Art by Medium: Silver Gelatin

Warhol Superstar 'Trash' star, and model Jane Forth, 'After Dark' nude cover shot for the April 1970 issue, photographed in 1970. This is a vintage gelatin silver print, selenium ton...

Royal Ballet dancer Derek Rencher portrait in full makeup for After Dark magazine, 1974. Vintage silver gelatin exhibition photograph made by Jack M...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

11 x 14" vintage silver gelatin photograph of composer and conductor Leonard Bernstein, 1977. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Archiv...

11 x 14" vintage silver gelatin photograph of composer and conductor Leonard Bernstein, 1977. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Archiv...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

One from a series of photographs we have listed, to see the others scroll down to 'More from this seller' and click on 'View all from seller' and then search. Rosemary Ellis Wires I...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

Rosemary Ellis Dam II Original photography for Pipes and Wires in the Outlooks and Insights series published by Bodley Head, composed by Rosemary & Charlotte Ellis. Silver Gelatin Ph...

16 x 20" vintage silver gelatin photograph of actor, screenwriter, and director Christopher Walken, photographed in 1973. It is signed by Jack Mitch...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Joffrey Ballet dancer Robert Blankshine, 1973. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Dry mounted on archival board for ...

Double Self Portrait with Glowing Red Background Signed in pencil, l.r. Vintage hand-painted gelatin silver print 10.5 x 10.5 inches (26.7 x 26.7 cm), image 14 x 11 inches (35.6 x ...

11 x 14" vintage silver gelatin photograph of Actress Valerie Harper, 1973. Signed by Jack Mitchell on the verso. Comes directly from the Jack Mitchell...

Gelatin silver print Signed and numbered, verso 20 x 16 inches, sheet (Edition of 25) This photograph is offered by ClampArt, located in New York City. Forty years after he began documenting the country-music scene in and around Nashville, Henry Horenstein’s deep love for the music and its people continues. Having spent a lifetime around performers and fans, he has been granted access to the high-glamour backstage at the Grand Ole Opry...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Women Embrace on Floor Near JudiJupiter’s Legs Les Mouches, NY, NY June 1978 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inches (Edition of 5 + 2 APs) ...

This is a unique work. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Ar...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude photographed in 1971 in New York City. Nude. Co...

16 x20" vintage silver gelatin photograph of Warhol Superstar Jane Forth, signed by Jack Mitchell and numbered 5/12. Nude Comes directly from the Jack Mitchell Archives with a certif...

16 x 20" vintage silver gelatin photograph of Warhol Superstar Ultra Violet with friends Jason McCoy and Ron Caran, multiple exposure nude for After Dark magazine, 1971. It is signed...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Self Portrait with Honda Motorcycle c. 1970s Signed in black ink, l.r. Vintage hand-painted gelatin silver print 8 x 10 inches (20.3 x 25.4 cm) This work is offered by ClampArt in...

Director Mike Nichols on the Off-Broadway set of "Streamers" in 1976. Vintage silver gelatin exhibition photograph made by Jack Mitchell. Signed on the fr...

Fernando Natalici, Anya Phillips New York City, 1977: Mudd Club co-founder and seminal Downtown art scene legend, Anya Phillips, photographed in between ...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Lee Radziwill and Philip Johnson at The Met - 10/18/1973 Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Philip Johnson was an American architect best known for his works of Modern architecture, including the Glass House in New Canaan, Connecticut, and his works of postmodern architecture, he was awarded an American Institute of Architects Gold Medal and in 1979 the first Pritzker Architecture Prize. He studied as an undergraduate at Harvard University. Upon completing his studies in 1927, he made a series of trips to Europe, visiting the landmarks of classical and Gothic architecture, and joined Henry-Russell Hitchcock, a prominent architectural historian, who was introducing Americans to the work of Le Corbusier, Walter Gropius, and other modernists. In 1928 he met German architect Ludwig Mies van der Rohe, who was at the time designing the German Pavilion for the 1929 Barcelona International Exposition. The meeting formed the basis for a lifelong relationship of both collaboration and competition. In 1930 Johnson joined the architecture department of the Museum of Modern Art in New York. Caroline Lee...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Pentti Sammallahti is a benchmark figure in contemporary Finnish photography. His works depict nature eroded and broken down by civilization, but he does not put man and the environm...

11 x 14" vintage silver gelatin photograph of actor Christopher Walken, 1973. Signed by Jack Mitchell on the verso. Comes directly from the Jack Mi...

