TUSET

Painting on paper, lyrical abstraction, contemporary, music score

2019

Blue Minimal Painting. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of the painting are 41 x 29,5 cm. W...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

Luis Moscardó describes natural landscapes in his paintings, but his landscapes are not real, nor possible. They are abstract, invented or, as many critics observe, 'born from the artist's soul'. It is a natural artifact...

Esta obra se trata de un grabado original del famoso artista Manuel Facal (A Coruña, 1943), perteneciente al grupo Atlantica, el grupo de artistas más fam...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. The painting is unframed, we can frame it in natural wood or black on request. The title of this w...

Yen Ha is an architect, artist and writer. Born in Saigon, she lives in New York City. Ha has been awarded residencies by the Banff Centre for Arts and Creativity, MASS MoCA, and The...

Yen Ha is an architect, artist and writer. Born in Saigon, she lives in New York City. Ha has been awarded residencies by the Banff Centre for Arts and Creativity, MASS MoCA, and The...

'Windmill on the Plains' is watercolor and ink on paper painting by Jenne Magafan. Depicting a large windmill on a 1940s Colorado farm scene with sheds and a fencing in the backgroun...

'Second Mesa (Hopi Pueblo, Arizona)' is a watercolor, ink, and charcoal on paper by Bert Van Bork (1928-2014). Signed by the artist in the lower right co...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

One fountain at the mountains IV, 2018 Pencil and ink on paper. Unframed His work has been shown in Reina Sofía Museum of Madrid, Royal Academy of London, Arco Madrid, Pinta Art Fai...