Alice Pritchard

Sunlit Peony IV

"Tranquil Presence" is an unframed oil on square canvas painting by Eric Abrecht, depicting an abstracted coastal landscape (waterscape). The artist's technique of painterly, rough b...

"Pasture" is an unframed oil on board piece by Eric Abrecht, depicting a lush hillside with trees and a shared fence line. With vibrant blues and greens, the abstracted landscape pai...

"Summer Sway 3" is an unframed mixed media work on canvas by Liz Barber, with abstract shapes and gestural paint drips. The vibrant colors and expressive mark-making stand...

"Midnight Target" is a round mixed media work on canvas by Tom Bolles, with concentric circles in shades of blue and white. This piece is unframed and has a three dimensional quality...

"Luminous 9" is a framed mixed media work on canvas by Tom Bolles with abstract linear form in shades of red, orange, and yellow. The smooth gradient of saturation near the left and ...

"Luminous Lilly Pulitzer Pink" is a framed mixed media work on canvas by Tom Bolles with abstract linear form in shades of bright pink. The smooth gradient of saturation near the lef...

'April still life with speckled wood butterfly'. watercolour. 15" x 21" mounted on card 18" x 24". Looking at the colours of early spring: petals and flowers from my garden as spring...

Peri Taylor Red Sails Watercolour and Ink on Paper Size: H 59cm x W50cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Red Sails i...

Realistic blue ball-point drawing of a lush country forest landscape "Dream a Little Dream", original drawing made in 2022 by Linda Newman Boughton ballpoint pen ('Rite in the Rain' permanent and waterproof ink) on archival paper 54 x 48 inches unframed, 55.25 x 48.75 inches with a custom wood frame with gold leaf interior and protected with Tru Vue Museum Glass (blocks 99% of UV rays, eliminates reflections, optimal light transmission to brighten colors) Signed by the artist Excellent condition and ready to hang Some might struggle to associate impressionist painting and drawing with a ballpoint pen medium, but one of Linda Newman Boughton’s opulent landscape drawings in signature blue ink is a masterclass in the art of immediacy and movement. Linda Newman Boughton’s Baroque inspired landscape "Dream a Little Dream" captures a lush Hudson Valley forest in vivid detail. Taking four months to create, the original drawing was made entirely using the artist's favorite brand of “Rite in the Rain” waterproof blue-ink pen. Working from a photograph, Boughton employed a variation of pen strokes, combining gestural lines that serve as the drawing’s foundation, with tighter strokes to develop the sections of intricate detail. From a wild and tangled web of lines emerges identifiable forms, such as a complex root system or a bushy canopy of leaves. The work itself feels kinetic; millions of mark makings vibrate with an energy that stems from a sacred connection to nature. Boughton’s passion for the arts began early, as she acted, made art, and designed theatrical sets throughout her youth. She went on to study fashion illustration at Florida State University before transferring to F.I.T in New York City. Experience in the fashion world and her love for theatre soon landed her jobs in Hollywood, painting sets and murals for feature films such as Nightmare on Elm...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

A paper lantern explodes out of the water, as if propelled by an inner, unknown force. This surreal landscape is done in exacting detail with watercolor and gouache down to the smal...

A large translucent vessels floats upon a lake, so transparent that the wooded shoreline can be seen through this surreal boat. The artist treats watercolor much like oil paints, with layer upon layer to achieve a depth unseen in watercolor. The smallest of detail is apparent upon close examination. The piece is matted and framed in a simple white frame measuring 17.25 x 17.75 inches. Christina Haglid The Junipers watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH052 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...