Art by Medium: Pencil

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, Warrior Queen SKU: IFA3946 ABOUT THE IMAGE: Superman: The Animated Series is an...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Tiny Toon Adventures, A Quack in the Quarks SKU: IFA1228 ABOUT THE IMAGE: Steven Spielbe...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Batman the Animated Series, Trial 1994 SKU: IFA3881 ABOUT THE IMAGE: Batman: The Animated Series is an Amer...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Pinky and the Brain, That Smarts SKU: IFA5985 ABOUT THE IMAGE: Pinky and the Brain is a carto...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Tiny Toon Adventures, A Quack in the Quarks SKU: IFA4846 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons...

MEDIUM: Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, Identity Crisis SKU: RCS8368 ABOUT THE IMAGE: Superman: The Ani...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Tiny Toon Adventures SKU: IFA4802 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons, usually referred to ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA9865 ABOUT THE IMAGE: Looney Tunes is a series of animated short ...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Batman the Animated Series, Vendetta SKU: IFA3705 ABOUT THE IMAGE: Batman: The Animated Series is an Americ...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA9837 ABOUT THE IMAGE: Looney Tunes is a series of animated short ...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Mystery of the Batwoman 2003 SKU: IFA2440 ABOUT THE IMAGE: Batman: Mystery of the Batwoman is a 2003 direct-to...

MEDIUM: Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, Target SKU: IFA1336 ABOUT THE IMAGE: Superman: The Animated Ser...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 14"x9.5" PRODUCTION: Justice League 2001 SKU: IFA4176 ABOUT THE IMAGE: In Justice League Batman, Superman, Wonder Woman, The Flash ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5 PRODUCTION: Tiny Toons, How Sweetie It Is SKU: IFA9857 ABOUT THE IMAGE: Steven Spielberg Presents T...

MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series, Father's Day SKU: IFA2073 ABOUT THE IMAGE: Superman: The An...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5"x 9.5" PRODUCTION: Batman The Animated Series, Off Balance SKU: IFA3744 ABOUT THE IMAGE: Batman: The Animate...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Looney Tunes SKU: IFA3833 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros....

MEDIUM: ​Original Production Drawing IMAGE SIZE: 16.5" x 11" PRODUCTION: Looney Tunes SKU: IFA9820 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros. ...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Static Shock, The Big Leagues SKU: IFA9825 ABOUT THE IMAGE: Static Shock is an American superhero animated...

MEDIUM: Original Production Drawing IMAGE SIZE: 14" x 9.5" PRODUCTION: Justice League Unlimited SKU: IFA9843 ABOUT THE IMAGE: Justice League Unlimited (JLU) is a 2004-2006 American ...

MEDIUM: Original Production Cel on Original Background IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Batman The Animated Series, Eternal Youth SKU: IFA9710 ABOUT THE IMAGE: Batman: The Anim...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5 PRODUCTION: Looney Tunes SKU: IFA9856 ABOUT THE IMAGE: Looney Tunes is a series of animated short f...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Looney Tunes SKU: IFA4098 ABOUT THE IMAGE: Looney Tunes is a series of animated short films by Warner Bros....

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Batman The Animated Series, Shadow of the Bat Part - 2 SKU: IFA8484 ABOUT THE IMAGE: Batm...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes SKU: IFA9836 ABOUT THE IMAGE: Looney Tunes is a series of animated short ...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Tiny Toon Adventures, Night Ghoulery SKU: IFA9827 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons, us...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Pinky and the Brain, In the Garden of Mindy SKU: IFA4101 ABOUT THE IMAGE: Pinky and the Bra...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Pinky and the Brain, Spellbound SKU: IFA9841 ABOUT THE IMAGE: Pinky and the Brain is a c...

