Majestic Moonlight (Modernist Southwestern Landscape with Mesa/Buttes & Moon)
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Emil BisttramMajestic Moonlight (Modernist Southwestern Landscape with Mesa/Buttes & Moon)1944
1944
About the Item
- Creator:Emil Bisttram (1895 - 1976, American, Hungarian)
- Creation Year:1944
- Dimensions:Height: 25.25 in (64.14 cm)Width: 30.25 in (76.84 cm)Depth: 1.25 in (3.18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:very good vintage condition, custom frame has recently been added.
- Gallery Location:Denver, CO
- Reference Number:Seller: DCG-206301stDibs: LU2733374271
Emil James Bisttram Born Hungary, 1895
Died New Mexico, 1976 Emil Bisttram was born in Hungary in 1895 and emigrated with his parents when he was eleven to America. Bisttram choose a more economically promising career in commercial art design due to his economic conditions. Bisttram opened his own art agency at the young age of twenty and during this time took classes with Leon Kroll at the Art Student League and with Jay Hambidge, an advocate of Dynamic Symmetry, at the New York School of Fine and Applied Art (renamed the Parsons School of Design). Dynamic Symmetry is a system of spacial balances and had a lifelong impact on Bisttram. Bisttram taught at Parsons from 1920 to 1925 and at the New York Master Institute of United Arts at the Roerich Museum from 1925-1930. The Institute was a spiritual inspiration to Bisttram because it advocated linking the fine arts together. His style of painting however was more influenced by Kandinsky and he began to experiment in non-objective art. Bisttram received many awards including a Guggenheim fellowship in 1931 to study mural painting. However, he decided to go to Mexico study with the great Mexican Muralist Diego Rivera. After returning from Mexico, Bisttram participated in an exhibition at the Whitney Museum for Guggenheim fellows in 1933 and received a commission to create a mural for the Taos, New Mexico courthouse. The Taos School of Art (renamed Bisttram School of Fine Art) which explored spiritualism and meditation was opened by Bisttram in 1932 where he taught some famous painters including Florence Miller Pierce. Together with Raymond Jonson and Lauren Harris, the Transcendental Painting Group was formed in Santa Fe, New Mexico from 1938-1942. This group was considered very radical for the time and the community reacted with much disdain. Bisttram continued to teach and paint and it is thought that Bisttram’s art truly represents transcendental ideas.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1979
1stDibs seller since 2013
265 sales on 1stDibs
Typical response time: 3 hours
More From This SellerView All
- Colorado Mountain Winter Landscape Watercolor Painting, Blue, Orange, PurpleLocated in Denver, COColorado mountain landscape watercolor painting signed by artist Rita Derjue (1934-2020) depicts Cabins in the Snow in bright tones of blue, yellow, green and red/brown. Signed by the artist in the lower right corner. Presented in a custom frame with archival materials, outer dimensions measure 24 ⅛ x 31 ½ x 1 ¼ inches. Image sight size is 14 ½ x 21 ½ inches. About the Artist: Born Rhode Island, 1934 Artist, educator, mentor and community activist, Derjue is the daughter of European parents whose family members had previous connections with New York and New England. Her drawing talent as a youngster in Rhode Island caught the attention of family friend Johann Groen, a Dutch-born painter and photographer, who encouraged her to spend time touring and studying in Europe to further her art education. In 1956 she earned her Bachelor of Fine Arts degree at the Rhode Island School of Design that emphasized the fundamentals of drawing and design. Her most memorable teacher was Richard Hamilton, whose work was influenced by German Expressionist Max Beckmann and the jazz greats. Her studies from nature and Cubist compositions done at that time reflect her interest in early twentieth-century European modernist painting. She had the opportunity to experience it firsthand during a year of post-graduate work at the renowned Akademie den Bildenden Kunste in Munich, Germany, in 1956-57. She studied with Ernest Geitlinger (1895-1972) whom the Nazi government classified as a “degenerate” artist in the 1930s, preventing him from exhibiting in Germany. After World War II he was one of the co-founders of the Munich artists’ association, Neue Gruppe, in 1946 and played an important role in abstract painting. While studying with him in Munich she produced a number of canvases in a referential abstract style. She also became acquainted with the Blaue Reiter group that flourished in the early twentieth century and whose expressionism strongly influenced her color palette and painting style. She particularly admired the work of Blaue Reiter co-founder and Wassily Kandinsky’s long-time partner, Gabriele Münter, whose work she studied at the Lenbachhaus in Munich and at the Gabriele Münter Haus and the Schlossmuseum in Murnau south of Munich. Derjue’s immersion in German Expressionism imparted a bold, simplified style to her work. In 1958 with a friend from Munich she went to Mexico for a year, studying with artist Frank Gonzalez in his studio in San Angel, Mexico City, and with Canadian artist, Toni Onley, in San Miguel de Allende. Onley had recently won a scholarship to the Instituto Allende to study mural and fresco painting with David Siqueiros, one of the three greats of Mexican muralism. At the Instituto Onley began painting large black-and-white canvases in an abstract impressionistic style which he imparted to Derjue, who thereafter began exploring color and space in the dimensions of her own large compositions. With writer Gregory Strong, he subsequently published Onley’s Arctic and his autobiography, The Tony Onley Story. After returning to the United States, she worked as a graphic designer for Little, Brown and Company, publishers in Boston. She began dating her future husband, Carle Zimmerman, whom she met earlier in Europe and whom she married in 1960. Joining him at Cornell University where he was completing his Ph.D degree, she earned her Master of Arts degree at the same institution and participated in group shows at the Herbert F. Johnson Museum and the Munson-Williams-Proctor Arts Institute in upstate New York. In 1963 Derjue and her husband relocated to Littleton, Colorado, where he spent his entire career, first as a research engineer and later as a departmental manager for the Marathon Oil...Category
