Mansfield Tulip
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Adam HandlerMansfield Tulip2018
2018
About the Item
- Creator:Adam Handler
- Creation Year:2018
- Dimensions:Height: 12 in (30.48 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:White Plains, NY
- Reference Number:1stDibs: LU37334530022
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2001
1stDibs seller since 2016
152 sales on 1stDibs
Typical response time: 2 hours
More From This SellerView All
- Botanical Ink and Watercolor Painting by Kate Roebuck 'Jungalow'By Kate RoebuckLocated in White Plains, NY'Jungalow' 2021 by Kate Roebuck. Ink and watercolor on handmade watercolor paper with decked edge. 30 x 22 inches. This work features a classic botanical ...Category
21st Century and Contemporary Contemporary Still-life Paintings
MaterialsInk, Handmade Paper, Watercolor
- Abstract Oil Painting by Roohi Saleem 'Serenity in Hues'Located in White Plains, NYAvailable at Madelyn Jordon Fine Art. 'Serenity In Hues' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 30 x 30 in. This pastel painting ...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil Crayon, Oil
- Abstract Oil Painting by Roohi Saleem 'Stronger Together'Located in White Plains, NYAvailable at Madelyn Jordon Fine Art. 'Stronger Together' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 40 x 40 in. This colorful painting is constructed as a dense compostiti...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil Crayon, Oil
- Abstract Oil Painting by Roohi Saleem 'Magnetized Form'Located in White Plains, NYAvailable at Madelyn Jordon Fine Art. 'Magnetized Form' 2022 by Roohi Saleem. Oil and oil sticks on canvas, 40 x 40 in. This colorful painting is constructed as a dense compostition...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil Crayon, Oil
- Blue BarnBy Ted LarsenLocated in White Plains, NY'Blue Barn' 2004 by American artist, Ted Larsen. Pastel on paper, 28.75 x 41 in. (paper) 42 x 53.5 in. (frame). This pastel work on paper features a forest o...Category
Early 2000s American Realist Landscape Paintings
MaterialsPaper, Oil Pastel
- Ink and Watercolor Painting by Kate Roebuck 'Greek Key'By Kate RoebuckLocated in White Plains, NY'Greek Key' 2022 by Kate Roebuck. Ink and watercolor on handmade watercolor paper. 40 x 60 inches. This work features classic greek forms in white exposed...Category
21st Century and Contemporary Contemporary Abstract Paintings
MaterialsPaper, Ink, Watercolor
You May Also Like
- News From a Faraway Land, Original Drawing, Interior Scene, Vase, flowersLocated in AIX-EN-PROVENCE, FRWork : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Oil based color pencils on Hahnemühle Fine A...Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
MaterialsOil Crayon, Archival Paper, Color Pencil
- Jardin Imprévu Pivoines, Original Drawing, Flowers, Peonies, GardenLocated in AIX-EN-PROVENCE, FRWork : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Oil based color pencils on archival paper pu...Category
21st Century and Contemporary Contemporary Landscape Drawings and Waterc...
MaterialsArchival Paper, Color Pencil, Oil Crayon
- "Two Vases, " Original Ink & Oil Pencil Drawing signed by David BarnettBy David BarnettLocated in Milwaukee, WI"Two Vases" is an original ink and oil pencil drawing by David Barnett, signed and dated in the lower right. This drawing is composed of hatched black lines, accented by a myriad of ...Category
2010s Contemporary Still-life Drawings and Watercolors
MaterialsOil Crayon, Ink
- Expressionist Ink, Pastel, Crayon Drawing Jewish American Modernist Ben Zion WPABy Ben-Zion WeinmanLocated in Surfside, FLExpressionist ink and pastel crayon drawing of beans (carobs, flowers?) in pods Hand signed. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...Category
Mid-20th Century Expressionist Still-life Drawings and Watercolors
MaterialsPaper, Oil Crayon, Pastel, Ink
- Expressionist Color Drawing Cobalt Glass Vintage Frame Modernist Ben Zion WPABy Ben-Zion WeinmanLocated in Surfside, FLExpressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual paper is 7.5 X 5.5 Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...Category
1950s Expressionist Still-life Drawings and Watercolors
MaterialsPaper, Oil Crayon, Pastel, Ink
- Feather Augury (Crimson Pastel Drawings on Handmade Paper by Kahn & Selesnick)By Nicholas Kahn & Richard SelesnickLocated in Hudson, NYFeather Augury (Circular Crimson Pastel Drawing on Indian Handmade Cotton Paper by Kahn & Selesnick) 11 inch diameter, unframed pastel, conte crayon on paper ...Category
2010s Contemporary Animal Drawings and Watercolors
MaterialsPastel, Graphite, Handmade Paper, Crayon
Recently Viewed
View AllMore Ways To Browse
Mulberry Glendale
Snow White Coffin
Lill Studio
Watercolor Florals On Paper
Hilary Mcmaster Framed Contemporary Pastel Red Onions Pots
Geza Marich
China Gardens Motherwell
Baccarat Vence
Hongs Canton Factories
Doughnut Teapot
Alexander Caldwell
Caldwell Snyder
Andy Smith Watercolor Artist
Alex Katz China
Andy Warhol Alexander The Great
Memphis Chicago Poster
Robert Flynn
Elizabeth Raymond