Art by Medium: Etching

4 Groups of 9 plates of Grotesque Masks. [Published: Venanzio Monaldini, Rome, 1781]. Rare and strong impressions of etchings of grotesque masks, after...

J. Becquet, Sculptor Etching & drypoint, 1859 Unsigned as issued From: The Thames Set Printed on this Japanese tissue Rich impression Condition: Excellent Plate/Image size: 9 7/8 x 7...

Etching on Rives paper. Hand signed lower right by Henry Moore. Hand numbered V/X lower left, one of ten artist's proofs, aside from the edition of 50. Sheet size 17.25 x 21 inch...

Artist: Sandro Chia Title: Untitled 6 Medium: Carborundum etching with hand coloring on handmade paper, each piece is unique Size: 39 x 46.5 Inches Signed: Hand Signed Edition: 31/...

Melissa Meyer Love Me Tender, 2003 Color etching on wove paper Pencil signed and numbered from the edition of 30 on the front 27 inches × 25 inches Edit...

Artist: Bernard Greenwald, American (1941 - ) Title: Mickey Mouse #2 Year: circa 1990 Medium: Etching, Signed and titled in pencil Image Size: 17.5 x 12 inches Frame: 32 x 24 inches

The Day The Earth Stood Still (TDTESS) collection of drawings, wall artworks and installations focuses on images which captured pivotal events that are etched in memory and subconscious, ie. the Moon...

Signed, titled and numbered, edition of 7. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography...

Tim Southall Ravens at the Tower Limited Edition Etching and Aquatint Edition of 75 Image Size: H 10cm x W 15cm Sheet Size: H 20cm x W 24cm x D 0.1cm Sold Unframed Please note that i...

Hayter, Stanley William. EXPANSION. B&M 334. Etching and soft-ground etching, in color, 1969-70. Edition of 100 (there were also 20 artist's proofs, and several trial proofs in other...

Medium: original etching. Published in Paris by Floury in 1929. This impression is printed on watermarked Lafuma wove paper. Plate size: 7 1/4 x 5 1/4 inches (185 x 135mm). Signed in...

Salvador Dalí­ Simon (Simeon), from the Twelve Tribes of Israel, 1972 Etching with colour stencil Hand signed lower right Edition E.A. lower left Image size 50 × 36 cm Frame size 88...

This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings. 4 x 3.5 inches, image 15.25 x 13.25 inches, frame Inscribed "GC" in the plate, lower left This impression is from the edition ca. 1825 from the original plate of ca. 1635. Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...

ARTIST: Salvador Dali TITLE: Alchimie des Philosophes The Angel of Alchemy MEDIUM: Etching on parchment paper SIGNED: Hand Signed PUBLISH...

This original etching and aquatint in colours is hand signed in pencil by the artist in Chinese and Pinyin at the lower right margin and dated in pencil next to the signature '693’ [1968]. It is also hand numbered in pencil from the edition of 114, at the lower left margin. This etching and aquatint was printed by Imprimerie Arte, Paris and published in a limited edition of 114 signed and numbered impressions by Jean-Robert Arnaud, Paris. Note: This subject is one of ten published in the folio ‘La peau des choses’ [The Skin of Things] in 1968. The folio also included works by Huguette-Arthur Bertrand, Cesar, Émile Gilioli, James Guitet...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

Artist: Theo Tobiasse, French (1927 - 2012) Title: Le Reve de Jacob Year: 1984 Medium: Etching with Carborundum, signed and numbered in pencil Edition: 65/75 Image: 27 x 22.5 inc...

Artist: Pierre Augustin Massé (French, 1880-?) Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898 Medium: Or...

Printmaking became a focus in Karin Bruckner’s work in 2006. She found the medium a congenial way of creating art given her professional background in architecture. Its unique combin...

Carrefour des Gorges d'Apremont is an artwork realized by T. Chauvel in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative ...

Red Door (In Blue). Typical Laurie style, well collected artist. Signed limited edition etching. Numbered 18 of 25. Each one of the edition is ...

Signed, titled and numbered in pencil by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

Jean Baptiste VALADIE Fall : Woman under a Tree Originale Etching Signed in pencil Numbered on 225 copies On vellum 45 x 32 cm (c. 17.7 x 15.5 inches) excellent condition

1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...

William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...

