Terry Moore

'Rural' Landscape Drawing by Terry Moore

1997

Black and white graphite drawing of a dropping flower. The artist signed the print and titled it. It is framed in a black frame with a white matte. Dimensions without Frame: H 11 in ...

Modern abstract blue and orange toned abstract watercolor painting by native Houstonian, Dick Wray. The work features orange toned curving organic...

Modern abstract colorful abstract watercolor painting by native Houstonian, Dick Wray. The work features blue and green toned curving organic shapes set against an orange toned backg...

Modern abstract orange and yellow toned abstract watercolor painting by native Houstonian, Dick Wray. The work features warm toned curving organic shapes set against a green and blue...

Modern abstract blue and green toned abstract watercolor painting by native Houstonian, Dick Wray. The work features blue toned curving organic sh...

Black and white abstract charcoal drawing by Houston artist Paul Forsythe. The work features a large, abstract, organic shape in the upper right corner of the composition. Currently ...

In Untitled (Lightning Tree), Dina Brodsky uses ballpoint pen to endow her subject with an almost graphic feeling. The high contrast of the black ink wi...

In Untitled (Spirit Tree), Dina Brodsky uses ballpoint pen to endow her subject with an almost graphic feeling. The high contrast of the black ink with ...

In Untitled (Spiraling Tree), Dina Brodsky uses ballpoint pen to endow her subject with an almost graphic feeling. The high contrast of the black ink wi...

Jeff Koons (Untitled) Flowers and Sun, 2009 Original (unique) drawing done in silver marker on endpaper Boldly signed and dated in silver marker undern...

Two bud vases seemingly defy gravity as they teeter upon a watery surface in Christina Haglid's "Janus". This meticulously detailed watercolor invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Intricate in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Janus watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH031 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

A single bud vase, a willow tree seeming to grow inside a confined vessel, all appearing to float upon a sea of moving water are the subjects of Christ...