Church of San Lorenzo
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Conger MetcalfChurch of San Lorenzo1989
1989
About the Item
- Creator:Conger Metcalf (1914 - 1998)
- Creation Year:1989
- Dimensions:Height: 14 in (35.56 cm)Width: 12.5 in (31.75 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Boston, MA
- Reference Number:1stDibs: LU397311807172
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1937
1stDibs seller since 2016
37 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- AngelLocated in Boston, MAFrom the estate of the artist. Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...Category
Early 20th Century American Impressionist Figurative Drawings and Waterc...
MaterialsPaper, Pencil
- [Woman at a Table]Located in Boston, MAFrederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...Category
Early 20th Century American Impressionist Figurative Drawings and Waterc...
MaterialsPencil, Paper
- [Portrait of a Man]By Ricardo CinalliLocated in Boston, MASigned and dated top right: "Cinalli / MCMXCVII". Ricardo Cinalli was born in Froylan Palacios in the province of Santa Fe, Argentina. He studied Psychology at the University of Rosario, and previously studied Painting at the Academia Fornells and Piano at the Conservatorio Chopin. He moved to London in 1973 to study Painting at the Harrow School of Art and later on at Hornsey School of Art. In 1980 he started to exhibit his works in various galleries and museums in Europe, North and South America and Australia. Amongst his public commissions are frescoes in the Londersborough Room in Alexandra Palace, Vintners Place in London, and the Argentinian Embassy among others. He has created the set designs for Les Parents Terribles by Jean Cocteau for the National Theatre, London (1996), Daphnis and Chloe by Maurice Ravel at the Teatro Municipal de Rio de Janeiro (1998) and Le Nozze di Figaro at the Teatro Colon...Category
Late 20th Century Realist Figurative Drawings and Watercolors
MaterialsPastel
- [Man with cigar]By Martin LewisLocated in Boston, MAInitialed lower right: "M.L.". Estate stamp verso, lower left: Lucille Deming Lewis Collection. Inscribed verso, lower left: "LDL-803". In fine condition.Category
1930s American Realist Portrait Drawings and Watercolors
MaterialsPaper, Charcoal
- Newbury Street, Boston [Louis Boston / Bonwit Teller Building]Located in Boston, MAThis watercolor by Charles Demetropoulos depicts a classical French Academic-style building which was designed in 1862 by architect William G. Preston as the new home of the Boston Society for Natural History, which had been founded in 1830. In the 1860’s, many of Boston’s cultural institutions relocated here to the Back Bay, the elegant residential district being built on the tidal marshes behind the city. When the museum moved here in 1863, the new building dominated the western edge of the landfill. The classical design reflected its role as a “temple of learning.” The building was later renovated into a women’s retail store known as Bonwit Teller and later became home to Louis Boston...Category
Mid-20th Century American Impressionist Landscape Drawings and Watercolors
MaterialsWatercolor
- Study for "The New Masses"By Hugo GellertLocated in Boston, MAHugo Gellert (Hungarian-American, 1892-1985), Study for "The New Masses". Mary Ryan Gallery 4. Signed in ink lower left: "Hugo / Gellert"; inscribed in crayo...Category
20th Century American Realist Figurative Drawings and Watercolors
MaterialsWax Crayon, Ink
You May Also Like
- Old Jewish Shtetl Rabbi Charcoal Judaica Drawing World War II EraBy Maurycy TrebaczLocated in Surfside, FLMaurycy Trębacz (1861 – 1941) was one of the most popular Jewish painters in Poland in the late 19th and early 20th century. Many of his paintings were lost in the Holocaust, but a r...Category
1930s Expressionist Figurative Drawings and Watercolors
MaterialsPaper, Charcoal, Graphite
- 'Oleta's Hat', Carmel Art Association Exhibit, California Woman Artist, SFMALocated in Santa Cruz, CASigned lower right, 'V. Conroy' for Virginia Conroy (American, 1922-2006) and dated 1985. Exhibited: Carmel Art Association, 1983 (on original backing...Category
1980s Modern Portrait Drawings and Watercolors
MaterialsGraphite, Paper, Watercolor, Gouache
- It never hurt me - 21st Century Figurative Portrait Drawings and WatercolorsBy Catharina BondLocated in Vienna, ATIt never hurt me - 21st Century Figurative Portrait Drawings and Watercolors Unique copy Quote: "I also always cried a lot in ski kindergarten. It never hurt me." In German: "Ich h...Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
MaterialsPaper, Graphite, Gouache
- African Children Suffer Famine and Despair in Hot Colors - Africa is BleedingBy Victor OlsonLocated in Miami, FLAn intense and powerful study of five undernourished and perhaps starving African children partly superimposed and partly integrated into the silhouette of the African continent...Category
1970s Realist Figurative Drawings and Watercolors
MaterialsGraphite, Watercolor
- Vogue Magazine Illustration Turn of the Century - Woman IllustratorBy Helen DrydenLocated in Miami, FLEarly in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...Category
1910s Academic Figurative Drawings and Watercolors
MaterialsPencil, Graphite, Gouache, India Ink
- "Porcupine Quill Jacket" Abstract Minimalist Portrait of a ManBy Lisa QuallsLocated in Houston, TXGraphite and watercolor drawing on mylar of a figure dressed in a quill jacket made by the Cameroon grass fields people in Africa by Florida artist Lisa Qualls. Titled “Porcupine Quill Jacket,” the work was created as part of a series titled “Strawmen and Sugarbones” made for the "RAW" exhibition at O'Kane Gallery in 2009. In her artist statement for this series Qualls states: “I have isolated pieces of costumes and placed them on a person who is naked in order to emphasize the relationship between the object and person, the materials and skin, the symbol and the living being. The garments and ritual objects relate to the body in specific ways and are used to explore gender roles, societal and cultural ideas, aesthetics and spirituality. The voyeuristic element of the audience to the subjects in the drawings further emphasizes the vulnerability of the figures and their introspective and intimate poses. The figures, part soft and vulnerable, part concealed and protected, live in these ambiguous spaces as they would in a vision.” Dimensions Without Frame: H 36 in. x W 24 in. Artist Biography: Lisa received her BFA and BA from the University of Texas at Austin. She continued her studies in Fine Art and Design at Parsons and FIT in New York, NY and CISIM in Ravenna, Italy. Her work is currently represented by Ann Connelly...Category
Early 2000s Abstract Portrait Drawings and Watercolors
MaterialsWatercolor, Mixed Media, Graphite
Recently Viewed
View AllMore Ways To Browse
12 X 10
Painting Of Church
Vintage Church
Vintage Churches
Church Sign
Used Church Signs
Drawings Of Churches
Vintage Church Signs
San Lorenzo
Conger Metcalf
Charcoal Academy Drawing
Messina Italy
Ballpoint Pens
Pen Ballpoint
19th Century Drawing Woman
Vintage Watercolor American
Vintage Drawing Girl
Paris Watercolor Charles