Salvador Dali - Nude and Lobster - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 Editor : Au Cercle du Livre Précieux On Rives Vellum From the Serie Casanova Unsigned as ...

SALVADOR DALI (1904-1989) THE BELOVED FEEDS AMONG THE LILIES, 1971 Board for the series "The Song of Songs hymns" Aquatint and dry point on wove paper...

Profile is an original contemporary artwork realized by Giacomo Porzano in 1972. Etching on paper. Hand signed, dated and numbered by artist with pencil. Edition of 50.

Portrait is an original Etching realized by Theodule Ribot in the 19th Century. Good condition.

ARTIST: Salvador Dali TITLE: Hamadryades Mimetiques Arborescentes MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 19.3" x 12.4" YEAR: 1971 FRAMED: No CO...

"Le Rhone a Avignon" is an original hand colored etching signed by the artist Armand Coussens. This incredibly rare print depicts a church in Avignon, where Pablo Picasso had one of ...

Original etching signed by the Artist.

Artist: Will Barnet, American (1911 - 2012) Title: The Skaters Year: 1988 Medium: Etching and Aquatint, signed and dedicated in pencil Edition: Trial Proof...

Etching, 1998 Handsigned by the artist in pencil and numbered 6/100 Publisher : Editions de l'Herne (Paris) 48.00 cm. x 35.00 cm. 18.9 in. x 13.78 in. (paper) 29.00 cm. x 20.00 cm. ...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Venetian Views: Venice, Morning, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium red, phthalo green-blue shad...

Pierre-Auguste Renoir (1841–1919) French, Drypoint etching on archival paper. Titled "Femme Nue Couchee". Unknown edition. A delicate Impressionist etching that captures a reclining ...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

This Ipomée (sweet potato) is one of a series of beautifully rendered flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and...

This Amaryllis is one of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary an...

This piece is an original color etching and aquatint by Marc Chagall, done in 1975-76. From the album titled "Celui Qui Dit Les Choses San Rien Dire", co...

Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...

Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities). Aquatint, engraving with some st...

Phrases - Sombre is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-2007...

Phrases - Passage  is a Contemporary artwork realized by the Italian Contemporary artist Achille Perilli  (1927 -2021) and by the French philosopher Philippe Lacoue-Labarthe (1940-20...

I, from Sensory World by Victor Pasmore, 1996 Additional information: Medium: etching and aquatint 29.5 x 29 cm 11 5/8 x 11 3/8 in signed with initials and numbered I/III in pencil ...

Sunrise. 1965, paper, etching, 53x52 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the ...

François Vivares was known to have produced several copies of images after older masters, such as, in this case, Rembrandt van Rijn. In this set, Vivares reproduces "The Quacksalver" (1635, Bartsch 129), "Beggar man and beggar woman conversing" (1630, Bartsch 164), and "Beggar Seated Warming...

Henry Moore (1898-1986) is one of the most important Modernist sculptors. His large-scale semi-abstract sculptures can be seen not only in institutions around the world, but in many ...

Salvador Dali Cobea (Pisum Sensuale) from Flora Dalinae, 1968 Etching and drypoint on Japon paper Hand signed lower right Edition 163/175 Image 58 x 38.5 cm Sheet 76.7 x 56 cm Printe...

Beautiful 19th-century colour etching Blechinger and Leykauf Vienna Printers. The image shows a painting entitled ‘Mélodie d'Amour’ (Melody of Love), a work depicting an elegant genr...

Cityscape Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Image Size: 19 x 18 inches Size: 30 x 22 in. (76.2 x 55....

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

Canards Sauvages is a black and White etching realized by Jules Herau in the Late 19th Century.  Titled in the lower Image Size: 32x24 Very good impression. Realized by Cadart fo...

Le Tigre is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condit...

Tom. X, Pl. VI, p. 50. From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper. Sheet size: 24.5 × 19.5 cm. A highly detailed anatomical...

Tom. X, Pl. V, p. 50. From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper. Sheet size: 24.5 × 19.5 cm. A striking and unusually inti...

Tom. X, Pl. XLIX, p. 334. From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper. Sheet size: 24.5 × 19.5 cm. A finely executed anatomi...

Tom. X, Pl. LI, p. 334. From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper. Sheet size: 24.5 × 19.5 cm. A finely engraved anatomica...