Unknown

Outre by Kathrin Sehl

2022

Mascarada

Hembras por la Razón

Recelos

Madre y Reina

Vivaz Multiplicidad

Levedad

"At Dream Bar [Abidjan Yopougon]", August 2013. Sylvestre Bruly Bouabré paintings reveal, with a touch of eroticism, the woman in all its s...

Triptych is a contemporary artwork realized by Giulio Paolini in 2015. Collage and pencil on paper. Certificate of authenticity by the Artist. Giulio Paolini (Genova, 5 November 19...

Date: 1903 Medium: Mixed Media on Board Sight Size 18.00" x 15.75", Framed 24.50" x 22.25" Signature: Signed Lower Right Betty Sage, Rhymes of Real Children, New York, 1903, illustr...

Date: 1903 Medium: Mixed Media on Paper Sight Size 24.25" x 15.50", Framed 31.35" x 22.50" Signature: Signed Lower Left Scribner's Magazine story illustration, November 1911, 1903 ...

Medium: Mixed Media on Paperboard Signature: Unsigned This piece was an advertisement for Lowney's Crest Chocolates. Edward Nudelman, Jessie Willcox Smith expert and biographer describes Merry Christmas: Two Children Before the Fireplace, “A wonderful mixed media painting by Jessie Willcox Smith, published as an advertisement for Lowney's Crest Chocolates, reminiscent of her paintings for Twas the Night...

The discipline of creating a drawing each day is a process, like a written diary, to clear the mind, to declutter thoughts, and to observe patterns. It is a method that allows the mind a freedom to wander and drift. A visual journal becomes a safe space for personal reflection–a self-awareness fueled by the opportunity for contemplation and immersion. The painted surface for the drawings was created by dividing five large paintings into 40 separate pieces. I chose five paintings from my Perspective Series (1993-94), which relied on day-to-day imagery that narrated a story about shifting time and how time anchors our day. The brush strokes of Perspectives are fluid, with muted colors – moving from deep blacks to taupe whites. Dividing these pieces was a means for me to rethink ideas and recurring images in my older work. The very thin gold leaf applied to each piece has a wonderful amber tone. This gold leaf is from Myanmar, where it is used as decoration for Buddha or for the dome of a temple or monastery. In the drawings, the gold element relates to the sense of infinity – like the sky in an enclosed courtyard. An architectural element is a critical component in my studio work that I wanted to carry over into these pieces. I envisioned a courtyard–a safe space that opens up to the sky. Unfolding circles define the beginnings of an open interior space. The process felt open-ended. It was an opportunity to get lost in thought and to give me an opportunity to reflect, muse and declutter my thinking. Then repeat. 40 days...