Muli-Tibet County in China with marker, white tempera and watercolor. Flattened, pasted and pressed onto a thick cardboard sheet. Signed in the lower right corner with the stylized letter "M" *** In 2021 Evgeniy Monahov...

Sheet from the artist's traveler album. This sketch was made live in November 2018 during expedition in remote areas of Muli-Tibet County in China with ...

On our trip to Ireland, we stopped at the Power Court estate, which reminds me a bit of the architecture of St. Petersburg.I saw people playing golf near the park. The weather was cloudy and the environment was sinking in sfumato, I wanted to immerse the viewer in this environment. The transparency of the watercolor made it possible to realize my idea. Exhibition: 2009 Exhibition at the Game of Imagination Gallery in the Press Centre of the Izvestiya Publishing House, Moscow. 2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow. 2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka". (Moscow) Publication: Златоверховникова О.Н. Семён Кожин. – М.: Принт люкс, 2007. – 120 с. Page 45 Златоверховникова О.Н. Семён Кожин. – М.: Белый город, 2009. – 64 с. – (Мастера живописи. Русские художники). ISBN: 9785779317184 Page 34 Семён Кожин. Зримые образы: [каталог персональной выставки] / Российский аукционный дом. – СПб.: Рекламное агентство MCMG, 2012. – 32 с. Page 25

Sheet from the artist's traveler album. This sketch was made live in November 2018 during expedition in remote areas of Muli-Tibet County in China with ...

Lilac, white, pink peonies in the park of the Kuskovo estate create a bright decor. Heavy buds bowed to the ground creating a smooth movement of flowers, a clear form of organic life...

George Tzannes's Landscape with Olive Tree is a 22 x 24 inches black and white chalk painting on canvas representing a Greek landscape. Olive trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties he visited Kythera, the Greek island of his father's birth. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

"Feel The Beat" is a dynamic and unique charcoal on paper. McArthur captures the movement of the female figures running in nature perfectly, and the monochromatic palette makes this ...

"Plunge Series, Study V," is a dynamic and unique charcoal on paper. McArthur captures the movement of an underwater diver taking a plunge perfectly, and the monochromatic palette ma...

"Plunge Series, Study VI," is a dynamic and unique charcoal on paper. McArthur captures the movement of an underwater diver taking a plunge perfectly, and the monochromatic palette m...

Leopold Halvoet Belgian ( d.1918 Adinkerke ). Trench Art, Arras, France. 1915 Charcoal on paper. Signed & dated 1915 lower right. Image size 18.5 inches x 23.8 inches ( 47cm x 60.5cm...

This 17.5 x 35 inches black and white chalk drawing on paper represents a Greek landscape. Two olive trees are in the foreground, with the countryside extending behind in the distant horizon. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...