Items Similar to Paul Brown Military Officer Pencil Drawing
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Paul Desmond BrownPaul Brown Military Officer Pencil Drawing
About the Item
Art Sz: 14"H x 10 1/2"W
Title: Outside-rifles belts and bayonets
- Creator:Paul Desmond Brown (1893 - 1958, American)
- Dimensions:Height: 14 in (35.56 cm)Width: 10.5 in (26.67 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Bristol, CT
- Reference Number:
About the Seller
4.7
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2000
1stDibs seller since 2019
97 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Bristol, CT
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Wool Hunting Glove 2001 Graphite DrawingLocated in Bristol, CTArt Sz: 7 1/2"H x 9 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VACategory
Early 2000s Drawings and Watercolor Paintings
MaterialsGraphite, Paper
- Childrens Vented Shirt Graphite DrawingLocated in Bristol, CTArt Sz: 12"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VACategory
21st Century and Contemporary Drawings and Watercolor Paintings
MaterialsGraphite, Paper
- Winter Special Glove Graphite DrawingLocated in Bristol, CTArt Sz: 8"H x 10 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VACategory
21st Century and Contemporary Drawings and Watercolor Paintings
MaterialsGraphite, Paper
- Stirrups Graphite DrawingLocated in Bristol, CTArt Sz: 12"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VACategory
21st Century and Contemporary Drawings and Watercolor Paintings
MaterialsGraphite, Paper
- Quilted Hunting Vest Graphite DrawingLocated in Bristol, CTArt Sz: 11" x 14" Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VACategory
21st Century and Contemporary Drawings and Watercolor Paintings
MaterialsGraphite, Paper
- Hare Pepper & Salts Graphite DrawingLocated in Bristol, CTArt Sz: 6"H x 11"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VACategory
21st Century and Contemporary Drawings and Watercolor Paintings
MaterialsGraphite, Paper
You May Also Like
- Pair of Etchings V. 3. IX and XIIBy Peter MaxLocated in Rio Vista, CAFantastic pair of Peter Max (American b. 1937) V. 3. IX and XII. In the manner of Picasso each color pencil signed lower center and titled low...Category
Late 20th Century Surrealist Figurative Drawings and Watercolors
MaterialsPaper, Pencil, Color Pencil
- Le MaladeBy René GenisLocated in Berlin, MDRene Genis (French 1922-2004) Le Malade : The Sick. A sick patent in bed. Pencil on paper laid down on matt board. Signed in pencil lower right. Image size 8 1/4” x 10 1/2”, matt ...Category
Late 20th Century Contemporary Interior Drawings and Watercolors
MaterialsLaid Paper, Graphite
- Untitled (Līnea Study), 2022Located in Washington, DCOriginal work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Mixed Media
MaterialsWax Crayon, Sumi Ink, Archival Paper, Graphite
- Untitled (Līnea Study), 2022Located in Washington, DCOriginal work by Mary Early. Graphite, colored pencil, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...Category
21st Century and Contemporary Abstract Geometric Mixed Media
MaterialsSumi Ink, Archival Paper, Graphite, Wax Crayon
- 'Towards Le Scathe Cove'. Contemporary Landscape, Rural, Sea, Ocean, Beach BlueBy Sophia MilliganLocated in Penzance, GB'Towards Le Scathe Cove'. Contemporary mixed media landscape painting, Cornwall Original Artwork, Unframed _________________ January morning, heavy swell and a strong southwester, rain imminent, sheltering beneath lichen furred granite outcrops. A plein air painting from the series 'Holan ha Dor' (Meaning 'Salt and Earth in Cornish). West Cornwall is a harshly beautiful peninsula, jutting out into the wild tireless ocean, shaped and moulded by powerful salt laden Atlantic winds, and criss-crossed by ancient, tangled hedgerows. Drawn to the immediacy of moments, underpinned by enduring narratives, Sophia's fluid expressive paintings explores the flux and balance in the nature of all things: The freedom of the air and solidity of the soil; Of anchored stone and rhythmic water; Of human narratives written in the wild landscapes; In the sensual interplay of light and shadow. They capture an essence of the equilibrium between wild raw energy and serene stillness; chaos and harmony; and the enduring and the effervescent. Mixed media on watercolour paper Signed and inscribed Unframed 23 x 30cm / 9 x 12 inches __________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in prestigious international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago...Category
2010s Contemporary Landscape Paintings
MaterialsWatercolor, Color Pencil, Acrylic, Wax, Crayon, Ink, Archival Paper
- 'Guijarros y Agua'. Spanish seascape painting, drawingBy Sophia MilliganLocated in Penzance, GBSOPHIA MILLIGAN 'Guijarros y Agua' Original Artwork (unframed*) ______________ Winter solstice light dancing on shingles and lapping tidal movements, towering rock formations rise ...Category
2010s Contemporary Landscape Drawings and Watercolors
MaterialsPaper, Conté, Mixed Media, Pencil, Carbon Pencil, Color Pencil