Scarified Cylinder Vase
View Similar Items
1 of 1
Andile DylvaneScarified Cylinder Vase 2016
2016
About the Item
- Creator:Andile Dylvane
- Creation Year:2016
- Dimensions:Height: 9.06 in (23 cm)Width: 11.42 in (29 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Perfect condition. No marks or imperfections.
- Gallery Location:London, GB
- Reference Number:Seller: DYA0011stDibs: LU69332635223
You May Also Like
- Dana Bloom, Cover- Discover Mobile. Based on 2020 Tel Aviv Biannale installationLocated in Tel Aviv, ILBased on her breathtaking golden faces chandelier named Cover-Discover, made for the Tel Aviv 2020 Biannale, Dana Bloom is now offering a limited edition of...Category
2010s Contemporary Figurative Sculptures
MaterialsGold Leaf
- Lapis 618 - white 3D abstract floral geometric ceramic compositionBy Marie LaforeyLocated in New York, NYMarie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with organic mediums and learning how to craft preserved moss...Category
2010s Contemporary Mixed Media
MaterialsClay
- Lapis 270 - white 3D abstract floral geometric ceramic wall compositionBy Marie LaforeyLocated in New York, NYMarie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with organic mediums and learning how to craft preserved moss, clay, feathers and other natural elements into beautiful abstract compositions. Primarily inspired by nature, repetition, patterns, texture and geometry are essential elements that are omnipresent in her works. About Lapis and Flos series: Laforey recent ceramic works are unique pieces that alter in patterns to give an illusion of movement and depth by using clay’s potential for building sculptural dimension. The repetitive use of a unique element, the circle is centered to her work. The circle has often been associated with the female and to Mother Earth. It has no beginning and no end, it is the whole, the essence of things. It symbolizes the ongoing energy found in nature. Laforey’s Lapis mural ceramic series...Category
2010s Contemporary Mixed Media
MaterialsClay
- Second SightBy Esperanza CortesLocated in New Orleans, LAmedium: installation, table, mirror, 20 glass and metal beaded clay sculptures Esperanza Cortés is a Colombian born multidisciplinary artist based in New York City. Cortés has been ...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsMetal
- "FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribalBy Harold WortsmanLocated in Toronto, OntarioFOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...Category
21st Century and Contemporary Contemporary Abstract Sculptures
MaterialsLimestone
- V4 – Crown the Clown Collection, 2021, Stoneware Clay with GlazesLocated in London, GBFREYA BRAMBLE-CARTER V4 – Crown the Clown Collection, 2021 Thrown and assembled in Stoneware Clay, with a combination of Glazes, Underglazes, Enamels and...Category
2010s Contemporary Mixed Media
MaterialsEnamel, Gold