Art by Medium: Aquatint

Grisha Bruskin, Russian (1945 - ) - Litza II, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, numbered and dated in pencil, Edition: WP, Image Size: 9 x 7....

Signed, titled and numbered by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satelli...

Natalie d'Arbeloff, British/American (1929 - ) - Juke Box Tune 2, Year: 1989, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 32/150, Image S...

Helen Escobedo (Mexico, 1934-2010) Untitled from portfolio 'El exilio de los sentidos', 2004 Etching and Aquatint on paper 15 x 15 in. (38 x 38 cm.) Edition of 75 ID: ESC1662-001 Han...

RICHARD TESCHNER (Prague 1879 – 1948) From: A Thousand and One Nights - SURREALIST WOMAN DEAD IN A TREASURE BOX, 1917 Aquatint, Proof no. 17. Aqua...

Etching and aquatint, 1967 Handsigned by the artist in pencil and numbered 46/75 Publisher : XXe siècle, Paris Printer : S. Esmeraldo, Paris Catalog : [Schneider XXXI] 75.00 cm. x 56...

Marc Chagall Fables : The Child and The Professor , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (...

The graphic is already framed. About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...

Signed lower right, "Edinah L. Jewett", inscribed lower left, "1/2" and titled "Ballerina and Friend". A substantial sugar-lift aquatint and etching showing a young woman in coral ...

Marino Marini Due Pomone Plate X from "Tout pres de Marino" Aquatint Etching on Arches paper Year: 1971 Lithograph Size: 10.25x7.45 on 22x15in Edition: 95 Not individually signed (o...

Julian Trevelyan Lions ( Turner 194), 1966-1967 Color etching and aquatint on T.H. Saunders paper Pencil signed and numbered 28 from the limited edition of 125 Frame Included: held i...

Artist Name: Julian Trevelyan Title:Richmond Year: 1969 Medium Type: Etching, with Aquatint Size-Width Size-Height: 22'' x 29'' inches Signed Edition Size: Signed in pencil, title...

Trio Color aquatint, 1938 Edition 250 printed on Montval wove paper with Maillol watermark From: Les Fleurs de Mal III (12 color aquatints) Published by Ambrose Vollard, 1940, Paris ...

The original aquatint "Le manège ou la Place Blanche à Paris" by Manuel Robbe is a captivating representation of early 20th-century Parisian life. This artwork, created by the renowned French artist Manuel Robbe, beautifully captures the bustling charm and vibrant atmosphere of Place Blanche, a well-known square in Paris. Robbe, celebrated for his mastery in the aquatint technique, employs delicate tones and intricate details to bring this lively Parisian scene to life. The piece portrays a merry-go-round (manège) situated in the heart of Place Blanche, surrounded by a lively crowd of Parisians. The use of aquatint allows for a rich gradation of colors and textures, enhancing the overall depth and realism of the scene. The artwork reflects Robbe's keen eye for detail and his ability to depict the nuances of everyday life in Paris. The merry-go-round, with its whimsical horses...

Ribera is an abstract drypoint and aquatint by Christian Bozon, dominated by a dense field of saturated blue framed by rough, irregular edges of ochre and pale cream. The composition...

