Art by Medium: Etching

Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...

Pierre Alechinsky (1927) - Sans Titre Etching from 1980. The edition 27 of 90. Dimensions of work: 56.5 x 76 cm. Hand signed. The work is in Excellent condition.

Artist: Pierre Augustin Massé (French, 1880-?) Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898 Medium: Or...

Hank Laventhol, American (1927 - 2001) - Pear, Year: Circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 24 x 16 inches, Size:...

Hank Laventhol, American (1927 - 2001) - Mountain Village, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: 300, AP XXXV, Image Size: 16.5 x 24...

Psaltery, 2nd Form Mark Tobey, American (1890–1976) Date: 1974 Etching on Japon, signed and numbered in pencil Edition of 107/150 Image Size: 14 x 11 inches Size: 26.5 in. x 20 in. (...

Wickey, Harry (American, 1892-19680 NINTH AVENUE.(New York City) Circa 1926. Etching and drypoint, not dated, but circa 1926. Edition of 50, numbered 8/50 ans siged in pencil. 9 x 9 ...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

Hand signed and numbered. Edition of 40 prints. Reference: Catalogue Battisti n.59. Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in...

The Workshop (Stirling). 1905. Etching and drypoint. Rinder 369 state .ii/iv.Image: 8 3/16 x 12 (sheet 8 5/16 x 12). No published edition. A rich impression with drypoint burr printe...

Paul César Helleu Vannes 1859 - 1927 Paris "Le masque" Color etching on handmade paper Signed in pencil lower right Image: 52.5 x 33 cm Frame: 93 x 72 cm Old 19th-century frame, acid...

“Breakfast” is a colored etching and drypoint by American artist, Wayne Thiebaud from 1995. The work is edition 22/50 and is signed lower right, "Thiebaud 1995” Wayne Thiebaud's Bre...

Salvador Dali (1904-1989) - Vieux Faust (Old Faust) Drypoint etching with roulette from 1969. The edition 4/95. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pierre Ar...

Les deux tures coifffes d’un turban avec une aigrette (The two headdresses of a turban with a crest) Etching, 1618 From: Varie Figure (16 plates) Condition: Trimmed withing the plate...

Si son de otro linage is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los...

"The Catch (Les Mains du Pecheur)" is an original color aquatint by Le Corbusier. The artist signed the piece in the lower right and wrote the edition number, 10/30, in the lower lef...

Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the Univ...

Etching realized in 1980s. Hand signed and numbered in pencil. Edition of 35, in roman numbers. Very good condition.

Douglas C. Backhaus - Air, Year: 1978, Medium: Hand colored Etching, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 9.25 x 7 inches, Size: 13.25 x 11 in. (33....

Artist: Louis Icart, French (1888 - 1950) Title: Hiding Place Year: 1927 Medium: Etching, signed in pencil Image Size: 18 x 14.5 inches Size: 19 x 15.5 in. (48.26 x 39.37 cm) Frame S...

Medium: Aquatint, Drypoint, Etching Year: 2013 Image Size: 8.66 x 10.6 inches Edition Size: 50 Beautiful impressionist scene of birch trees in calming greens and browns. Lawlor's e...

Eclesiastes I by Sigmund Laufer, German/American (1920–2007) Date: 1964 Etching, signed and numbered in pencil Edition of 50 Size: 22 x 15 in. (55.88 x 38.1 cm)

Zane Elerte (1987) Home Medal, matte iron, etched, 78x68x8 mm The medal is a square abstract object made of matte iron and etched with a design. It measure...

L'Angellus Etching, engraving and acquatint on Arches paper, 1902 Signed lower right by the artist (see photo) This is a first state impression printed in a brown/black ink, one of ...

Lucian Freud The Egyptian Book 1994 Etching on T.H.S. Saunders paper 18 1/4 x 16 3/4 inches; 46 x 43 cm Edition of 40 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks...

Roberto Antonio (Echaurren) Matta (1911 - 2002) "Driote Liberees" Etching & Aquatint on Japon Nacré Paper. Signed in pencil and numbered 73/100. Published and printed by Georges Visat...

Martin Barooshian, American (1929 - 2022) - La Danse (Yellow), Year: circa 1979, Medium: Etching and Aquatint on Arches, initialed in the plate and signed in pencil, Image Size: ...

Framed: 39 3/8 x 30 1/8 x 1 1/2 inches, 3/4 inch face, Wood frame Wayne Thiebaud was born Mesa, Arizona in 1920, and his family soon moved to Los Angeles in 1921. In high school he ...

Akio Wakasa Miyakawa - The Primitive Toy C, Medium: Etching and Aquatint on Arches, signed, titled and numbered in pencil, Edition: 4/20, Image Size: 12.75 x 17.75 inches, Size: 15...

