Seaward Skerries, Etching on Cream Paper, 1918, Swedish
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Anders ZornSeaward Skerries, Etching on Cream Paper, 1918, Swedish1918
1918
About the Item
- Creator:Anders Zorn (1860 - 1920, Swedish)
- Creation Year:1918
- Dimensions:Height: 7 in (17.78 cm)Width: 9.75 in (24.77 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:Seller: ZORN Skerries1stDibs: LU57231904313
Anders Zorn
Anders Zorn was born on February 18, 1869, in Mora, Sweden. In 1893, on his first trip to America, Zorn visited New York City en route to the World's Columbian Exposition in Chicago. The self-made artist subscribed to American values and immediately felt welcome in America. While at the Chicago World’s fair, Zorn met Mrs. Gardner. This chance meeting initiated a long friendship and patron relationship. Zorn's outstanding portrait of Mrs. Gardner is at the Palazzo Barbaro in Venice and an impressive collection of Zorn prints have been on view at The Gardner Museum in Boston. In November of 1893, the Frederick Keppel Gallery on East 16th Street in New York City held the first American exhibition of Zorn's work and ignited Zorn's popularity. As evidence of his influence in America, Zorn portrayed three Presidents namely, Theodore Roosevelt, Grover Cleveland and William Taft. He was one of the most actively collected printmakers of the early 20th century and was often ranked among the world's most highly-esteemed printmakers. Anders Zorn died in Stockholm on August 22, 1920. In 1928, the Boston Herald published an article highlighting the acquisition of a collection of 110 Zorn etchings by the Museum of Fine Arts in Boston.
- Aquatint Etching with Hand Watercolor Painting Jules Pascin SignedBy Jules PascinLocated in Surfside, FLGenre: German Expressionist Subject: Three Noble figures, Noblesse Medium: etching, watercolor paint (I have seen this described as an aquatint and have seen this without color, so i am assuming it is watercolor paint applied to it) Surface: Paper Circa 1920's This is hand signed lower right. the edition is 7/100 Mat measures 15 X 11. window opening about 7 x 7 Julius Mordecai Pincas (March 31, 1885 – June 5, 1930), known as Pascin Jules Pascin, or the "Prince of Montparnasse", was a Bulgarian artist known for his paintings and drawings. He later became an American citizen. His most frequent subject was women, depicted in casual poses, usually nude or partly dressed. Pascin was educated in Vienna and Munich. He traveled for a time in the United States, spending most of his time in the South. He is best known as a Parisian painter, who associated with the artistic circles of Montparnasse, and was one of the emigres of the School of Paris. Having struggled with depression and alcoholism, he committed suicide at the age of 45. Julius Mordecai Pincas was born in Vidin, Bulgaria, the eighth of eleven children, to the Sephardic Jewish family of a grain merchant named Marcus Pincas. Originally from Ruse, the Pincas family was one of the wealthiest in Vidin; they bought and exported corn, rice, maize and sunflower. His mother, Sofie (Sophie) Pincas, belonged to a Sephardic family, Russo, which had moved from Trieste to Zemun, where she and her husband lived before moving to Vidin and where their older children were born. The family spoke Ladino Judaeo-Spanish at home. In 1892, he moved with his parents to Bucharest, where his father opened a grain company, "Marcus Pincas & Co". Pascin worked briefly for his father’s firm at the age of fifteen, but also frequented a local brothel where he made his earliest drawings. His first artistic training was in Vienna in 1902 at age seventeen. In 1903 he relocated to Munich, where he studied at Moritz Heymann's academy. He studied briefly in Berlin where he befriended the Dada artist George Grosz. In 1905 he began contributing drawings to Simplicissimus, a satirical magazine published in Munich. Some portraits recall Otto Dix and Balthus. Because his father objected to the family name being associated with these drawings, the 20-year-old artist adopted the pseudonym Pascin (an anagram of Pincas). He continued to contribute drawings to a Munich daily until 1929. In December 1905, Pascin moved to Paris becoming part of the great migration of Jewish and Eastern European artists to that city (Marc Chagall. Chaim Soutine and Modigliani amongst others) at the start of the 20th century. In 1907 he met Hermine Lionette Cartan David, also a painter, and they became lovers. In that same year he had his first solo exhibition at Paul Cassirer Gallery in Berlin. Despite his social life, Pascin created thousands of watercolors and sketches, plus drawings and caricatures that he sold to various newspapers and magazines. He exhibited his works in commercial galleries and in the Salon d’Automne, the Salon des Indépendants, and the exhibitions of the Berlin Secession and at the Sonderbund-Aussstellung in Cologne. Between 1905 and 1914 he exhibited drawings, watercolors, and prints, but rarely paintings. It was not until about 1907–1909 that he produced his first paintings, which were portraits and nudes in a style influenced by Fauvism and Cézanne. He wanted to become a serious painter, but in time he became deeply depressed over his inability to achieve critical success with his efforts. 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