Art by Medium: Paper

Edition of 1700 copies including lithographs by Mathurin Méheut. Lightly damage on cover, perfect internal conditions. Very rare volume on Japon Imperial.

Copy on Japon Imperial paper. Many b/w and coloured illustrations. Excellent conditions and partially uncut.

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Perfect conditions and uncut. One of the only 19 copies on Japon Imperial including one suite of xilographs on papier de Chine.

Leo Roth (1914–2002), also known as Lior Roth, was an Israeli painter, born in 1914 in Austria-Hungary. (later Poland) In 1920, Roth moved to Germany and, in 1933, immigrated to Palestine. He studied at the École des Beaux-Arts in Paris and completed frescoes in Italy and France in the 1950s. Roth first settled in Tel Aviv, then moved to Kvutzat Kinneret, then finally to Kibbutz Afikim where he remained until his death. He served as Director of the Art Academy of the Kibbutzim. In 1959, he was awarded the Jordan Valley Prize for Painting. Roth exhibited in the United States, Israel, Mexico, Spain, Holland, Sweden, and Denmark. He died in 2002. Education: 1930 School of Art, Duisberg-Hamborn, Germany, under Josef Doppelfeld Academy of Fine Arts, Hamburg, Germany 1951 Fresco and mural painting, Ecole nationale superiere des Beaux-Arts, Paris, France 1951 fresco in Italy Teaching: Director of Art Academy of the Kibbutzim Roth's work was influenced by Cubism and bears much in common with the work of compatriot painter Naftali Bezem. His colourful canvases contain biblical imagery and references to early Israeli pioneer culture. Selected Solo Exhibitions 2015 Home, Montefiore Art Gallery, Tel Aviv 2009 Kibbutz Machanayim Art Gallery 2000 Retrospective, Museum of Art, Kibbutz Ein Harod 1997 Oil paintings, Kibbutz Machanayim Art Gallery 1993 Solo Exhibition, Beit Yad Lebanim, Tiberias 1983 Oil paintings, ''Bet-Emanuel'', Ramat Gan 1980 Wilfrid Israel Museum, Oriental Art and Studies, Kibbutz Hazorea 1977 Tiroche Gallery, Old Jaffa 1976 Hatzrif Art Gallery, Be'er Sheva 1957 Oil paintings, Tel Aviv Art Museum 1950 Katz Gallery, Tel AvivSelected exhibitions 2000: Chaim Atar Art Museum, Ein Harod, Israel: The Works of Leo Roth: An Exhibition Selected Group Exhibitions 2014 Revelations, Jerusalem Print Workshop 2013 Group Exhibition, Yair Art Gallery, Tel Aviv 2008 The First Decade: Hegemony and Plurality, Ein Harod Art Museum 2000 Group...

Rare and important volume belonging to the deluxe edition of 109 copies in-quarto tellière, of which 100 on Vergé Pur Fil Lafuma de Navarre paper were reserved to the Bibliophiles de...

Edition of 351 copies. Copy number 2 on vergé d'Arches paper. Includes 2 drawings reproduced in lithograph by Yves Tanguy. Superb copy in perfect conditions. Uncut.Louis Aragon was b...

Edition of 793 copies. Copy on Velin Navarre paper. Includes a portrait of the author by Raoul Dufy, engraved by G. Aubert. Language: french. Binding and cover lightly worn. Partiall...

Salvador Dali (Spain, 1904-1989) 'Le Coche et le Mouche', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Edition of 250 U...

Le Cirque by Vertes and De la Serna is an edition of 103 copies including 5 original colour etchings and many drawings reproduced with lithograph techniques by Vertès. Includes soft ...

Edition of 412 copies including 30 original colored vignettes by J. E. Laboureur. Copy on Jute naturel. Light flowering in the last pages. Very good conditions, uncut. 

Edition n.10 of 693 copies. Copy on velin navarre including portrait of the author by Alberto Savinio and engraved on wood by G. Aubert. Partially uncut, very good conditions.

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Salvador Dali (Spain, 1904-1989) 'La Cerf Malade', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.9 in. (77.5 x 58 cm.) Edition of 250 Unfram...

Edition of 334 copies. Copy number 2 on Velin pur fil Lafuma Navarre paper. Includes 12 original etchings by Jean Emile Laboureur. Partially uncut. Perfect conditions. 

Edition of 1500 copies. Copy on Lafuma de Navarre paper. Very rare copy. Perfect conditions. Uncut.Paul Eluard was born in 1895 and died in 1952. He was a French poet and one of the ...

Salvador Dali (Spain, 1904-1989) 'La Cerf se voyant dans l’eau', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Editi...

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been made available for purchase. This work is part of what remained among his sketchbooks and drawings, after his death. This work is framed in white as shown in the installation shot, and is a unique and original work by the artist. All sales from this auction benefit the Ardeshir Mohasses...

