Art by Medium: Fabric

This contemporary landscape painting by Laurence O’Toole renders a dreamlike atmosphere. The artist conveys a scene that wistfully featuring a delicate still life study, suffused with golden highlights and indicated in front of a backdrop of an impression of blush pink and pastel hued clouds. This glowing scene exudes intriguing joy and energy, presenting a magical ambience implied in realistic tones and paint strokes, captured during the night. The sensitivity employed in this piece draws attention to the beauty and enigmatic glamour of delicate objects. This original artwork is painted in oils on canvas, hand signed by the artist and ready to be displayed. Laurence O’Toole is a realist painter in both oil and acrylic, whose work is a melding of figurative and nature with a surrealist approach to convey the message in his works. A self taught artist from Ireland...

A little girl in the wilderness is interacting with a deer, a wolf, a rabbit, a squirrel, and a butterfly. There are so many life lessons that we can learn from nature. Deer are grac...

A young child in the wilderness, playing with a butterfly and a tiger. There are so many life lessons that we can learn from nature. The beautiful butterfly symbolizes that in life, ...

Coneflower is a type of flower that is easy to grow and easily adapts to the environment. The little girl on the coneflower hugs her beloved cat lovingly, as if to tell everyone that...

Always be your BIGGEST cheerleader, first. Remember to stay true to yourself and have faith in yourself. Even on difficult days, never give up on making your dreams happen. Go after ...

An imagination of life in nature with blooming flowers and birds that carry the message of peace. A little girl who longs for a peaceful world, represents the hope of all children ar...

Inspired by sunflowers as flowers that carry hope, happiness, energy and love of God. While the calico cat is a symbol of good luck. An imagination about life in the universe that al...

Ramón Llovet (1917-1987) - Woman and rose window - Oil on canvas Canvas measures 61x50 cm. Frameless. Ramon Llovet Miserol (Barcelona, ​​August 7, 1917 - Barcelona, ​​August 2, 1987...

Large mythic seascape painting of woman in blue evening gown at the beach Mr. Basso's work is known for ironic, fantastic, and clever narrative elem...

Donald Burnette Gooch (American, 1907 - 1985)' Signed: Gooch '45 (Lower, Right) " Daniel ", 1945 (titled on verso) Oil on Canvas 23 1/4" x 36" Housed in it's original 4" artist...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the “ManoChair”: a sculpture/chair designed to sit on the palm, using the fingers as backrests and armrests. Friedeberg began to study architecture but did not finish his studies. He began to produce designs that went against the conventional forms of the 1950s, some as incredible as houses with artichoke roofs. His work caught the attention of Mathías Goeritz who encouraged him to continue his career as an artist. Friedeberg became part of a group of Mexican surrealist...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Aiden Kringen's (US based) "Opulence 12" is an original handmade oil painting that is unframed, but ready to hang. About the Artist: A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces. Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work. Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences. It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms. There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition. In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen. —Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...

This contemporary landscape painting by Laurence O’Toole renders a dreamlike atmosphere. The artist conveys a scene wistfully featuring rich colours emphasising a phenomenal natural ...

Giclee on canvas. Hand signed and numbered by the artist. AP edition. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All reason...

Aiden Kringen's (US based) "Onyx" is an original handmade oil painting that is unframed, but ready to hang. About the Artist: A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces. Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work. Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences. It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms. There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition. In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen. —Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mixed media on linen . The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico by Brian Sanchez shows the hyperrealism of modern Cuban art that is now available to the world art market. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico is one of many of the hyperrealism paintings by the artist. Other available paintings by the artist Brian Sanchez are in the image section. Brian Sanchez recently showed at the Art Fair in Dallas, Texas. The painting is gallery wrapped . The mechanical need of being human or to have a faith or a sacred creed in which to trust is the theme of this painting. Artist Statement: In a way, when I start a painting, it's like starting a journey. A journey that explores my past, philosophy and the human subconscious. My creations in my view are very symbolic. There are many elements in it that have latent meanings, whether collective or personal. They also have a strong philosophical and psychological charge, mainly delving into the subconscious and the dark part that we possess and repress, contrasting it with the pleasant or tender part that we want to simulate. The origin of things has a great meaning in me. This is how my inspiration arises in the world of childhood - as the origin of man - abstract symbols that simulate cells - origin of life -, the wheel - origin of civilization. I also use circles to symbolize cycles of time and life. Passage of time, nostalgia, pain, loneliness, human darkness, disturbing and perhaps bitter elements, I contrast them like enigmas in environments of apparent calm. Innocent figures with heartbreaking and enigmatic worlds. I exploit all the techniques, even sometimes I use unconventional materials until I reach the desired point of maximum expression. Influenced mainly by Klimt, Flemish medieval masters, Chagal, Pedro Pablo Oliva, Joan Miro...

