Art by Medium: Glass

Additional Information: Provenance: Private Collection, Palm Beach, Florida. “What Walt Whitman did with words, I seek to do in glass on a visual level. My passion is to articulate fresh information celebrating nature through glass art. My work is driven by a respect for living things and truth to the organic mysteries of the plant kingdom.” – paul stankard...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

Gorgeous mid-century modern large oversized Blenko Yellow Red Amberina hand-blown ribbed vase/vessel. A deep red neck that subtly transitions into a pale ...

Three vertical links make up this piece that transmits firmness and solidity. The chain, always a symbol of unity, security and permanence, can also have a playful sense reflected in...

Julian Opie (British, b. 1958) Female Walker (Brown), 2020 Medium: Laser cut acrylic, two-part statuette Figure measures: 24.3 x 12 x 0.5 cm Base measures: 7.5 x 5 x 1 cm Edition si...

Mathias Goeritz (German Mexican, 1915-1990) Bronze sculpture Signed and numbered Dimensions: (approximate) Height: 10 inches, Width: 4 inches, Depth: 2 inches. This is a cast bronze sculpture in an amorphous figure shape, quite heavy. Reminiscent of the biomorphic sculpture of Hans Jean Arp. This came from an estate and bears his signature It is not dated. there is no accompanying documentation. it is priced accordingly. Werner Mathias Goeritz Brunner (Danzig, Germany, April 4th, 1915/ now Gdansk, Poland – Mexico City, Mexico; August 4th, 1990). Mathias Goeritz has had several gallery and museum exhibitions, including at the Museo Nacional Centro de Arte Reina Sofía and at the Museo Experimental El Eco. Numerous works by the artist have been sold at auction, including 'MENSAJE' sold at Sotheby's New York 'Latin American Modern Art' in 2015 for $466,000. There have been Several articles about Mathias Goeritz, including 'LACMA remaps Latin America' written by Suzanne Muchnic for the Los Angeles Times. Painter, sculptor and Mexican architect associated with the trend of constructive abstraction. He studied medicine at the University of Berlin, but this only lasted a year. The concerns of the young student were aesthetic in nature so he he studied figurative drawing at the Berlin Charlottenburg School of Art. Some of his friends and colleagues were the sculptor Ernst Barlach, painter George Grosz and draughtsman Kaethe Kollwitz. Goeritz studied philosophy and history of art, discipline in which earned a doctorate. He travelled in France, Switzerland, Czechoslovakia, Poland, Austria and Italy, among other countries. It is known that he left Germany to live in Tetuan, Morocco in 1941 and then Granada, Spain in 1945. In 1946 he had a large exhibition in the Sala Clan in Madrid under the pseudonym "Mago". Two years later, living in Santilla del Mar, Spain he was a founder of the Escuela de Altamira. The following year he married Marianne Gast, writer and his companion for more than fifteen years. In Spain followed his artistic work by important artists of the avant-garde. Of Jewish descent, he found refuge from the Second World War in Mexico where in 1949 he was invited by Ignacio Diaz Morales to be a part of the faculty of the School of Architecture at the Universidad de Jalisco. In 1953 he wrote the "Manifiesto de la Arquitectura Emocional" (The Emotional Architecture Manifesto), where he points out that only achieving true emotions from architecture can it then be considered an art form. In Mexico he entered controversy with the artistic stablishment of that country; in an open letter, Diego Rivera and David Alfaro Siqueiros described him as "an impostor without the most insignificant talent and preparation" to be an artist. Despite this, in 1957 he was elected director of visual design of the National School of architecture This same year he founded the Museo del Eco in Mexico City. In 1961 Goeritz participated at the Galería Antonio Souza in a group exhibition, Los hartos, for which he published another manifesto. Other participants included Jose Luis Cuevas and Pedro Friedeberg, with whom he was instrumental in establishing abstraction and other modern trends in Mexico.His work is included in the Gelman Collection of modern and contemporary Mexican art based in Cuernavaca, Mexico. Established by Jacques and Natasha Gelman in 1943 as a private collection. it includes many iconic works by major Mexican Modernists including Frida Kahlo, Diego Rivera, David Alfaro Siqueiros, Leonora Carrington, Rufino Tamayo and Francisco Toledo, Lola Alvarez...

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

Visage de femme Pomone Ed. 47/100 pcs 1968 Red earthenware clay, engobe ground, engraving enhanced with oxides under partial brushed glaze 31.5 x 31.4 cm Numbered, inscribed and sta...

Mihail Mikhailovich Chemiakin (or Shemyakin, Russian: Михаил Михайлович Шемякин, born 4 May 1943) is a Russian painter, stage designer, sculptor and publisher, and a controversial re...

ADRIANA MARMOREK CONJUNCTION, 2020 porcelain, blown glass 11 x 7 x 7 in. 27.9 x 17.8 x 17.8 cm. flower

Cool Mid-Century Modern Scandinavian 1950s Kosta Boda Rurik clear round textured ashtray in great vintage condition. No chips or cracks. Glass has a nice weight to it —minimal wear c...

Created by San Jose based glass artist, Treg Silkwood, the "Golden Nautilus" is an intricate sculpture of a seashell created entirely out of glass. Using layers of ochre (Gold) and white pigment, Treg masterfully captures the intricate shell details typically found on a nautilus'. This breathtaking piece measures 13"h x 11"w x 5"d and comes with a custom metal stand affixed with a rubber coating to ensure stability of the sculpture. About the Artist: Treg Silkwood is a glass artist whose career spans over three decades. He is recognized as a premier California Marine Artist and one of the foremost artists working in glass. Taking inspiration from walks along the California coast, Treg’s artwork explores his fascination with the many species of shells and natural objects he’s collected from his excursions. In response to these elegant forms, Treg creates blown glass sculptures that not only enrich his appreciation for the intricate complexities of the natural world but also form a personal connection to a place which he calls home. Treg has a BFA in glass from Alfred University and studied abroad at the Academy of Applied Arts in Prague, where he learned Czech mold-making and coldworking techniques. Post graduation, Treg worked as a glass blower recreating Early American Glassware at Greenfield Village, within The Henry Ford Museum in Dearborn, MI. He was an artist-in-residence at The Corning Museum of Glass in New York and part of the original crew that created The Corning Musuem of Glass Roadshow. In 2002, Treg and his wife Candace, established Silkwood Glass, a custom glass company specializing in marine life sculpture...