Sedrick Huckaby

The 99%

2012

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...

In his sculptures, drawings and paintings, Michael O’Keefe employs unpredictable processes as a means to discover content. He couples accident and chance with unconventional methods,...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to crea...

Michael O’Keefe’s sculptures, drawings, and paintings depict figurative narratives born from unpredictable processes. He couples innovative methods with unconventional tools to creat...

Wax pastel and colored pencil on paper.

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

The murder of John Lennon. The birth of my children. Nixon’s resignation. Brain surgery. Driven by the desire to express myself, and leave a physical record of my life and times, I’v...

A powerful depiction of a regal, queenly woman wearing a gold crown and ornate blue/gray dress. Signed, dated and titled on verso. Francine Fox works in many mediums including oil paint, watercolor, gouache, graphite and ink to produce striking and unsettling works of great beauty and psychological complexity. Fox incorporates art historical references, organically composed diagrams and personal and cultural vocabularies into her work. "I strive to produce work that is at once both striking and unsettling and intend the compilation of my formal and conceptual elements to parallel and reveal the intricacies of gray areas between seemingly dissonant traits. The gray areas I depict most frequently can be classified as the shared liminal compartments in Venn Diagrams, the middle sections along continuums or circumstances when the correct answer is both yes and no. While it is easier to think and understand in terms of binaries, these types of thought processes tend to oversimplify. The murky places in between are often harder to comprehend, and yet they are also more relatable and interesting because of their complex, confusing, and sometimes unresolved nature. My goal is not to clarify gray areas; rather, I hope to lure viewers into contemplation of the causes of the wonder and discomfort surrounding liminals. My work frequently returns to the gray areas between the themes of physical and metaphysical, evidence and faith, chaos and order, and identity philosophies rooted in either individualism or collectivism. My paintings and drawings create records of the perceived significance and beauty of these transitional spaces through the mediums of graphite, charcoal, watercolor, gouache, oil paint and digital painting. Within my body of work, the imagery includes figures, gently anthropomorphized animals, traditional and contemporary semiotics, and depictions of invisible forces through modified and invented charting symbols. My influences range from Walton Ford, Martin Wittfooth...