Salvador Dalí Moscas 1973 (from Colibri): Lithograph in colors on Arches paper. 30 x 22.25 inches (83.8 x 56.5 cm). Good overall vintage condition; some...

La Mye du Roi - conte dròlatique manuscrit et enluminé par Léon Lébegue. Edition of 245 copies including original hand-colored illustrations by Léon Lebègue. Copy on vergé à la form...

Hand signed dedication by the author on frontispiece to Paola Masino (Pisa 1908 - Roma 1989), famous italian writer. Original editorial soft cover. Excellent conditions and partially...

"Black Moon" Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Availab...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Edition of 300 copies including 6 original etchings/sanguines and many gouaches inside the text by Demetrios Galanis. One of 243 copies on Vergé de Rives. Original editorial softcov...

Edition of 562 copies. Copy on pur fil Lafuma paper. Includes preface and notes by Jacques Crepet and an unpublished portrait of Charles Baudelaire. Cover very lightly worn on top, ...

Revolverate , con una prefazione futurista di F.T. Marinetti. With a Futurist preface by Filippo Tommaso Marinetti and an inscription dated 1917. Hardcover drew by Ardengo Soffici. S...

Edition of 364 copies including 14 original engravings by Chas Laborde. One of the rare copies on paper from Holland. Original editorial softcover.Copy in perfect conditions.The firs...

Edition of 1.053 copies. One of the 100 copies "de tete", in-quarto tellière numbered in roman numbers, printed for the Bibliophiles de la Nouvelle Revue Française on papier vergé La...

Edition of 600 copies including 12 original lithographs by Vertès. Original editorial soft cover with original jacket printed on pink cardboard. Copy on Vélin Pur Fil Lafuma with e...

Edition of 348 copies including 22 lithographs by Yves Alix of which 9 full page. One of 300 copies on vélin pur fil Lafuma-Navarre. Nice volume on parisian Court (judges, attorney...

Edition of 1345 copies. Copy on velin Lafuma. Edition including original etchings by Chas Laborde. Perfect conditions, uncut. 

actual image measures 7.5X11.25, titled Composition III on French Arches Mould made paper. Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Edition of 1.200 copies including reproductions of 25 drawings by Pablo Picasso and black and white photographs. One of 200 copies "HC" out of commerce, on papier vergé teinté Arjoma...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Salvador Dali (Spain, 1904-1989) 'Les Animaux Malades de la Peste', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.4 in. (58 x 77 cm.) Editio...

Edition of 280 copies. Copy on papier d'Arches, including 6 original woodcuts by Daragnès. Hard cover on marble cardboard. Perfect conditions and uncut.

Edition of 150 copies including original b/w and colored illustrations by Dignimont.  Comments by Francis Carco. Second book in which Carco introduces an artist after the first dedic...

Edition of 395 including 17 original coloured etchings by Jean Bruller. Copy on velin de Rives. Very good conditions.

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.6 x 22.7 in. (77.5 x 57.5 cm.) Edition of 250 Unframed ID: DAL2001-007 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 J. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Edition of 206 copies including 11 original engravings by Demetrios Galanis and one original frontispiece. Copy on reservede to Librairie Champion. Includes a printsuite and an origi...

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been made available for purchase. This work is part of what remained among his sketchbooks and drawings, after his death. This work is framed in white as show in the installation shot, and is a unique and original work by the artist. All sales from this auction benefit the Ardeshir Mohasses...

Paris la Nuit. Les Plaisirs de la Capitale, ses bas fonds et ses jardins secrets. Considerations by Louis Aragon on different aspects of Paris, seen from...

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been...

Edition of 532 copies. Copy on Holland de Rives. Good conditions, lightly wore on binding. Edition including an illustration by Giorgio De Chirico representing the portrait of the au...

Salvador Dali (Spain, 1904-1989) 'L’Elephant et le singe de Jupiter', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 22.9 x 30.8 in. (58 x 78 cm.) Edition of 250 Unframed ID: DAL2001-006 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 B. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...

Max Bucaille ( 1906 -1996 ) . French Surrealist Artist . born in Normandy in 1906 . Image : 12 x 18 cm Page : 21 x 30 cm Framed : 38 x 52 cm Max Bucaille prend une paire de ciseaux et de colle , il se munit de vieux ouvrages illustrés et , pour notre plaisir , rêve éveillé ! auteur de poèmes et de collages surréalistes...

Lots of humor in this watercolor painted by a Mexican artist who unfortunately did not sign it. We enter in a fancy world. Be prepared! Two trinkets featuring, the first one, an imaginary church with 4 big threatening birds standing guard, two on the 2 church towers, and two in front of the door. Behind this, we can perceive the shape of a big kettle. These surreal objects stand in front of a window, therefore inside a house. They rest on a small green carpet...

