Émile Bernard

Paul Gauguin with an Angel Drawing by Emile Bernard - Pont-Aven, 1888

1888

We thank Mrs. Bożena Anna Kowalczyk who suggested the attribution to Francesco Galimberti based on a photograph of the artwork. This engaging drawing, finely executed in black and red chalks, depicts a Venetian diplomat in his 'new clothes...

This marvelous portrait on vellum is the work of a rare Dutch Golden Age artist, Casper Casteleyn, who has also drawn a closely related portrait now at the Fondation Custodia in Pari...

This drawing full of freshness presents us with the profile of an elegant lady, drawn by Augustin de Saint-Aubin on a beautiful summer day in 1776, during the early months of Louis X...

This intensely expressive figure is a preparatory study for "Arab Market on the Tocria Plain", a painting exhibited at the 1865 Salon and now in the Musée des Beaux-Arts in Lille. 1...

This drawing by Léon Bonnat, the greatest portrait painter of the Third Republic, shows a woman of indeterminate age, caught in a melancholic pose. 1. Léo...

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

Black ink on paper Paper size: 8.25 x 10.5 inches Framed size: 20.75 x 21.75 inches Signed lower left Provenance: Private collection, Somerset

Of course it's possible that these baseball players aren't from a Philadelphia team, but I doubt it. There was so much drama and intrigue with both the Philadelphia Phillies and the ...

Bendiner always took drawing materials with him when he traveled. And a beautiful piece of 'found' paper was never wasted. (Once in Greece on a bus trip he had to acquire paper from ...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. The painting comes with a certificate of authenticity and a letter of appraisal. An original piece, one of a kind. Devie - ‘Woman in Paris...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...

Inspired by the theatre world, Devi had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. The...