Carl Albert Angst

Mother and child

Work on paper Golden wooden frame with glass pane 52 x 44 x 2 cm

Work on paper Golden wooden frame with glass pane 44.5 x 25.5 x 1.5 cm

Work on paper Golden wooden frame with glass pane 43.7 x 56 x 2 cm

Work on paper Golden wooden frame with glass pane 58 x 45 x 2 cm

Work on paper Silver wooden frame with glass pane 44 x 33 x 1 cm

Work on paper Golden wooden frame with glass pane 51 x 60 x 1.5 cm

Howard Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...

Original oil pastel and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald Shap. Sketch of nude man bent over. 24x18 inches. Signed. Some p...

Charcoal and pastel on toned paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical wor...

ARISTIDE MAILLOL 1861-1944 Banyuls sur Mer 1861 - 1944 Paris (French) Title: Standing Nude Nude with raised Arms Technique: Signed Double Sided Sanguine Pastel Drawing and Charc...

Mary Frank (British/American, b. 1933) Chant, 1984 Charcoal and pastel on paper 41 3/4 x 29 3/4 in. Framed: 46 1/2 x 34 1/4x 2 in. Signed and dated lower right: Mary Frank 84 Midtown Payson Galleries Label Verso Mary Frank is known for creating stoneware sculptures that have the appearance of terra cotta fragments dug up at an archaeological site. Sometimes a half-finished relief head...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...