Copy n. 30/1150, on Hollande paper, with b/w lithographies and suite on BFK Rives paper. Superb copy in perfect conditions. Including the complete suite by Gus Bofa.

Edition of 507 copies including 66 illustrations by Carlègle, colored "au pochoir". Extremely rare and precious copy on Japon Imperial (one of 37 of the commercial edition), includin...

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been...

Woodblock engraving on paper from the Divine Comedy series. Sheet size 13 x 10 inches. Frame size approx 18 x 15 inches. Edition 4,765 in French, 3,000 in Italian, 300 in German. ...

Edition of 317 copies including engravings by Chas Laborde. Copy on Vergé de Rives. Perfect Conditions. Partially Uncut.

Copies including 37 engravings by J.E. Laboureur. The edition includes 12 numbered copies and 400 copies on velin Lafuma-Navarre. Lightly wore on cover and binding.

Salvador Dali (Spain, 1904-1989) 'Le Singe et le Léopard', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.7 in. (78 x 57.5 cm.) Edition of 25...

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been made available for purchase. This work is part of what remained among his sketchbooks and drawings, after his death. This work is framed in white as shown in the installation shot, and is a unique and original work by the artist. All sales from this auction benefit the Ardeshir Mohasses...

Untitled is a work by contemporary Anton Kushaev from the series `Delirium`. In this series, the artist turns to a canonical motif — still life with a flower, the transformation of w...

Salvador Dali (Spain, 1904-1989) 'La Cour du Lion', 1974 Serie: Le Bestiaire de La Fontaine dry point, aquatint on japanese paper 30.8 x 22.9 in. (78 x 58 cm.) Edition of 250 Unframed ID: DAL2001-008 Hand-signed by author It appears reviewed in the catalog raisonné: The official catalog of the graphic works of Salvador Dalí. Albert Field. Page: 2/93. Nr. 74-1 C. ______________________________________________________ Salvador Felipe Jacinto Dalí i Domènech was a Spanish painter, sculptor, engraver, set designer and writer of the 20th century. An artist associated with surrealism, he is one of the most important figures in 20th century art, representing the archetype of the spectacular contemporary multifaceted artist. He develops his creative activity in various fields through the most diverse cultural formulas: painting, written media, performing arts, cinema, or public appearances in the press, radio, cinema, advertising, television, etc. Master of the most refined pictorial technique, especially drawing, along with various aesthetic languages - from impressionism, cubism, purism or late ultraism with Dadaist edges to the most radical surrealism, hyperrealism, pop-art or art optical—, will absorb every influence that is useful to build its own and personal language, halfway between technical tradition and thematic avant-garde. His paranoid-critical method is his main contribution to the surrealist movement and to the history of art as a new creative model with which Dalí's theories acquire theoretical entity - thanks to the successive interpretations that the Empordà artist made of his readings of Dalí's work. Sigmund Freud—and practice, applying it as a revealing liquid of images that can be represented plastically through multiple images, anamorphisms, relational mirages, irrational and heterogeneous symbolic images, pseudohallucinations, childhood memories, atavisms, obsessive ideas, etc., and recreating a polyphonic method capable of critically relating any visual or sensitive experience. With his method, Dalí makes paranoid delirium a whole mode of expression of an art that introduces us to the concrete irrationality that inhabits every creative process, constructing not only his works, but also his own character. as an artist. In Dalí, the relationship between his work and his personal history becomes evident. Much of the most significant biographical facts for the artist are implicitly or explicitly present in the content of his work and are the explanation of his complex and contradictory personality. In 1910, at the age of 6, he was enrolled by his father in the Hispano-French school of the Immaculate Conception of Figueres, where he learned French, his future language of culture. Dalí's first contact with Impressionism occurred in 1916, when he spent some time on the outskirts of Figueres, specifically at the Molí de la Torre estate, property of the Pichot family (intellectuals and artists), where he was the collection of the painter Ramón Pichot. In 1919 he participated for the first time in a group exhibition in the halls of the Societat de Concerts, and with a group of friends from the institute founded the magazine Studium, in which he published his first writings. A year later he moved to Madrid to study at the School of Fine Arts. In 1922 he won his first prize at the Concurs-exposició d'obres d'art originals d'students, held at the Galeries Dalmau (Barcelona). This same year he attended the School of Painting, Sculpture and Engraving in Madrid (Royal Academy of Fine Arts of San Fernando), and lived in the Student Residence, where he became friends with prominent personalities such as Luis Buñuel, Federico García Lorca, Pedro Garfias , Eugenio Montes, or Pepín Bello. However, a year later he was expelled from the Academy for his rebellious and revolutionary character, accused of leading a protest. It would be in 1927 when his surrealist period began, after having traveled to the Netherlands and France, meeting Flemish painters and Picasso. In Paris itself, in 1929, through Joan Miró, he came into contact with a group of surrealists headed...