Richard Pettibone The Appropriation Print Andy Warhol, Frank Stella, Roy Lichtenstein, 1970 Silkscreen in colors on masonite board (unique variant on sculpted board) Hand-signed by artist, Signed and dated on the front (see close up image) Bespoke frame Included This is a rare example of Pettibone's iconic Appropriation Print, as it's silkscreened and sculpted on masonite board rather than paper, giving it a different background hue, and enabling it work to be framed so uniquely. The Appropriation print is one of the most coveted prints Pettibone ever created ; the regular edition is on a full sheet with white background; the present example was silkscreened on board, allowing it to be framed in 3-D. While we do not know how many examples of this graphic work Pettibone created, so far the present work is the only one example we have ever seen on the public market since 1970. (Other editions of The Appropriation Print have been printed on vellum, wove paper and pink and yellow paper.) This 1970 homage to Andy Warhol, Frank Stella and Roy Lichtenstein exemplifies the type of artistic appropriation he was engaging in early on during the height of the Pop Art movement - long before more contemporary artists like Deborah Kass, Louise Lawler, etc. followed suit. This silkscreen was in its original 1970 vintage period frame; a bespoke custom hand cut black wood outer frame was subsequently created especially to house the work, giving it a distinctive sculptural aesthetic. Measurements: Framed 14.5 inches vertical by 18 inches horizontal by 2 inches Work 13 inches vertical by 16.5 inches horizontal Richard Pettibone biography: Richard Pettibone (American, b.1938) is one of the pioneering artists to use appropriation techniques. Pettibone was born in Los Angeles, and first worked with shadow boxes and assemblages, illustrating his interest in craft, construction, and working in miniature scales. In 1964, he created the first of his appropriated pieces, two tiny painted “replicas” of the iconic Campbell’s soup cans by Andy Warhol (American, 1928–1987). By 1965, he had created several “replicas” of paintings by American artists, such as Warhol, Roy Lichtenstein (1923–1997), Ed Ruscha (b.1937), and others, among them some of the biggest names in Pop Art. Pettibone chose to recreate the work of leading avant-garde artists whose careers were often centered on themes of replication themselves, further lending irony to his work. Pettibone also created both miniature and life-sized sculptural works, including an exact copy of Bicycle Wheel by Marcel Duchamp (French, 1887–1968), and in the 1980s, an entire series of sculptures of varying sizes replicating the most famous works of Constantin Brancusi (Romanian, 1876–1957). In more recent years, Pettibone has created paintings based on the covers of poetry books by Ezra Pound, as well as sculptures drawn from the grid compositions of Piet Mondrian (Dutch, 1872–1944). Pettibone straddles the lines of appropriation, Pop, and Conceptual Art, and has received critical attention for decades for the important questions his work raises about authorship, craftsmanship, and the original in art. His work has been exhibited at the Institute for Contemporary Art in Philadelphia, the Museum of Modern Art in New York, the Museum of Contemporary Art in Miami, and the Laguna Art Museum in Laguna Beach, CA. Pettibone is currently based in New York. "I wished I had stuck with the idea of just painting the same painting like the soup can and never painting another painting. When someone wanted one, you would just do another one. Does anybody do that now?" Andy Warhol, 1981 Since the mid-1960s, Richard Pettibone has been making hand-painted, small-scale copies of works by other artists — a practice due to which he is best known as a precursor of appropriation art — and for a decade now, he has been revisiting subjects from across his career. In his latest exhibitions at Castelli Gallery, Pettibone has been showing more of the “same” paintings that had already been part of his 2005–6 museum retrospective,1 and also including “new” subject matter drawn from his usual roster of European modernists and American postwar artists. Art critic Kim Levin laid out some phases of the intricate spectrum from copies to repetitions in her review of the Warhol-de Chirico showdown, a joint exhibition at the heyday of appropriation art in the mid-1980s when Warhol’s appropriations of de Chirico’s work effectively revaluated “the grand old auto-appropriator”. Upon having counted well over a dozen Disquieting Muses by de Chirico, Levin speculated: “Maybe he kept doing them because no one got the point. Maybe he needed the money. Maybe he meant it when he said his technique had improved, and traditional skills were what mattered.” On the other side, Warhol, in her eyes, was the “latter-day exemplar of museless creativity”. To Pettibone, traditional skills certainly still matter, as he practices his contemporary version of museless creativity. He paints the same painting again and again, no matter whether anybody shows an interest in it or not. His work, of course, takes place well outside the historical framework of what Levin aptly referred to as the “modern/postmodern wrestling match”, but neither was this exactly his match to begin with. Pettibone is one of appropriation art’s trailblazers, but his diverse selection of sources removes from his work the critique of the modernist myth of originality most commonly associated with appropriation art in a narrow sense, as we see, for example, in Sherrie Levine’s practice of re-photographing the work of Walker Evans and Edward Weston. In particular, during his photorealist phase of the 1970s, Pettibone’s sources ranged widely across several art-historical periods. His appropriations of the 1980s and 1990s spanned from Picasso etchings and Brancusi sculptures to Shaker furniture and even included Ezra Pound’s poetry. Pettibone has professed outright admiration for his source artists, whose work he shrinks and tweaks to comic effect but, nevertheless, always treats with reverence and care. His response to these artists is primarily on an aesthetic level, owing much to the fact that his process relies on photographs. By the same token, the aesthetic that attracts him is a graphic one that lends itself to reproduction. Painstakingly copying other artists’ work by hand has been a way of making it his own, yet each source is acknowledged in his titles and, occasionally, in captions on white margins that he leaves around the image as an indication that the actual source is a photographic image. The enjoyment he receives in copying is part of the motivation behind doing it, as is the pleasure he receives from actually being with the finished painting — a considerable private dimension of his work. His copies are “handmade readymades” that he meticulously paints in great quantities in his studio upstate in New York; the commitment to manual labor and the time spent at material production has become an increasingly important dimension of his recent work. Pettibone operates at some remove from the contemporary art scene, not only by staying put geographically, but also by refusing to recoup the simulated lack of originality through the creation of a public persona. In so doing, Pettibone takes a real risk. He places himself in opposition to conceptualism, and he is apprehensive of an understanding of art as the mere illustration of an idea. His reading of Marcel Duchamp’s works as beautiful is revealing about Pettibone’s priorities in this respect. When Pettibone, for aesthetic pleasure, paints Duchamp’s Poster...

