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Reginald Daniel Sherrin (1891-1971) - Mid 20th Century Gouache, View in Dartmoor

20th Century

Bright gouache highlights bring this delicate watercolour study of a spring woodland to life. The artwork is signed and dated in the lower right-hand corner and is well presented in ...

Impastoed gouache is used to depict a quiet river leading to a countryside cottage on a still evening. The artwork is unsigned and well presented in a gilded wood frame with a white ...

Subtle impastoes are combined with a dry brush technique to render a cosy study of a country cottage in the late evening to brilliant effect. The artwork is unsigned and well represe...

Subtle impastoed depict a tranquil study of a rural cottage. The artwork is unsigned and well presented in a gilded wood frame with a blue and white double mount. On wove.

In this gouache study, Williams depicts a late summer woodland with a bright palette and compelling brush strokes. The artwork holds a calming, immersive ambiance, and is signed in t...

A wonderful mid 20th century landscape by the listed artist Laurence H.F. Irving. Here the artist has captured an idyllic Italian scene with a river and small town beyond. With water...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The Parkland Medium: signed gouache on paper, loosely laid over card, ...

Singed (at lower left): Jane Peterson

Charles Burchfield 1893-1967 Trilliums and Rock Ledge, 1919 Gouache and watercolor on paper Provenance: The artist until at least 1963 Private collection, New York Private Collectio...

Charles Burchfield, 1893-1967 Wallpaper Design No.2, 1922-28 Watercolor and gouache on paper

"Three Pyramids + Blue Ball" is a gouache on paper by Alexander Calder. The work is signed in the lower right, "Calder 73”. Although renowned for his innovative and groundbreaking sculptures, Alexander Calder started his artistic career as an abstract painter, preferring to use gouache. What is gouache? Gouache is a water-soluble paint – a type of opaque watercolor. As Calder returned to gouache painting towards the end of his life, he was now armed with a lifetime of experience as a sculptor. He explored the three-dimensional vocabulary of sculptural forms he had developed onto the two-dimensional surface of the paper. Certain shapes and colors recur throughout his gouaches and sculptures. Circles, ovals, and other geometric forms dominate the space. There is the same sense of energy and fluidity. The shapes do not sit on the surface but vibrate giving a feeling of movement in contrast to the static nature of painting. Like his sculpture, Calder’s gouache...

La Baie des Anges a Nice et le Casino is a lovely gouache on paper from 1928. The work is fully authenticated by Fanny Guillon-Laffaille and is listed in the Raoul Dufy Catalogue Rai...