Red, pink, blue, and brown abstract surrealist painting by Soviet-American artist Vladimir Ryklin. The painting depicts what appears to be a rehabilitating village after a chaotic ti...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin and Child - La Virgen y Nino was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mi...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

The Canvas has. a Steel Frame Picture upon request

Genre: Contemporary Subject: Abstract Medium: Oil Surface: Canvas Country: Italy Dimensions: 19 3/4" x 15 1/2" x 3/4" Dimensions w/Frame: 26" x 22" Giordano Falzoni (Italian, 1925-...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Tristan Fabris 1953, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed inscribed verso framed: 32 x 24 inches canvas: 31 x 24 inches private collect...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Richard Joseph Ericson (American, 1922-2010) Untitled, 1950 Oil on canvas 36 x 25 in. Signed lower right: RJE '50 Richard Joseph Ericson (b. October 22, 1922-d. November 21, 2010), ...

Gray Area Benjamin Benno, American (1901–1980) Date: circa 1960 Oil on Burlap, signed Size: 18 x 15 in. (45.72 x 38.1 cm) Frame Size: 23.5 x 20 inches

Oksana Domnytska "Untitled"

Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Surrealism, Title: Angel's Whisper, Size: 35" x 48" x 1'' inch, 89x122.5x6 cm, Fr...

A magical creature, a nude female body in harmony with natures elements. An erotic fantasy, a white male peacock and a swarm of dragonflies on a blueish background. Heroins & magic...

Soulmate is a superbe original painting on canvas depicting a woman bather next to a giant white Swan on a green lawn against an intense red sky. keywords; white Swan, woman bather,...

Chess original surrealist canvas acrylic painting GENOVART LLOPIS, Jaume (Barcelona, 1941-1994). Basically self - taught painter, was released in 1972. Grandson of typesetter an...

Genuine Saint Michael Knigin, American (1942–2011) Date: 1987 Oil on Canvas, signed, titled and dated Size: 60 x 72 in. (152.4 x 182.88 cm) Frame Size: 62 x 74 inches

The Amazon Benjamin Benno, American (1901–1980) Date: 1938 Oil and montage on canvas, signed and dated lower left Size: 31.75 x 26.13 in. (80.65 x 66.36 cm) Frame Size: 33.5 x 27.5 i...

Tristan Fabris 1973, French surrealist artist Abstract Surrealist composition oil on canvas, framed framed: 33 x 27 inches canvas: 32 x 25 inches private collection, France The pain...

Waiting in Ceuta, acrylic on canvas, 100cm x 80cm Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