Street photography was a passion of Art's and it shows in this delightful shot taken at Brookfield Zoo in 1974. The photograph is signed on the bottom right hand corner. It is matted with a heavy white mat and framed in a simple black metal frame. Art Shay Two Leopards...

"Natalia Makarova " is an gelatin print , silver bromide, numbered and signed photograph offered to " serge Lifar " by Max Waldman . Artist proof . Ser...

11 x 14" vintage silver gelatin photograph of Warhol Superstars Sylvia Miles as Hollywood has-been Sally Todd and Joe Dallesandro as hustler Joey Davis in Andy Warhol's "Heat" - Marc...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...

A vibrant young Jessica Lang shows off her Scottie in this relaxed portrait of the rising star at her cottage retreat in Minnesota in 1976. Art Shay Jessica Lange...

Self Portrait with Riot Stick c. 1970s Signed in black ink, l.r. Vintage gelatin silver print 14 x 11 inches (35.6 x 27.9 cm), sheet 10.25 x 10.25 inches (26 x 26 cm), image This...

The Big Smoke (1971) - Silver Gelatin Fibre Print (Photo by Central Press/Getty Images) 2nd February 1971: Seagulls drift above the waters of the Thames w...

Warhol superstars Joe Dallesandro and Sylvia Miles nude in Andy Warhol’s ‘Heat’, 1971, for After Dark magazine. This is an 8 x 10" vintage silver gelatin photograph that was publishe...

11 x 14" vintage silver gelatin photograph of author John Updike, one of only three writers to win two Pulitzer prizes, photographed at his home in 1978. S...

Academy Award-winning actor & director Warren Beatty, photographed in 1978. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell ...

Backstage Faithfull (1974) - Silver Gelatin Fibre Print (Photo by Hoare/Express/Getty Images) 15th February 1974: English singer and actress Marianne Faithfull sitting in a dressi...

Signed and dated on the front of the mount.

11 x 14" vintage silver gelatin photograph of Andy Warhol filming an early scene of the film he made with Paul Morrissey, in 1970 "Women in Revolt". ...

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...

11 x 14" vintage silver gelatin photograph of twin brothers Jay and Jed Johnson photographed for 'After Dark' magazine on June 8, 1970. Signed by J...

11 x 14" vintage silver gelatin photograph of American classical violinist Eugene Fodor, photographed for After Dark magazine in 1975. Mitchell dry mounted this photograph on archiva...

