Medard P. Klein

Abstraction

c. 1945

Untitled Abstraction Graphite on paper, c. 1945 Signed on image left of center Condition: Excellent Sheet/Image size: 9 7/8 x 14 1/8 inches Provenance: Estate of the Artist ...

Derriere Le Miroir-Page 6-7 Color lithograph, 1973 Unsigned (as issued) From: Derriere Le Miroir, No. 201, January 1973 Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, Adrien Maeght Edition: Large (unspecified) There is also a deluxe edition of this issue of DLM, signed and numbered on the justification page, edition 150 Condition: Fresh colors a few spots of foxing near the centerfold, appropriate to it's age Sheet/Image size: 15 x 22 inches Derriere le Miroir (Behind the Mirror) The art...

Red Mountain Three color lithograph, 1986-7 Signed, titled and dated in pencil lower right Annotated "B.A.T." for Bon a Tire lower left corner This example is the printers guide for printing the editon of 40 Printed on BFK Rives paper Printed at Derriere L'Etoile Studios, New York Printer: Maurice Sanchez Condition: Excellent, never framed Image/Sheet size: 45 1/4 x 30 inches Louisa Chase came to prominence in the 1980's as one of the outstandingNeo-Expressionist painters. Her work then was characterized by bold colors and brush strokes, often incorporating natural elements and fragments of the figure. Louisa Chase's works have been featured in gallery and museum shows in Cologne, Nurnberg, Luzem, Switzerland, Toronto, and Tokyo, and various galleries and museums throughout the US. She has also been featured at the American Pavillion at the 1984 Venice Biennale. Also in 1984, the Institute of Contemporary Art in Boston organized as travelling exhibition of her work. In 1997, the Madison Art Center organized a retrospective of her prints, Louisa Chase: Prints, 1981-1996. She has been a featured artist at the University of Wisconsin's Tandem Press and at the Tamarind Press; ahe was also invited to do a print for Lincoln Center in New York City. The recipient of two grants from the National Endowment for the Arts, Chase's works are in the permanent collections of such museum as The Museum of Modern Art, the Metropolitan Museum of Art, The Whitney Museum of American Art (New York), The Brooklyn Museum of Arts, The Corcoran Gallery and The Library of Congress (Washington D.C.), The Walker Art Center (Minneapolis), the Mount Holyoke College Art Museum, the Denver Museum of Art, and the Chazin Museum of Art of the University of Wisconsin, Madsion and the Madison Museum of Contemporary Art (Madison WI). Bibliography: Elizabeth Armstrong, Painters who print (Minnapolis: Walker Art Center, 1984); Ruth S...

Baby, Baby Etching & aquatint printed in colors, 1991 Signed, dated, titled & numbered in pencil (see photos) Edition: 35 (4/35) plus 10 AP Condition: Excellent, colors fresh Image...

Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...

Iron Point Aquatint, 1985 Signed and dated lower right (see photo) Annotated: AP 4/6 lower center (see photo) Titled lower left (see photo) Annotated: AP 4/6 (There was also a regula...

Andrea Belag A Second Hand II, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Hand-signed by artist, Signed, titled and dated in pencil on the front; bears publishers name and copyright on the back, along with the unique inventory number Unframed Poignant 1990 monotype, in elegant pastel colors. The cotton rag paper has lightly deckled edges so it will look gorgeous when floated and framed. American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...

Damien Hirst Mill Bay, Salcombe, H13-7, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel Signed and numbered 184/289 in graphite pencil on ...

Artist Commentary: This piece is created from a photo of a piece from the Small Works Group, manipulated on the computer, printed on a laser print then drawn on with graphite and cha...

Andrea Belag Beauty for Sale, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Unframed Pencil signed, dated and titled on the front; bears publisher name and copyright on the back Exquisite monotype; both gestural and minimalist. The title speaks for itself and defines the work. American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...

Hans Hofmann Composition in Blue, 1952 Color silkscreen with unique hand painted gouache additions Hand signed and numbered 76/120 on the front in ink (each example is a unique varia...