Maurice Charles Louis Van Essche

Nude Woman Ink Wash on Paper

1960s

Modern abstract black ink line drawing of a seated female nude. The work features a loose rendering of a single woman sitting on her heels and looking off in the distance. Signed and dated in front lower right corner. Currently unframed, but options are available. Artist Biography: Frank Dolejska...

Modern abstract black ink line drawing of a reclining female nude. The work features a loose rendering of a single woman laying on her left hip and looking off in the distance. Signed and dated in front lower right corner. Currently unframed, but options are available. Artist Biography: Frank...

Modern realistic sepia toned drawing of nude figures by Texas artist Robert Levers. The work features a male figure with horns in an aggressive sta...

Dark blue toned homoerotic figurative watercolor painting by contemporary Houston, Texas artist Steve Louis. The work features two nude men stretched out o...

A naturalistic study of a nude woman standing with her back to the viewer. She appears to be gripping the corner of something. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Nude woman seated on a bench looking out at the viewer. The work is signed by the artist and stamped. The paper is not framed. Many others are available. Please inquire to buy the e...

Monotype Dramatic imagery from Tom Bennett’s series of monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

'Mademoiselle Ledran Rue de l'Hotel Colbert Paris', charcoal and ink on fine art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - ...

Seated nude. Washed ink and pencil. Signed and dated 1931.

Artist: George Grosz (1893-1959) Title: Man and Woman with Lamp Year: circa 1940 Medium: Pen and Ink on Paper, signed l.r. Paper Size: 23.5 in. x 18 in. (59.69 cm x 45.72 cm) Frame ...

Artist: George Grosz, German (1893 - 1959) Title: Sex Scene in Red Shoes (Erotic) Year: circa 1940 Medium: Watercolor, Pen and Ink on Paper, signed Size: 17...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...