Yvon Taillandier

1981 Original work of Yvon Taillandier Vive les tabastres volants

1981

Gouache and felt Very beautiful original work of Yvon Taillandier on the world tour in 80 days. The work of Yvon Taillandier is related to free figuration, mixing image and language. His painting has an aesthetic closeness to the Art brut. Raw art - Figuration libre - Literature Jules Verne...

Beautiful gouache of the 50's for DOP. The Berlingot DOP is a plastic packaging designed in 1951 to receive the Dopal shampoo from L'Oréal. It was first developed in 1933 for hairdre...

Watercolor ink and Lavis The Battle of Berlin was the last land battle of the Second World War in Europe. Launched on April 16, 1945 by the Soviets, it ended on May 2, 1945 with the surrender of the last German soldiers...

Beautiful original work by Yvon Taillandier dated 1979. This is a staging of the exhibition at the CCC ( center culturel chorégraphie ) at 119 avenue du Général Leclerc, Paris. Yvo...

Jean Cocteau's drawing, "Le Couple et la Lyre," is a poetic masterpiece that weaves together love and music. This artwork, with its minimalist lines, beautifully captures two figures...

Mixed technique French contemporary artist Yvon Taillandier is an emblematic figure on the art scene thanks to his major contribution to Figuration Libre. Born in 1946 in Nantes, Ta...

This set of four antique 19th century Italian mixed media painting on paper hand made with gouache, tempera and watercolor, features several characters silhouettes acting in a theater play. These fine artworks are very unusual, they probably were sketches for theatrical costumes and sets. A rare example of Venetian 19th century theatrical figures in the scenery of Italian opera or characters of the Italian Commedia dell'arte. These four paintings featuring costume design figurines, with the characters acting in a theatrical set, are rendered through the decoupage technique mixing watercolor painting or gouache with tempera on paper. Each tiny figurine is made of paper hand-colored in watercolor, then cut and applied to an antique sheet...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Inscribed “159” in the upper right Provenance: (Possibly) The Van Goyen sketchbook which in 1845 belonged to Andrew Geddes, A.R.A. (1783-1844), London; his sale, Christie's, London,...

Lauren Ellis Matthews is a Californian-based writer, illustrator and designer. She studied Art History at Columbia University, New York and was an artist-...

Provenance: Marlborough Gallery David McKee, Inc. Manny Silverman Gallery Private collection, Los Angeles

Provenance: Galerie Eigen + Art, Berlin