Unknown

Mediterranean Creek, Gouache, Signature To Identify

Pines. 20th century watercolor. Signature to be identified. 69.5 x 55 cm

Wooded landscape. Watercolor signed Raynaud (?) and dated 1916 (?) lower right. Small bites. 21 x 25 cm

At the beach. Watercolor. Signature to be identified. Watercolor (at sight): 22.5 x 31.5 cm Frame: 37.5 x 46.5 cm

Busy street. Mixed media on paper: ink wash and marker. Signature to be identified lower right. Framed and under glass. Paper ripples. Storm beasts under the glass. Drawing (at sight...

Rickshaw study. Gouache watercolor. Signature to be identified. Dated 1917. Faded paper and small foxing. 28.5 x 32.5 cm

Attributable to André Marchand (1907-1997). Gouache. Light foxing and slightly faded paper. 21 x 37 cm

"Rejuvenation" by Don Athay, gouache, 10 1/2 X 14 1/2 inches "At this point in my life as an aspiring artist, I find myself composing paintings that reflect my feelings, when standi...

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...

This is a large diptych on paper, 68 x 101 inches, created in 2020. What is unique to this one is the wider horizontal width. I think of my large diptychs as simultaneously a figure...

The Port of London Authority building, Trinity Square London EC3, watercolour and gouache. Signed by initials, 10.75”x8.75” Circa 1900

Edmund Darch Lewis (American, 1835–1910) Atlantic City Beach Scene with Elephant, 1884 Watercolor on grey paper, 8 x 18 1/2 inches(sight); Framed: 16 x 26 inches This view of the beach near Atlantic City features Lucy the Elephant...