Enrico Donati Aswan IV, 1984 Signed, dated and inscribed as titled on the reverse Oil and sand on canvas 36 x 42 inches Provenance: Gimpel & Weitzenhoffer Gallery, New York Doyle, October 12, 2022 Enrico Donati, a surrealist and abstract expressionist painter, was born in Milan, Italy in 1909 and died in Manhattan on April 25, 2008. He was known for his association with the surrealist movement of the 1940's, but his artwork continued to transform itself through the many trends that have occurred during his long career. In Italy he attended the Universita degli Studi in Pavia where he studied economics. In 1934, he moved to the United States settling in New York where he studied at the New School for Social Research and the Art Students' League. Considered the surviving dean of the Surrealist Movement and a member of the New York School, Donati painted with Ernst, Matta and Tanguy in the thirties and forties, and in particular with Andre Breton, regarded by many to be the grand master of Surrealism. He helped organize the Exposition Internationale du Surrealisme in Paris in 1947 where he exhibited three of his pieces. The Surrealists were known to avoid presenting or representing reality, and put the emphasis on invention and creativity by uncovering the poetic aspect of life with its kaleidoscopic multidimensional images, using reality only to enhance imagination. Donati survived the decline of Surrealism in the late 1940's by adapting his style to current art trends as he worked with new materials and textures throughout the 1950's. One trend with which he became involved was Abstract Expressionism, which originated in the 1940s, and became popular in the 1950s. It was a movement in which artists typically applied paint, rapidly and with force, to large canvases, in an effort to show feelings and emotions. Paint might be applied with large brushes, sometimes dripping or even throwing it onto canvas. Abstract Expressionist work is characterized by a strong dependence on what appears to be accident and chance, although it is actually highly planned. Donati held a retrospective at the Palais des Beaux-Arts in Brussels in 1961 and went on to exhibit at the Betty Parsons Gallery with other forerunners of American Abstract Expressionism: Mark Rothko, Barnett Newman, and Jackson Pollock. It was at this time that Donati created some of his most inventive and extraordinary work, some of which was featured in a survey exhibition at the Alter & Gil Gallery, Beverly Hills, California, in January 2000. He has held many teaching positions and has been an active lecturer, while continuing to add to his artistic repertoire. From 1960 to 1962 he was a Visiting Lecturer at Yale University, and from 1962 to 1972 a Member of the Yale University Council for the Arts and Architecture. He has had seventy-five one-man shows, among them an exhibit of new paintings at the Maxwell Davidson Gallery (57th St., New York) in the fall of 1997. Donati's work is held in collections throughout the world, and his work has appeared in over 300 articles and publications, two hard cover books...

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove, red glove, Brown coat, ame...

Serge Clement Nature Morte, 1963 Signed lower right Clement 1963 Oil on canvas, still life. (Frame) H 25" x W 28.75" (Sight) H 18" x H 21"

Original painting by Lesia Danilina. Oil on canvas. Oil painting on canvas "Heavenly ocean" about whales in the sky from the series «Fundamentality of the ocean». Water has many ima...

A beast metamorphosing into a fish. Genre: Surrealism Subject: Animals Medium: Oil Surface: Canvas Country: Israel Dimensions: 23.5" x 28.5" Dimensions w/Frame: 24.75" x 30" Simon ...

"Welcome to my Party!" Acrylic and paper on canvas. 4ft x 4ft This square 48" inch high by 48" inch wide original mixed media painting on canvas is stretched and ready to hang. The ...

This contemporary painting by Laurence O’Toole presents an imaginary landscape that focuses on his classic motif of a red truck combined with a cluster of ro...

Tristan Fabris 1989, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso dated 1989 painting: 32 x 25.5 inches private collection, F...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...

LEAF AND COUPLE is a superbe and vivid original painting on canvas depicting a still life of a fall leaf next to a vintage black and white photograph of a couple in a tender brace. ...

Fantastical surreal landscape with a floating castle in an idyllic, dream-like setting with bright blue sky and green grass by Melissa Barkley (Ameri...

Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Surrealism, Subject: Performance, Size: 47" x 29" x 2'' inch, 121x74.5x5 cm, Fram...

This work is a reflection on materiality and terrain.

LOVERS AND AUTUMN LEAVES is a superbe original painting on canvas depicting a still life of a fall leaves next to a vintage black and white photograph of a couple in a loving embrace...

Pedro Friedeberg is an artist and designer from Mexico of Italian origin, known for his surreal work full of lines, colors, and ancient religious symbols. His best-known piece is the...

Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille à Mellecey (France) et à Mougins (France) 1962 - 1963 - 1964 - Ecole de dessin - Chalon-su...

Globe and glove. 2020. Canvas, cardboard, oil, 60x42 cm Juris Dimiters (1947) Education: 1958-1965 Janis Rozentals Art High School of Riga 1965-1973 ...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian governed academia setting. This presence exposed Franci...