Egon Schiele

Elisabeth Lederer, Seated, with Hands Folded

1913

Alfred H. Maurer emerged as an influential crucial figure in the art scene of late 19th-century America, gaining widespread recognition for his innovative Fauvist approach characterized by vibrant colors and expressive brushwork. Departing from his renowned portraits and genre paintings, he delved into Fauvist landscapes, still lifes, and depictions of anonymous individuals. His distinctive technique relied on saturated colors rather than precise lines or forms, allowing him to convey a profound psychological intensity through dynamic, flowing strokes. As he matured as an artist, Maurer pioneered American...

1950s portrait, gouache on paper painting by Belgian artist Max Moreau (1902 - 1992). A finely detailed portrait of a lovely young girl looking like a good child from the period right after WWII. Moreau captures the sweet expression, soft features, and calm, well-mannered demeanor of that child. Hand-signed and dated on the bottom right corner. The artist demonstrates incredible skill in detailing this portrait with gouache and watercolor. This skill has made his portraits so desirable for international collectors. The painting still has its original elegant mahogany carved frame with glass protection. Measurements: With frame: 25.19 in wide (64 cm) x 30.32 in high (77 cm) x 2.38 in deep (6 cm). Opening view: 19.69 in wide (50 cm) x 24.50 in high (62 cm). Note: Max Leon Moreau (1902 - 1992) Moreau is a highly acclaimed artist born in Belgium. He is best known for his loosely brushed street scenes of Paris, Granada, and North Africa and his revealing portraits of met characters during his foreign travels. Taught to paint by his father, the family moved to Paris, where he made copies of paintings at the Louvre Museum. Later Moreau and his family lived in Tunisia and Morocco before settling in Granada, Spain. Following his death in 1992, his home was converted into a museum dedicated to his life and work. His paintings are internationally collected and appear at auction in major international houses. Max spent his last 30 years living in his Moorish-style house in Granada, which upon his death, was bequeathed to the City of Granada along with the contents of his studio and artwork. The City of Granada has turned his home into a museum showcasing his paintings, studio, and private life. The main building of the Casa Museo Max Moreau houses an exhibition space that takes us on a journey through his most common themes: portraits, still-life, and landscapes, represented through oil paintings, watercolors, and drawings on paper. There is also a series of models for theatre creations that illustrate his interest and relationship to the scenic arts (he was involved in many productions as an actor, playwright, musician, and set designer). The building is an original from the region of Albayzín and is popularly known as Carmen. Does the name come from the Arabic word Karm which means vine, orchard, or garden.?The second building houses his studio, remained untouched: the easel next to the window, a piano with scores, and a collection of oriental objects...

'La Montera', gouache, watercolour and ink on art paper, by Pierre Ambrogiani (circa 1960s). The artist created many artworks with bullfighting as theme. In this case, a single torer...

'The Racing Horses', gouache on art paper (circa 1970s), by Pierre Gaillardot. France has produced some of the world’s greatest horses and riders, wi...

Signed lower right, 'Peter Brandes' (Danish, born 1944) and dated 1964-1965. Titled, upper left, 'Medea' and bearing 2017 dedication in graphite, lower r...

Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...