Etching and aquatint, 1973 Handsigned by the artist in pencil and numbered 52/75 Publisher : Pierre Matisse (New-York) Printer : Morsang (Paris) Catalog : Dupin 608 63.00 cm. x 91.00 cm. 24...

Etching realized by Amedeo Tedeschi Toschi in 1996 ca. Hand signed and numbered in pencil. Edition of 35. Excellent condition.

Signed in pencil Numbered 16/50 Chagall worked extensively in etching and aquatint during the later decades of his career, producing numerous independent compositions and illustr...

Original Etching by Modernist Milton Avery (1885-1965) Image measures: 8 5/8" H x 4 5/8" W. Titled lower left - “Little Girl” Edition size: 6 of 60. Printed in 1936. In excellent co...

Jim McCormick, American - Parget in Chaos, Year: 1969, Medium: Etching on Arches, signed, titled, numbered and dated in pencil, Edition: 20, Image Size: 17.75 x 14.75 inches, Size:...

Untitled - Planetary Abstract Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 99 Size: 27 x 22 in. (68.58 x 55.88 cm)

Untitled - Three Stars Tighe O’Donoghue, American (1942–2023) Date: circa 1981 Etching with Aquatint, signed in pencil Size: 28 x 22 in. (71.12 x 55.88 cm)

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 3 Year: 1969 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 86/100 Image Size: 18.5 x 15 inch...

Frantisek Kupka, Czech (1871 -1957) - Figure Below Stained Glass, Year: circa 1912, Medium: Etching, stamp signed, Image Size: 9 x 6 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), ...

Joe Durante - Lunar. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 11.25 x 17.75 inche...

Paris: 1845. Etching on Chine collé mounted to a wove matrix with a false platemark, 4 x 5 inches (101 x 127 mm); matrix 9 1/2 x 12 5/8 inches (242 x 320 mm). full margins. A second...

May Lesser graduated with a Bachelor of Fine Arts from H. Sophie Newcomb College at Tulane University with honors in drawing. She then earned her Master of Fine Arts from the Univers...

The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...

Night city 2005, paper, etching, 13x16 cm 40/100 The artwork depicts a surrealistic green cityscape, showcasing a unique and imaginative interpretation of a nighttime urban scene. ...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Abraham Francen, Apothecary (B273), Year: 1878 (of original 1657), Medium: Heliogravure, Size: 6.25 x 8.25 ...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

Black and white etching hrealized by Franco Marzilli.  Hand signed.Artist's proof. Very Good condition. This delicate etching by Italian artist Franco Marzilli captures the lyrici...

Artist: James Rosenquist, American (1933 - 2017) Title: Pale Lamps (2nd State) Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 7...

Wind and Lightning (State I) is an aquatint etching with pochoir on paper, 22.75 x 39.75 inches, signed 'James Rosenquist' and dated 1978 lower right; numbered 19/78 and titled lowe...

Medium: etching (after Millet, by an unknown artist). This impression on laid paper was printed circa 1918. Plate size: 6 3/8 x 4 3/4 inches (163 x 120 mm). Sheet size: 14 x 10 1/4 i...

From: Kaleidoscope (6 plates) Signed and numbered in pencil Edition: 100 (3/100) Printer: Lacouriere et Frelaut Imprimeur, Paris Paper: BFK RIVES watermark on some sheets from the se...

Etching, 1888 (printed later). Initialed by the artist's son, Alden Twachtman, in lower margin "JHT per AT". Sheet size: 4.25 x6.38 inches, with full margins. Catalogue raisonné re...

Etching hand watercolored realized by the italian Artist Benito Trolese. Hand signed. Not numbered. Excellent condition.

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Salvador Dalí Le Chateau de Gala (Gala's Castle) from After 50 Years of Surrealism Original etching, hand colored 1974 Image size: 15 3/...

Mary Anne Watson, American - Net, Year: 1967, Medium: Etching and Aquatint, signed, titled, numbered and dated, Edition: 3/25, Image Size: 12 x 12 inches, Size: 18.5 x 18 in. (46.9...

Shirai Akiko, Japanese (1935 - 2001) - My Secret, Year: 1968, Medium: Screenprint, Etching and Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 22/50, Image...

C. 20th Century Edgar Chahine Etching of a Woman

Etching hand signed and dated, realized in 1995. Artist Proof. Very good condition.

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Salvador Dalí (1904 - 1989) The Sacred Love Of Gala, from After 50 Years of Surrealism (Field 74-8J, M&L 674) Etching with drypoint and extensive hand-colouring, 1974 signed and insc...