Art by Medium: Acrylic

The power of pure colour and minimal form on raw canvas is masterfully displayed in this abstract painting by Canada’s Milly Ristvedt. A light canary yellow-soaked ground, swipes and...

Vertical stripes of buttercup yellow and cloud blue are each separated from the other by a mere whisper of white canvas. The verticals appear to breathe rhythmically against the picture plane in this homage to American painter Agnes Martin. They evoke Martin's delicate, meticulously penciled grid works and her pursuit of inner peace. Milly Ristvedt, MA, RCA, began her career in Toronto in 1964 after studies with Takao Tanabe at the Vancouver School of Art. At 24, her work was included in the Centennial Exhibition at the Art Gallery of Ontario...

Precise squares and rectangles in orange, rust red, green, mauve and white dance and swirl on a washed grey-mauve ground in this acrylic by Milly Ristvedt. Color and the grid are the...

A lemon yellow rectangle held by a whisper white band is flanked by squares of pink, navy, blood red and white on a washed ground of pale lime. A conversation about visual and philos...

Twelve rectangular panels, each painted alternately in solid colors or solid with tinted vertical stripes, are installed in a precise grid: two high and six across. The artist began ...

Vertical bars of grey acrylic, dove to light charcoal, move across this square canvas by master colorist, Milly Ristvedt. The bars, that appear to breathe rhythmically against the picture plane, are made more contemplative by the profound title of the painting -- apparent nothingness is actually everything. Thoughts on this inherent and known contradiction in the nature of the universe emerge through quiet meditation of this monochrome canvas. In the recent publication, Milly Ristvedt: Colour and Meaning, critic Lola Tostevin writes: "The grey stripes in this painting could simply be the result of mixing black and white, but it is so much more. Black, the total absence of light, is experienced as nothing but its colour. White, on the other hand, absorbs every colour on the spectrum. In combining black and white in all its permutations, the painting represents nothing figurative, yet it contains everything fundamental to its creation...The textured greys of Everything and Nothing project tranquility, reflection and, ironically, silence." Milly Ristvedt, RCA, began her career in Toronto in 1964 after studies with Takao...

It makes a bold statement. Field Green is one of a series of colour field paintings created by modernist Milly Ristvedt. Renowned as a master colourist, Ristvedt chose a bright palet...