MEDIUM: ​Original Production Color Model Sheet on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Batman the Animated Series, Heart of Steal - Part 1 SKU: IFA7456 ABOUT THE IM...

MEDIUM: Original Production Cel on Printed Background SIGNATURE: Tom Ruegger IMAGE SIZE: 10.5" x 9.5" SKU: IFA9171 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons, usually ref...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: The New Batman Adventures, Legends of the Dark Knight SIGNED: Bruce Timm SKU: IFA8941 ABOUT THE IMAGE: The ...

MEDIUM: Limited Edition Hand-Painted Cel IMAGE SIZE: 12 x 16 inches SKU: CCV2262 Price includes framing. This limited edition (500, plus 25 artist's proofs) of hand-painted character cels (with backgrounds) from Walt Disney’s 1953 feature-length animated film, Peter Pan, is one of a series of selected limited editions of original artwork from cartoon classics issued by The Walt Disney Company. The original animation drawings were inked by a Disney artist. and this inked line was transferred to acetate plastic "cels" by a special Xerox process. The colors are Disney-created acrylic-based paints that were hand-applied by Disney painters. To protect the delicate lines and paints, each limited-edition cel in this series has been laminated on both sides with a clear plastic. The background scenes for these cels have been faithfully reproduced by a Disney background...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Static Shock, The Big Leagues SKU: IFA9714 ABOUT THE IMAGE: Static Shock is an American superhero animated...

MEDIUM: ​Original Production Cel on Printed Background Signed by Tom Ruegger IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Animaniacs, Meet Minerva SKU: IFA9192 SIGNED: Tom Ruegger ABOUT TH...

MEDIUM: Original Production Cel on Printed Background SIGNATURE: Tom Ruegger IMAGE SIZE: 10.5" x 9.5" SKU: IFA9282 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons, usually ref...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Tiny Toon Adventures, You Asked For It 2 SKU: IFA9832 ABOUT THE IMAGE: Steven Spielberg ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Tiny Toon Adventures, Inside Plucky Duck SKU: IFA9831 ABOUT THE IMAGE: Steven Spielberg ...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 12" PRODUCTION: Superman the Animated Series, Blasts From the Past - Part 2 SKU: IFA8509 ABOUT THE IMAGE: Superman: The Ani...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Batman The Animated Series, Pretty Poison SKU: IFA7432 ABOUT THE IMAGE: Batman: The Animated...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Batman The Animated Series, The Clock King SKU: IFA7424 ABOUT THE IMAGE: Batman: The Animate...

Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil, dated and numbered on the front from the edition of 100 Unframed The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.” Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, Identity Crisis SKU: IFA1006 ABOUT THE IMAGE: Superman: The Animated Series is an...

MEDIUM: ​Original Production Cel on Master Key Setup IMAGE SIZE: 12 Field PRODUCTION: Pinky and the Brain, Napoleon Brainaparte SKU: IFA2791 ABOUT THE IMAGE: Pinky and the Brain is ...

MEDIUM: ​Original Production Color Call Out Set IMAGE SIZE: 11"x 8.5" PRODUCTION: Tiny Toon Adventures SKU: IFA6045 ABOUT THE IMAGE: Steven Spielberg Presents Tiny Toons, usually r...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 12 Field PRODUCTION: Looney Tunes, Bunny Snatchers 1992 SKU: IFA1763 ABOUT THE IMAGE: Invasion of the Bunny Snatchers is a Bugs Bun...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series SKU: IFA2268 ABOUT THE IMAGE: Superman: The Animated Series is...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12 Field PRODUCTION: Superman the Animated Series, Absolute Power SKU: IFA3887 ABOUT THE IMAGE: Superman: The Anim...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 19" x 10" PRODUCTION: Teen Titans SKU: IFA8147 ABOUT THE IMAGE: Leading the crew in Teen Titans to protect Earth is Robin, formerly ...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series, Mxyzpixilated SKU: IFA3741 ABOUT THE IMAGE: Superman: The Ani...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 16.5" x 11.5" PRODUCTION: Space Jam SKU: IFA6167 ABOUT THE FILM: Featured alongside the NBA legend in Space Jam are Daffy Duck, Bugs...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Looney Tunes, Box Office Bunny SKU: IFA9444 ABOUT THE IMAGE: Looney Tunes is a series o...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 10.5" x 9" PRODUCTION: Sylvester and Tweety Mysteries SKU: IFA9713 ABOUT THE IMAGE: The Sylvester & Tweety Mysteries, produced by ...

Up for sale is a true gem in the world of Looney Tunes Animation. This is an original drawing of Wile Coyote directly from the man himself. Piece comes on Chuck Jones official paper and is inscribed, "With Love- The Coyote + Chuck Jones 1972." Piece is done in pencil and signed by Chuck Jones. Comes beautifully matted and framed with COA from Choice Fine Art...

MEDIUM: ​Original Production Cel on Original Production Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Freakazoid, The Freakazoid SKU: IFA9318 SIGNED: Tom Ruegger ABOUT THE IMAGE: Fr...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series, Little Girl Lost Part II SKU: IFA1796 ABOUT THE IMAGE: Superm...