This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition. About the artist: Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States. Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there. SOLO EXHIBITIONS 2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA 2016 "Fugue" Don Soker Gallery, San Francisco, CA 2015 "Resonances" Stanford Art Spaces, Stanford University, CA "Appearances" Lena & Roselli Galeria, Budapest, Hungary 2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA 09/10 "Manifold", (survey) ICA, San Jose, CA 2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA 2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA 2007 "Structures" Don Soker Gallery, San Francisco, CA 2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Undercurrents", Don Soker Gallery, San Francisco, CA 2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n "Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n "Dialectica", Don Soker Gallery, San Francisco, CA 2001 "Transparentia", Don Soker Gallery, San Francisco, CA " Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Mixed Media Works", Shasta College Art Gallery, Redding, CA SFMOMA Artists Gallery, San Francisco, CA 2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y "Microcosmos" Kieler Kloster, Kiel, G e r m a n y 1999 Don Soker Gallery, San Francisco, CA 1998 Don Soker Gallery, San Francisco, CA 1997 Plaza Gallery, Tokyo, J a p a n 1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y 1995 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n 1994 Collectors Gallery, The Oakland Museum, CA 1993 Don Soker Gallery, San Francisco, CA 1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n "Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n 1991 Collectors Gallery, The Oakland Museum, CA 1990 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n Tamura Gallery, Tokyo, J a p a n Gallery 88, Sendai, J a p a n Heian Gallery, Kyoto, J a p a n 1989 Richard Hanson Fine Arts, Fresno, CA 1988 Don Soker Gallery, San Francisco, CA 1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n 1984 Rorick Gallery, San Francisco, CA 1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA TWO AND THRE PERSON EXHIBITIONS 2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez" Consulate General of Mexico, San Francisco, CA 2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA 2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis 2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University 2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA 2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y 1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA 1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA 1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA "Art in the Time of Corona" NUMU New Museum Los Gatos, CA 2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA 2019 "Hardly Strictly Mini" Bolinas Art Museum, CA "The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA "Annual Members Exhibition" Berkeley Art Center, CA 2018 "Surprise: New Acquisitions" The Janet Turner...

Eduardo Chillida (Spain, 1924-2002) 'Estampa VI', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqu...

Joe Durante - Metamorphosis. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.75 x 17.5...

Joan Miro, Spanish (1893 - 1983) - Adonides D881, Portfolio: Adonides by Jacques Prevert, Year: 1975, Medium: Etching with Aquatint and embossing on Arches, Edition: 225, Size: 15.7...

"Kobe" is an original contemporary wall-hanging artwork by Sean 9 Lugo, known artistically for his gallery artwork, murals, and street art. The piece features the artist's signature ...

Artist: Beth Van Hoesen – American (1926- 2010) Title: Fresno Basket Date: 1974 Medium: Color aquatint and etching, hand colored with watercolor Image Size: 12.25 x 12.75 inches Fram...

Ian Fleming Title: Symbol 2 - Eternal Woman Medium: Etching and Aquatint on paper Year: 1977 Size: 19 x 22 inches (48.26 x 55.88 cm) Edition: 50 Signed, numbered, dated and inscribed by hand COA provided Framed in a simple silver metal frame Ref.: Peacock Archive, 1988. Aberdeen Archives, Gallery & Museum, Scotland Ref.: 924802-861 ----------------------- Ian Fleming (1906, Glasgow - 1994, Aberdeen, Scotland) Fleming was born in Glasgow and studied at the Glasgow School of Art. He began printmaking at art school, and Glasgow Art Gallery bought two of his prints while he was still a student. In 1928, Fleming made his first engraving while working with Charles Murray, and he soon became a highly-skilled engraver. While lecturing at the Art School from 1931, Fleming met William Wilson, the Edinburgh-based printmaker and stained glass artist. They became friends, and their work was mutually influential. He also taught Robert Colquhoun...

Alison Saar (1956 - ) - Tatoo, Year: 1994, Medium: Softground etching and aquatint on BFK Rives, signed, titled and numbered in pencil, Edition: 20, EP, Image Size: 22 x 13 inche...

Etching and aquatint, 1965 Edition : 48/75 Publisher : Maeght (Paris) Printer : Maeght (Levallois-Perret) Catalog : [Dupin 394, page 68] 89.50 cm. x 63.50 cm. 35.24 in. x 25 in. (pa...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...

Etcher and painter Richard Bishop was born in Syracuse, New York and studied engineering at Cornell University. After serving in World War I, he settled...

Signed, titled and numbered by the artist from an edition of 60. Nostalgic scene of a lakeshore cabin with boat. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940....

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'Ofrenda deliciosa', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.) ID: CUR-109 Unframed

Bernar Venet Acute Uneven Angles (A), 2016 Direct gravure, aquatint, burnishing and drypoint. Pencil signed and numbered 42 from the limited edition of 75 by the artist on the front ...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Despues de la Corrida, Year: circa 1963, Medium: Etching with Aquatint on Fabriano Cotton paper, signed, titled and numbered in...

This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...