Susan Hacker -Israel Museum, Sculpture Garden, Jerusalem, Israel, 1979 Silver Gelatin black/white photograph, printed in 1983, hand signed, titled (Jerusalem) and noted. There is no edition size stated Location (Jerusalem), shoot date (1979) and photo print date (1983) and signature in pencil on the bottom back of the photograph. This is of the sculpture Woman skipping rope by Luciano Minguzzi located in the Isamu Noguchi designed sculpture garden at the Israel Museum Image size: 22 x 33 cm Paper size: 28 x 35.5 cm Susan Hacker (1949) is an American photographer and author. She developed and expanded the photography department at Webster University in St. Louis. Her work is in the possession of at least 25 major museums and libraries around the world. There are also many books and publications about her. Has always experimented with many photographic techniques. Hacker is recognized as an innovator of the modern photography art. Susan Hacker Stang (born Susan Hacker, October 19, 1949) is an American photographer, author, and educator. Stang served on the faculty of communications at Webster University in St. Louis from 1974 through 2015 and now holds the title Professor Emeritus. She helped found and build the respected photography program there, heading it for most of her tenure at the university. Her work has been collected by more than 25 major museums and libraries around the world and appears in half a dozen books and numerous magazines. Much of her photography involves the innovative use of alternative cameras, formats, techniques, and media, as evidenced by her two books Encountering Florence (featuring subtly surreal black and white prints of the Italian city using 8 x 10 Polaroid emulsion transfers) and Kodachrome – End of the Run: Photographs from the Final Batches (which chronicles a six-month university photography project in which students and staff would shoot more than 100 roles of rare Kodachrome film for processing on the last day of operations by the world's last remaining Kodachrome processing lab.) In 2016, she published a book of photographs, reAPPEARANCES, which is a sequence of fifty-two photographs made with a digital toy camera (the JOCO VX5). The volume purports to take the viewer on a visual journey through the uncanny coherence of the look of the world, according to Stang's introductory essay. Stang majored in photography at the Rhode Island School of Design, where she earned both a BFA (1971) and MFA (1974), and studied under photographers Harry Callahan and Aaron Siskind. In 1971 she moved to London where she worked as a photographer for the British fashion magazine NOVA (published 1965–1975). She joined the faculty of Webster University in St. Louis in 1974, where she helped found and build the photographic studies program in the School of Communications. In Jerusalem in 1979 she was Artist-In-Residence at the Bezalel Academy of Arts and Design. In recent years, in addition to her work as head of the Webster University photography program and professor of communications, she has taught summer photography workshops in Florence, Italy, both at the Santa Reparata International School of Art (SRISA) and The Darkroom. She taught at Webster for 41 years and earned the Kemper Award for Excellence in Teaching. Stang's photography characteristically employs alternative cameras (such as the Olympus Pen-FT half-frame camera, the Kodak Brownie, and the Holga), or alternative formats (such as Polaroid emulsion transfers) and techniques. Her book of Polaroid emulsion transfers, Encountering Florence was published simultaneously in the U.S. and in Italy (under the title Firenze un Incontro) in 2007. Stang's use of the emulsion transfer process involves transferring the fragile, fabric-like emulsion layer of the photograph (bearing the image) to another surface, subtly transforming the original image in a variety of ways. The results were described in Photo Review as giving Stang's portraits of Florence's buildings, streets, statuary, and gardens "a delicate, draping quality ... reminiscent of the fabrics draped on the ancient statues within the images". An Italian reviewer observed that the photographic process presents "a city not previously seen and perhaps a little disquieting". The book's bi-lingual text in English and Italian was selected and edited by Stang and by Andrea Burzi and Susanna Sarti, both of Florence, to present accompanying word-portraits from authors in their own encounters with the city. A portfolio of Stang's work for the book is held by the Rare Books Collection of the Biblioteca Nazionale Centrale Firenze. In 2010–11, Stang led the Webster University photography program in a six-month-long focus on the color reproduction qualities of Kodachrome film (long revered by professional and amateur photographer for its true, lush color rendition qualities) to mark the permanent discontinuing of the film's production by Kodak. The project ultimately turned into a book documenting the final demise of the medium, and the last day of Kodachrome production anywhere in the world (at Dwayne's Photo in Parsons, Kansas, on January 18, 2011). The last days of processing were covered by The New York Times, National Geographic, and network television. Edited by Stang and fellow photographer Bill Barrett, Kodachrome: End of the Run presents a selection of four-score Kodachrome images shot on more than 100 roles of the film by Webster University students, faculty, and staff over a five-month period and processed by Dwayne's in the final hours as the last processing chemicals ran out. The book includes essays by Stang, Time Magazine worldwide pictures editor Arnold Drapkin, and Dwayne's Photo vice president Grant...

This work is unique. Work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts issued by Christie’s. Stamped on the verso by the Estate of the A...

Bill Owens Portfolio A selection of fifteen photographs from the series, Suburbia Edition of 15 Each photograph is signed and numbered in pencil with artist stamp in black ink on pri...

Silvergelatinprint

Parliament By Night (1973) - Silver Gelatin Fibre Print (Photo by Peter King/Fox Photos/Hulton Archive/Getty Images) Westminster Bridge and the Houses of Parliament by night, 31st ...

11 x 14" vintage silver gelatin photograph of Tony award-winning playwright Terrence McNally photographed nude in Mitchell's studio for 'After Dark' m...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

Carry On Tea Break (1971) - Silver Gelatin Fibre Print (Photo by Larry Ellis Collection/Getty Images Archive) British actors Sid James and Kenneth Williams eating jellied eels from paper cups...

Queen - Freddie Mercury - signed, limited edition by Martyn Goddard Queen Southampton 26/5/1977 Signed limited edition of 25 only this size One of three rolls of film used to produce the 'In the City' album cover for the Jam shot in my studio in London March 1977. The band had style and the slick black suits helped produce what was to be one of Polydor Records first monochrome album covers. Martyn made album cover photographs for The Jam, Blondie, The Cure and others over the course of a 20 year career. After a period assisting acclaimed photographer Gered Mankowitz, Martyn Goddard became a regular face on the New Wave music scene of the seventies and early eighties. This was an era of LP picture discs with serious budgets requiring creative photography. Photographing acts such as Blondie, The Jam, The Cure, Sham 69, Ian Dury...