20th Century American Modern Landscape Paintings
MaterialsWatercolor, Archival Paper
$2,200 Sale Price20% Off - 1930s Colorado Modernist Landscape Painting of Trees, Mountains & HousesLocated in Denver, COColorado Modernist landscape, watercolor on paper by Turner B. Messick (1878-1952) from 1938. Tree with houses and mountains in the background, pain...Category
1930s American Modern Landscape Paintings
MaterialsArchival Paper, Watercolor
- Mill Near Plainfield, New Hampshire, Landscape Painting, Charles Partridge AdamsBy Charles Partridge AdamsLocated in Denver, CO"Mill Near Plainfield, New Hampshire" is an original, signed watercolor painting by artist Charles Partridge Adams (1858-1942), circa 1900. Singed by the artist in the lower left corner. Portrays a mill along a river with trees and clouds, painted in shades of brown, green, gray, and blue. Presented in a custom frame, outer dimensions measure 13 ¾ x 12 ¼ x 1 ¼ inches. Image size is 7 x 5 inches. Expedited and international shipping is available - please contact us for a quote. About the Artist: Born Massachusetts, 1858 Died 1942 Born in Franklin, Massachusetts, Charles Partridge Adams moved with his mother and two sisters to Denver, Colorado, in 1876 in an effort to cure the two girls who suffered from tuberculosis. In Denver, Adams found work at the Chain and Hardy Bookstore. He received his first, and only, art training from the owner's wife, Helen Chain. Mrs. Chain, a former pupil of George Inness, provided instruction and encouragement to the young artist and introduced him to other artists in the area including Alexander Phimister Proctor...Category
20th Century American Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Archival Paper
- Modernist Trees, 1940s Framed Modernist Landscape Watercolor Painting, Red GreenBy Richard SorbyLocated in Denver, COModernist painting of trees, interior forest scene by Colorado artist, Richard Sorby (1911-2001). Painted in dark colors of green, blue and black with brown, orange and white. Water...Category
1940s American Modern Landscape Drawings and Watercolors
MaterialsWatercolor, Archival Paper
- Sunset, Along the Front Range, Colorado, 1900s Traditional Landscape PaintingBy Charles Partridge AdamsLocated in Denver, COOriginal signed framed vintage landscape painting by Charles Partridge Adams (1858-1942) of a Sunset along the Front Range of Colorado (near D...Category
Early 20th Century Hudson River School Landscape Drawings and Watercolors
MaterialsWatercolor
- Sangre de Cristo Mountains, Southern Colorado Watercolor Landscape PaintingBy Alfred WandsLocated in Denver, COVintage original modernist watercolor painting of the Sangre de Cristo Mountain range in Colorado by Alfred Wands (1904-1998). A farm in th...Category
20th Century American Impressionist Landscape Paintings
MaterialsWatercolor
$2,720 Sale Price20% Off
You May Also Like
- "Sheepshead, Brooklyn, Long Island" Oscar Bluemner, Modernist WatercolorBy Oscar BluemnerLocated in New York, NYOscar Bluemner Sheepshead, Long Island, 1907 Signed with the artist's conjoined initials "OB" and dated "4-30 - 5 - 30" / "Aug 3, 07" Watercolor on paper 6 x 10 inches Provenance: J...Category
Early 1900s American Modern Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
- "New York City Skyline View from the East River, " Lionel Reiss, Jewish ArtistBy Lionel ReissLocated in New York, NYLionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...Category
1940s American Modern Landscape Drawings and Watercolors
MaterialsPaper, Watercolor
$2,800 Sale Price20% Off - Original Painting Fortune Cover Published 1937 American Modern - Met MuseumBy Antonio PetruccelliLocated in New York, NYOriginal Painting Fortune Cover Published 1937 American Modern - Met Museum NEWS: A printed copy of this magazine is included in The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” Antonio Petruccelli...Category
1930s American Modern Landscape Paintings
MaterialsBoard, Gouache
- Airacuda Fighter Planes Art Deco Machine Age 20th Century American ModernismLocated in New York, NYAiracuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...Category
1930s American Modern Landscape Drawings and Watercolors
MaterialsInk, Gouache, Board
- Schooner, Boothbay Harbor, Maine, Early 20th Century Seascape WatercolorBy Frank WilcoxLocated in Beachwood, OHFrank Nelson Wilcox (American, 1887-1964) Schooner, Boothbay Harbor, Maine, c. 1924 Gouache and watercolor on paper Signed lower right 14 x 20 inches 19.5 x 25.5 inches, as framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox...Category
1920s American Modern Landscape Drawings and Watercolors
MaterialsGouache, Watercolor
- Original Painting. Fortune Mag Cover Published 1938. American Scene Modern WPABy Antonio PetruccelliLocated in New York, NYOriginal Painting. Fortune Mag Cover Published 1938. American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Fortune cover published, January ...Category
1930s American Modern Landscape Paintings
MaterialsBoard, Gouache
Recently Viewed
View AllMore Ways To Browse
Buttes Painting
Vintage Taos Painting
Blue Jay Vintage Art
Mesas Vintage Mexico
Watercolor Landscape Mesa
River Dee
Peter Collins Brochure Lloret
Peter Collins Panorama
Wayne Wolfe
Pastel Kamil Kubik
T Travis
Mosaic Padlock
Alan Cote
Judith Simonds
Mid Century Watercolor Mt
David Barnett Floral
Royal Worcester Adams
Vintage Winsor And Newton Easel