Las rinde el Sueño is an original etching realized by Francisco Goya and published for the first time in 1799. Original etching on paper. This amazing Etchi...

This artwork titled "Prisme" c.1970 in an original color etching with aquatint on Wove paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and numbered 18/...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

Edouard Manet Le Chat et les Fleurs (from "Les Chats par Champfleury") 1869 Etching and aquatint on Rives paper Image: 6.25 x 5.125 (17.3 × 13 cm) Plate: 8 x 6 inches (20.3 x 15.2 c...

'Torch Light Fishing in N America' Colour aquatint by Merke after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel...

Portrait de Calderon is a contemporary artwork realized in 1971. Plate n. 1 from the series “Caldéron. La Vie est un Songe". Colored aquatint etching by Bracons and J.J.J. Rigal af...

Etching and aquatint, 1960 Edition : 27/90 Publisher : Maeght (Paris) Printer : Crommelynck et Dutrou (Paris) Catalog : [Dupin I 283, p.179] 63.00 cm. x 90.00 cm. 24.8 in. x 35.43 i...

New York - Taken from the north west angle of Fort Columbus Governor's Island, 1846 Engraved by Henry Papprill after a sketch by F. Catherwood, published by Henry J. Megarey Hand-colored engraving on paper Image 16 x 26 1/2 inches Henry A. Papprill (1816–1903) was a British engraver. Noted as an aquatint engraver from 1840. His plates were published from 1840 till 1883 mainly by Ackermann of the Strand. Papprill was born in Holborn, London. Lived for much of his life at Wharton Street, Lloyd Square, London. Papprill is thought to have been based in New York City for brief period in the mid-1840s. His work in the USA appears to classify him as an American engraver but he was based and gained his reputation and bulk of his work in England. He produced a series of works for Ackermann & Co from 1840 beginning with four plates called "The Jolly Squire", with verses, after James Pollard. In the following years Papprill engraved a number of military plates for Ackermann as well a series of engravings of New York (1846-9) for H.I.Megarey (published in New York). The most notable of these are: "The North West Angle of Fort Columbus, Governor's Island" (the Catherwood-Papprill view) and New York from the Steeple of St. Paul's Church, Looking East, South & West." (The Hill-Papprill view) listed in the American Historical Prints - Early Views of American Cities, etc: I.N.Phelps Stokes & Daniel C. Haskell. New York Public Library 1932. Papprill also produced for Ackermann a series of sporting prints after G. H. Laporte between 1860 and 1865. These were entitled: Racing, Hunting and Coursing. He also produced a series of shipping prints...

This artwork titled "Centre Noeuds" plate #1, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...

This print recalls a scene in Bloedel Donovan Park, Lake Whatcom, Bellingham, Washington. A fresh dusting of snow is falling against the backdrop of a lake and forest. Signed, titled...

Katz, Alex Mac 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Serena 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Cynthia 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Ron 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Francis 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Rudy 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Annabel 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Jayne Anne, 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Alexandria 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

Katz, Alex Alain, 1984 Vernis mou and aquatint on Hahnemuehle paper 18 1/8 x 15 1/2 in. 24 from the limited edition of 40 Hand Signed and Numbered Mint Condition

This piece titled "Timesteps" is an limited edition piece by Kate VanVliet and is made from two-plate etching with sugarlift, aquatint, drypoint on Rives BFK. This piece is an editio...

"Son Abrines" Original etching with aquatint printed on Guarro paper. Ink stamp signed, numbered 23/75 in pencil. Also hand signed in pencil on the back by the grand son of the artis...

This artwork titled "Venice" 1965 is an original color aquatint on Arches paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered 42/100 in pencil by the a...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...

Susan Hall, American (1943 - ) - Ironing, Year: 1978, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 8/20 AP, Image Size: 21.5 x 27.75 inch...

Staghound Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 27 x 22 in. (68.58 x 55.88 cm)

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Fourth state (of 5). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 113]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Etching with aquatint on cream wove paper, 1 3/4 x 5 inches (178x 127 mm), full margins. Signed, dated and inscribed "Ed. 150" in pencil, lower margin. Second state (of 3), before th...