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Georges Louis Claude
Georges Louis Claude (1879-1963) Still life with apples, 1939 gouache signed

1939

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  • French School circa 1880, Portrait of a boy holding a book, drawing
    Located in Paris, FR
    French school circa 1880 Portrait of a boy holding a book graphite and white gouache on paper 39.5 x 32 cm oval view in good condition, slightly yellowed with age In its original ova...
    Category

    1880s Academic Portrait Drawings and Watercolors

    Materials

    Gouache, Pencil

  • Louis Gallait (1810-1887) Portrait of a Gentleman, watercolor and gouache
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    Located in Paris, FR
    Louis Gallait (1810-1887) Portrait of a Gentleman, Watercolor and gouache on paper, square white lines, 24 x 16 cm Stamp of the Louis Gallait Estate on the mount on the lower righ...
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    1850s Romantic Portrait Drawings and Watercolors

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  • Jacques Thevenet (1891-1989) Portrait of a man in the studio, signed Gouache
    By Jacques Thévenet
    Located in Paris, FR
    Jacques Thevenet (1891-1989) Portrait of a man in the studio Gouache on paper Signed lower right 64 x 49 cm Framed 77 x 62 cm, some damages to the frame as visible on the photographs Jacques Thévenet was born in Montquinon 17 October 1891, in the family’s ancestral home, built by his great grand-father, Auguste Hugues Claude Thévenet, lawyer from Château-Chinon. He had 3 sisters and lost his mother in 1895 when he was only four. His father Louis moved the family to Paris where he run a law practice. Young Jacques studied at the Lycée Carnot and later attended the École de droit of the Sorbonne University. Simultaneously, he attended the Académie Julian, with several painters such as Amédée de la Patellière, Jean Crotti...
    Category

    1960s Modern Portrait Drawings and Watercolors

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  • Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile, signed drawing
    Located in Paris, FR
    Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...
    Category

    1860s Romantic Portrait Drawings and Watercolors

    Materials

    Gouache, Pencil

  • Jean Launois (1898-1942) Opium smokers, Indochina, original drawing
    Located in Paris, FR
    Jean Launois (1898-1942) Opium smokers, Indochina Stamp of the artit's estate on the lower right Black ink on paper 22.5 x 30.5 cm Framed : 38 x 46 cm This beautiful drawing, a fine example of Jean Launois' particular art, dates from the artist's stay in Indochina, from which he brought a group of works. An exhibition devoted to this Indochinese period of the artist's production was held at the Musée de l'Abbaye Sainte-Croix, Sables d'Olonne in 1998. About the artist : Of Vendée origin, Jean Launois very quickly showed a sure talent for drawing and was encouraged in this by his parents. He trained with his fellow Vendeans Charles Milcendeau and Auguste Lepère and then entered the Académie Jullian in Paris. Enrolled in the First World War in 1916, he continued to draw at the front, and produced numerous portraits of soldiers...
    Category

    1920s Post-Impressionist Portrait Drawings and Watercolors

    Materials

    Ink

  • Attributed to Eugène Devéria (1805-1865) La famille heureuse, watercolor
    By Eugene Deveria
    Located in Paris, FR
    Attribuetd to Eugène Devéria (1805-1865) La Famille heureuse (The Happy Family) Watercolor on paper 23 x 18 cm In quite good condition : a small tear i...
    Category

    1840s Romantic Portrait Drawings and Watercolors

    Materials

    Watercolor

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    By Antonio Lopez
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    Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...
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  • 'Woman Wearing a Headscarf', Laguna Beach, California, Art Institute of Chicago
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    Signed lower right, 'Ruth Peabody' for Ruth Eaton Colburn Peabody (American, 1893-1966) and painted circa 1955. Born in Highland Park, Illinois, Ruth Peabody was taught to paint as a child by her mother, artist Elanor Colburn, and first studied sculpture at the Art Institute of Chicago. The two women moved to Laguna Beach, California, in 1924, and became active in the local art scene. At their studio, Peabody sculpted fountains and memorial plaques when not teaching, privately and at Laguna Beach High School. Over the course of a long career, Ruth Peabody exhibited widely and with success including at the Panama Pacific Exhibition (1915), Art Institute of Chicago, Oakland Art Gallery (1932)and the Pennsylvania Academy of Fine Arts (1931) and was the recipient of numerous prizes, medals and juried awards. In 1939, the Fine Arts Gallery of San Diego presented Peabody's abstract works in a solo exhibition, the first show of its kind by a regional artist. Her work is held in private and public collections including the San Diego Museum and Orange County Museum. Exhibitions: Panama Pacific Exhibition, 1915; Laguna Beach Art Association, 1925-52; County Fair (LA), 1925, 1931; California State Fair, 1926, 1936; West Coast Arts (LA), 1927; Biltmore Salon (LA), 1927; San Diego FA Gallery, 1929, 1931, 1937, 1939; Pennsylvania Academy of Fine Arts, 1931; California Art Club, 1927-32; Painters & Sculptors of LA, 1930-31; Pasadena Art Institute 1931; Olympiad, LACMA, 1932; Oakland Art Gallery, 1932; Whittier Art Gallery, 1934; Golden Gate International Exposition, 1939. Collections: Laguna Beach Art Gallery (fountain & medallion of Anna Hills...
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