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Artist: (after) Salvador Dali
Medium: Ceramic
Night of Birds - ceramic tile - 1954
Located in Paris, FR
Salvador DALI (after)
Night of Birds
Handpainted ceramic tile
Signed in the pattern
8 x 8" (20x20cm)
Edited in 1954 by Maurice Duchin and hand crafted in atelier MPG under the contr...
Category
1950s Surrealist Art by Medium: Ceramic
Materials
Ceramic
Sabat - Limoges Porcelain Blue and Gold
Located in Collonge Bellerive, Geneve, CH
Limoges porcelain in "Bleu de Sèvres" and gold.
Artist: Salvador Dali
Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968.
"Sabat" drawn by Salvador Dalí...
Category
1960s Modern Art by Medium: Ceramic
Materials
Porcelain
Red Starfish - ceramic tile - 1954
Located in Paris, FR
Salvador DALI (after)
Red Starfish
Handpainted ceramic tile
Signed in the pattern
8 x 8" (20x20cm)
Edited in 1954 by Maurice Duchin and hand crafted in atelier MPG under the control...
Category
1950s Surrealist Art by Medium: Ceramic
Materials
Ceramic
Venus - Limoges Porcelain Blue and Gold
Located in Collonge Bellerive, Geneve, CH
Limoges porcelain in "Bleu de Sèvres" and gold.
Artist: Salvador Dali
Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968.
"Silhouette de Faust" drawn by...
Category
1960s Modern Art by Medium: Ceramic
Materials
Porcelain
Faust - Limoges Porcelain Blue and Gold
Located in Collonge Bellerive, Geneve, CH
Limoges porcelain in "Bleu de Sèvres" and gold.
Artist: Salvador Dali
Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968.
"Faust" drawn by Salvador Dalí...
Category
1960s Modern Art by Medium: Ceramic
Materials
Porcelain
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Limited edition of an unknown quantity, originally distributed by the Museum of Modern Art, before it sold out.
Measurements:
Box:
5.5 x 5.5 inches
Tray:
5 x 5 inches
Provenance:
Originally distributed by the Museum of Modern Art, before it sold out
Manufacturer:
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Herbert Bayer biography:
Artistic polymath Herbert Bayer was one of the Bauhaus’s most influential students, teachers, and proponents, advocating the integration of all arts throughout his career. Bayer began his studies as an architect in 1919 in Darmstadt. From 1921 to 1923 he attended the Bauhaus in Weimar, studying mural painting with Vasily Kandinsky and typography, creating the Universal alphabet, a typeface consisting of only lowercase letters that would become the signature font of the Bauhaus. Bayer returned to the Bauhaus from 1925 to 1928 (moving in 1926 to Dessau, its second location), working as a teacher of advertising, design, and typography, integrating photographs into graphic compositions.
He began making his own photographs in 1928, after leaving the Bauhaus; however, in his years as a teacher the school was a fertile ground for the New Vision photography passionately promoted by his close colleague László Moholy-Nagy, Moholy-Nagy’s students, and his Bauhaus publication Malerei, Photographie, Film (Painting, photography, film). Most of Bayer’s photographs come from the decade 1928–38, when he was based in Berlin working as a commercial artist. They represent his broad approach to art, including graphic views of architecture and carefully crafted montages.
In 1938 Bayer emigrated to the United States with an invitation from Alfred H. Barr, Jr., founding director of The Museum of Modern Art, to apply his theories of display to the installation of the exhibition Bauhaus: 1919–28 (1938) at MoMA. Bayer developed this role through close collaboration with Edward Steichen, head of the young Department of Photography, designing the show Road to Victory (1942), which would set the course for Steichen’s influential approach to photography exhibition. Bayer remained in America working as a graphic designer for the remainder of his career.
-Courtesy of MOMA
More about Herbert Bayer:
Herbert Bayer (1900-1985) was born in Austria, where he entered into an apprenticeship under the architect and designer, Georg Smidthammer, with whom Bayer learned drawing, painting, and architectural drafting, inspired by nature and without formal knowledge of art history. In 1920, Bayer discovered the theoretical writings of the artist Vassily Kandinsky, as well as Walter Gropius’ 1919 Bauhaus manifesto, in which Gropius declared the necessity for a return to crafts, in which were found true creativity and inspiration. Bayer traveled to Weimar to meet Gropius in October of 1921 and was immediately accepted into the Bauhaus. There, he was deeply influenced by the instruction of Kandinsky, Johannes Itten and Paul Klee.
In 1928 Bayer moved to Berlin together with several members of the Bauhaus staff including Gropius, Moholy-Nagy and Marcel Breuer. He found work as a freelance graphic designer, particularly with German Vogue, under its art director Agha. When the latter returned to Paris, Bayer joined the staff full time, and also worked increasingly with Dorland, the magazine's principle advertising agency. It was in the period from 1928 to his emigration to America in 1938 that he developed his unique vision as an artist, combining a strongly modernist aesthetic sense with a rare ability to convey meaning clearly and directly. This seamless combination of art, craft and design mark Bayer as true prophet of Bauhaus theories.
Bayer followed Gropius to America in 1938, and set his breadth of skills to work later that year in designing the landmark Bauhaus 1918-1928 exhibition at the Museum of Modern Art. Bayer flourished in New York as a designer and architect, but it was his meeting with the industrialist Walter Paepcke in 1946 that allowed him to harness his concepts of 'total design' to the postwar boom. Paepcke was developing Aspen as a cultural and intellectual destination, and found in Bayer the perfect collaborator. Bayer was designer, educator and indeed architect for Paepcke's Aspen Institute...
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Ceramic art for sale on 1stDibs.
Find a wide variety of authentic Ceramic art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tyler Shields, Randal Ford, Pablo Picasso, and James Lewin. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ceramic art, so small editions measuring 30 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,500 and tops out at $9,500, while the average work can sell for $3,500.
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