Art by Medium: Charcoal

Figures is a Charcoal Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 19...

Acrylic on canvas

Acrylic on canvas

Matthew Marcot is an American, self-taught artist specializing in Abstract and Neo-Expressionism, and primary mediums are semiotics and collage. An unde...

Figures is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in charcoal. Signed on the lower. Good conditions. Pierre-Georges Jeannio...

Jacques Lipchitz Untitled Sculptural Study for Ladislas Segy, 1962 Charcoal drawing on paper hand signed and dated on the front This work was gifted by the artist to renowned African...

Male Model–Two Views Signed, l.c. Charcoal on buff paper 13 x 13 inches This work is offered by ClampArt in New York City.

A striking charcoal drawing by the Russian artist Samouil Nevelshtein, depicting a portrait of a girl with a hair bow. Signed and dated to the lower right-han...

The new generation talks about d new fashions swags of d youths of this era, in Their sense of music games and crafts, they have a mix of the vintage cu...

A mixed media work by Lawrence Lee. “1My Chrysalis” is a contemporary painting, India Ink, graphite, tea stains, pen and watercolor on paper in brown and ...

Nude is an original Charcoal and Watercolour Drawing realized by Mino Maccari in mid-20th century. Good condition except for torn paper on the lower margin. Hand-signed by the arti...

Nude is an original Charcoal and Watercolour Drawing realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino ...

Magicians and Nudes is an original Charcoal and Watercolour Drawing realized by Mino Maccari in mid-20th century. Good condition except for torn paper on the lower margin and a miss...

Sukanta Das - Untitled - 30 x 30 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usually ...

Sukanta Das - Untitled - 36 x 24 inches (unframed size) Acrylic on canvas Inclusive of shipment in roll form. Style : Juxtaposing the mundane with the exotic, Das’ work is usually ...

Satyric scene is an original charcoal drawing realized by Mino Maccari circa 1960s. Hand-signed on the lower centre margin on a yellowed worn paper. Mino Maccari was an Italian wri...

Nude is an original drawing in pencil realized by Emile Deschler in 1986. Hand-signed in pencil by the artist on the lower right. Good condition except for some small holes. Emile...

Orange tonal surrealist portrait drawing. The work is signed by the artist in the bottom corner and is not currently framed. Artist Biography: Eyes are a recurring motif in the work of American artist Stanley Clark...

Telephone is an original artwork realized by Mino Maccari in the 1970's. Mixed media colored drawing, charcoal and watercolor. Hand-signed by the artist on the lower margin. Goo...

Woman with Umbrella is an original drawing on ivory paper realized by Alexis Mérodack-Jeanneau in the early 20th century. Stamp of the artist's at...

K.G. Subramanyan - Untitled - 22 x 14 inches (unframed size) Pastel & Charcoal on Paper Inclusive of shipment without frame. Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work. Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures. About the Artist and his work : K.G. Subramanyan (1924-2016) was born in Kerala. Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai. In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari...

Telephone is an original artwork realized by Mino Maccari in the 1970's. Mixed media colored drawing. Hand-signed by the artist on the lower margin. Good conditions except for s...

"Blooming Jaguar" by Oliver Flores is a whimsical watercolor and charcoal drawing of a beautiful colorful elephant. This artwork comes in a white floater frame, ready to hang. Frame...

Medium: Unknown Signature: Signed Lower Right

James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...

Nude of Woman Reclined On the Back of a Chair on the Right is an original drawing realized by Gustav Klimt between 1904 and 1906, probably in 1905, as stated in the Catalogue Raisonn...

Female figure with child and dog is a sublime original drawing (red chalk drawing on laid paper) by an exponent of the French School of the XVIII century...

Shuvaprasanna Bhattacharya - The Golden Flute - 12 x 12 inches (unframed size) Oil, Acrylic and Charcoal on canvas Inclusive of shipment in a roll form. ...

Fluid charcoal sketch of study of human motion by artist Max Rauh (1888-1961), circa 1920. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard...

Drawing of slaves grouped into bondage by French artist Fabienne Monestier, 2005. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size fr...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

David A. Dreyer was born in Dallas in 1958, and earned his BFA and MFA at Southern Methodist University. He was a recipient of the Moss/Chumley Award from the Meadows Museum and has ...

Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also created metallic panels and mosaics. Conte...

Robert Motherwell Untitled (Open in Yellow, Black and Blue) 1970 Acrylic and charcoal on canvas board 25.4 x 61 cms (10 x 24 ins) RM9819 P588 Signed lower right (recto) Artist's studio number P74-290 Provenance: Dedalus Foundation, New York...

Robert Motherwell (1915-1991) Great Wall of China No. 4 1971 Acrylic and charcoal on canvas 152.4 x 101.6 cms (60 x 40 ins) RM10101 P617 This work is part of the artist's Great Wall of China series, of which there are only five paintings, all of which are in private hands. Painted on a traditionally primed canvas, it is an exploration of the tension between foreground and background. The U-shaped forms in this series of paintings are closely related to the paintings in Motherwell's Open series of which there are a greater number of paintings and drawings. Great Wall of China series refer to a Franz Kafka short story about the Chinese landmark, which certainly served as a dividing line in its time, and perhaps also to contemporaneous events involving China, such as Henry Kissinger...

Robert Motherwell Shem the Penman #19 1983 Acrylic and charcoal on canvas 25.4 x 35.6 cms (10 x 14 ins) RM13642 P1069 Recto, upper left: RM Verso: R. Motherwell \ 1983 Verso (on b...

The artworks presented aim to capture the essence and interconnectivity of life, the delicate interplay of form in space and moments captured in time. Vibrant colours and texture ad...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...